Your Shadow Half Remains
Ratings14
Average rating3.5
Sunny Moraine's horror novella is a brilliantly creepy story of an unfolding 'pandemic' apocalypse of a violent rage spread by eye contact. But this is no CDC zombie uprising survivalist story (not that there is anything wrong with that love your work Last Of Us) but a first person perspective of a young woman Riley, who has left the city to huddle in the small house her grandparents owned, somewhere in the country. While lots of humans have died—more accurately, killed each other and themselves—there is enough infrastructure left that she can order groceries via her computer. When the story opens, Riley throws her still-functioning phone into the lake. She herself isn’t quite sure why, except for a feeling that there is literally no one to connect with.
The story unfolds from her personal view and so you wonder how much of this is real and how much is it Riley's decent into the madness.
And I don't care what anyone says crows are creepy, nothing ends well if a crow is your herald of change.
Sunny Moraine's horror novella is a brilliantly creepy story of an unfolding 'pandemic' apocalypse of a violent rage spread by eye contact. But this is no CDC zombie uprising survivalist story (not that there is anything wrong with that love your work Last Of Us) but a first person perspective of a young woman Riley, who has left the city to huddle in the small house her grandparents owned, somewhere in the country. While lots of humans have died—more accurately, killed each other and themselves—there is enough infrastructure left that she can order groceries via her computer. When the story opens, Riley throws her still-functioning phone into the lake. She herself isn’t quite sure why, except for a feeling that there is literally no one to connect with.
The story unfolds from her personal view and so you wonder how much of this is real and how much is it Riley's decent into the madness.
And I don't care what anyone says crows are creepy, nothing ends well if a crow is your herald of change.
Added to listTrans authorswith 9 books.
I saw a fellow FanFiAddict reviewer post this one and saw the Josh Malerman’s Bird Box comparison. So I was incredibly excited to start it when I was approved through NetGalley for the audiobook. The narration by the author is pretty perfect honestly.
This story has many threads that can be drawn to the Covid pandemic, however, it is taken a step further in almost every aspect, so as to be it’s own thing. (Don’t worry Covid novel haters, it’s really not one!).
It is however, featuring a mysterious virus that seemingly turns normal, everyday humans, into angry, murderous versions of who they once were. Women, men, and children of all varieties fall victim to the virus. Wives, husbands, sons and daughters. Moms and dads. Coworkers and strangers. All they seem to know is that it spreads through eye contact. It has broken down society in every form.
I will say the audiobook version says, “The Last of Us meets Bird Box,” which maybe they meant the violence of TLOU, but it made me think (fungal-)zombies instead, which this is not. And although Bird Box is most definitely a good comparison, I didn’t find this one to hit its stride in the same way BB does with suspenseful-ness. However this one is a novella, not a full length novel.
Riley has survived. She lives in a somewhat secluded area, ordering what she needs, and always has it set to contactless delivery. Even though these are becoming less and less frequent, so far she’s made do, for years. But when a new neighbor, Ellis, introduces himself, her entire world has to shift. He wants to be friends, he doesn’t stay away, and seemingly worst of all, he makes her comfortable.
As their relationship and their visits continue, Riley finds herself unraveling—spiraling as she has to wonder just what it would be like to look. The more tempting it gets, the more unhinged she becomes. This was a good examination of isolation, especially when it hinges on the unknown and fear. Personally a 4/5*
I saw a fellow FanFiAddict reviewer post this one and saw the Josh Malerman’s Bird Box comparison. So I was incredibly excited to start it when I was approved through NetGalley for the audiobook. The narration by the author is pretty perfect honestly.
This story has many threads that can be drawn to the Covid pandemic, however, it is taken a step further in almost every aspect, so as to be it’s own thing. (Don’t worry Covid novel haters, it’s really not one!).
It is however, featuring a mysterious virus that seemingly turns normal, everyday humans, into angry, murderous versions of who they once were. Women, men, and children of all varieties fall victim to the virus. Wives, husbands, sons and daughters. Moms and dads. Coworkers and strangers. All they seem to know is that it spreads through eye contact. It has broken down society in every form.
I will say the audiobook version says, “The Last of Us meets Bird Box,” which maybe they meant the violence of TLOU, but it made me think (fungal-)zombies instead, which this is not. And although Bird Box is most definitely a good comparison, I didn’t find this one to hit its stride in the same way BB does with suspenseful-ness. However this one is a novella, not a full length novel.
Riley has survived. She lives in a somewhat secluded area, ordering what she needs, and always has it set to contactless delivery. Even though these are becoming less and less frequent, so far she’s made do, for years. But when a new neighbor, Ellis, introduces himself, her entire world has to shift. He wants to be friends, he doesn’t stay away, and seemingly worst of all, he makes her comfortable.
As their relationship and their visits continue, Riley finds herself unraveling—spiraling as she has to wonder just what it would be like to look. The more tempting it gets, the more unhinged she becomes. This was a good examination of isolation, especially when it hinges on the unknown and fear. Personally a 4/5*