Ratings62
Average rating3.9
I’ve seen so many positive reviews for the author this year that I finally grabbed one of their books. I did the audio, and Kristen Sieh did a fantastic job with it.
On the surface, this is the quintessential werewolf story. A mysterious attack that ends in a bite. Strange healing, new appetite, an aversion to silver, and then of course, that first full moon, incredible pain, fur, and waking up bloody. But what the author has layered here is anything but typical. What could virtually function as a familial contemporary drama has been layered within this werewolf horror. Rory has returned home for a few months to help her twin sister out with the end of her pregnancy. She’s in need of something new, a change, a transformation, but the one she gets is anything but what she had in mind. And as she begins to work through the past she thought she had left behind, old friends and even old flings begin to make themselves known.
An additional layer that I thoroughly enjoyed throughout was the novel’s humor. The author has imbued this story, and even some of its more serious moments with some really great, tongue-in-cheek turns. From Rory’s dark, sarcastic millennial attitude, to her almost entirely meat driven diet, there is a sense of comic relief even when the beats turn emotional. I think as a novel taking on the werewolf trope that was a really wise and well done choice.
And while there are some darker notes here, especially those around sexual assault and compounded family trauma, the novel in essence is about bodily autonomy and choice. The mirroring of Rory losing her choice and freedom to this monstrous change to her sister’s fear and loss as she’s about to give birth and virtually have to completely relearn the idea of “self” really can’t be understated. The fact that they are twins, one with a past of trauma and the other without, really drives home that closeness as well. And together they learn that they can forgive and grow, to move forward.
The romantic side story in this did move a bit fast, but when you keep in mind their past together, it’s pretty understandable. His ability to see past her imperfections, including the monthly side with fangs, ties back into choice and the ability to move on. I will definitely read more from the author!
I’ve seen so many positive reviews for the author this year that I finally grabbed one of their books. I did the audio, and Kristen Sieh did a fantastic job with it.
On the surface, this is the quintessential werewolf story. A mysterious attack that ends in a bite. Strange healing, new appetite, an aversion to silver, and then of course, that first full moon, incredible pain, fur, and waking up bloody. But what the author has layered here is anything but typical. What could virtually function as a familial contemporary drama has been layered within this werewolf horror. Rory has returned home for a few months to help her twin sister out with the end of her pregnancy. She’s in need of something new, a change, a transformation, but the one she gets is anything but what she had in mind. And as she begins to work through the past she thought she had left behind, old friends and even old flings begin to make themselves known.
An additional layer that I thoroughly enjoyed throughout was the novel’s humor. The author has imbued this story, and even some of its more serious moments with some really great, tongue-in-cheek turns. From Rory’s dark, sarcastic millennial attitude, to her almost entirely meat driven diet, there is a sense of comic relief even when the beats turn emotional. I think as a novel taking on the werewolf trope that was a really wise and well done choice.
And while there are some darker notes here, especially those around sexual assault and compounded family trauma, the novel in essence is about bodily autonomy and choice. The mirroring of Rory losing her choice and freedom to this monstrous change to her sister’s fear and loss as she’s about to give birth and virtually have to completely relearn the idea of “self” really can’t be understated. The fact that they are twins, one with a past of trauma and the other without, really drives home that closeness as well. And together they learn that they can forgive and grow, to move forward.
The romantic side story in this did move a bit fast, but when you keep in mind their past together, it’s pretty understandable. His ability to see past her imperfections, including the monthly side with fangs, ties back into choice and the ability to move on. I will definitely read more from the author!
rachel harrison truly just is gonna do it everytime. this book perfectly conveys both raw emotions and humor. the characters in this book are truly messy which i loved and we are seeing our main character and others figure out their inner selves and navigating the relationships around them. i specifically adored rory's relationship with her twin sister.
AND THE METAPHOR OF TRANSFORMATIONNNNNNN. *chef's kiss*
rachel harrison truly just is gonna do it everytime. this book perfectly conveys both raw emotions and humor. the characters in this book are truly messy which i loved and we are seeing our main character and others figure out their inner selves and navigating the relationships around them. i specifically adored rory's relationship with her twin sister.
AND THE METAPHOR OF TRANSFORMATIONNNNNNN. *chef's kiss*
This originally appeared at The Irresponsible Reader.
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The Publisher’s website says:
Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.
Rory survives, miraculously, but life begins to look and feel different. She’s unnaturally strong, with an aversion to silver—and suddenly the moon has her in its thrall. She’s changing into someone else—something else, maybe even a monster. But does that mean she’s putting those close to her in danger? Or is embracing the wildness inside of her the key to acceptance?
This darkly comedic love story is a brilliantly layered portrait of trauma, rage, and vulnerability.
Sieh matched the energy and tone of the book—elevating some of the text with her performance.
If I took the time to make a pros and cons list…I think the pros would win but by a hair.
The way the book is set up—a high-powered businesswoman from “the City” coming back to her hometown, only to meet with her High School friend who’s been carrying a torch for her since then. Things spark up between them and she’s starting to consider leaving behind all the power and money for this humble guy from a small town. I couldn’t help but think of every single Hallmark Movie parody I’ve seen/read when she talked about “the City.” And most of the storyline surrounding them reminded me of those movies/parodies, too.
The pros, however…Harrison delivers some great werewolf fiction here. The initial bite, the transformations…just about everything that Rory does to investigate her new condition…and more is so well done, and in many ways is superior to every other werewolf novel I’ve read. It’s some really solid and creepy work there, and I wish more of the book lived up to it.
In the end, it was good enough. It kept me engaged, the story moved well, and I can’t say enough about the depiction of lycanthropes. I do recommend Such Sharp Teeth, but with a few caveats.
Originally posted at irresponsiblereader.com.
This originally appeared at The Irresponsible Reader.
---
The Publisher’s website says:
Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.
Rory survives, miraculously, but life begins to look and feel different. She’s unnaturally strong, with an aversion to silver—and suddenly the moon has her in its thrall. She’s changing into someone else—something else, maybe even a monster. But does that mean she’s putting those close to her in danger? Or is embracing the wildness inside of her the key to acceptance?
This darkly comedic love story is a brilliantly layered portrait of trauma, rage, and vulnerability.
Sieh matched the energy and tone of the book—elevating some of the text with her performance.
If I took the time to make a pros and cons list…I think the pros would win but by a hair.
The way the book is set up—a high-powered businesswoman from “the City” coming back to her hometown, only to meet with her High School friend who’s been carrying a torch for her since then. Things spark up between them and she’s starting to consider leaving behind all the power and money for this humble guy from a small town. I couldn’t help but think of every single Hallmark Movie parody I’ve seen/read when she talked about “the City.” And most of the storyline surrounding them reminded me of those movies/parodies, too.
The pros, however…Harrison delivers some great werewolf fiction here. The initial bite, the transformations…just about everything that Rory does to investigate her new condition…and more is so well done, and in many ways is superior to every other werewolf novel I’ve read. It’s some really solid and creepy work there, and I wish more of the book lived up to it.
In the end, it was good enough. It kept me engaged, the story moved well, and I can’t say enough about the depiction of lycanthropes. I do recommend Such Sharp Teeth, but with a few caveats.
Originally posted at irresponsiblereader.com.