How the West Lost and the East Kept the Original Easter Vision
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In this four-color illustrated journey that is part travelogue and part theological investigation, bestselling author and acclaimed Bible scholar John Dominic Crossan and his wife Sarah painstakingly travel throughout the ancient Eastern church, documenting through text and image a completely different model for understanding Easter's resurrection story, one that provides promise and hope for us today. Traveling the world, the Crossans noticed a surprising difference in how the Eastern Church considers Jesus' resurrection -- an event not described in the Bible. At Saint Barbara's Church in Cairo, they found a painting in which the risen Jesus grasps the hands of other figures around him. Unlike the Western image of a solitary Jesus rising from an empty tomb that he viewed across Eastern Europe, Asia, and the Middle East, the Crossans saw images of the resurrection depicting a Jesus grasping the hands of figures around him, or lifting Adam and Eve to heaven from Hades or hell, or carrying the old and sick to the afterlife. They discovered that the standard image for the Resurrection in Eastern Christianity is communal and collective, something unique from the solitary depiction of the resurrection in Western Christianity. Fifteen years in the making, Resurrecting Easter reflects on this divide in how the Western and Eastern churches depict the resurrection and its implications. The Crossans argue that the West has gutted the heart of Christianity's understanding of the resurrection by rejecting that once-common communal iconography in favor of an individualistic vision. As they examine the ubiquitous Eastern imagery of Jesus freeing Eve from Hades while ascending to heaven, the Crossans suggest that this iconography raises profound questions about Christian morality and forgiveness. A fundamentally different way of understand the story of Jesus' rebirth illustrated with 130 images, Resurrecting Easter introduces an inclusive, traditional community-based ideal that offers renewed hope and possibilities for our fractured modern society.
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This is a fantastic book.
The premise of the book is that within the tradition of art surrounding the resurrection of Christ there are two distinct types of resurrection images. One he calls the individual resurrection tradition, the other the universal resurrection tradition. The individual resurrection tradition most characterizes the Western Church and the universal resurrection tradition is represented in the East.
Early in the history of the church (the first millennium) we have both of these traditions are represented, but as we move into the second millennium, the West adopts the individual tradition and the East the universal. The Crossans examine this history and trace the development in a marvelous visual way. They take us to little known locations and display wonderful pictures to help us see this development. Occasionally, the photos are too small to show the detail needed, but often I could find the work online and enlarge and follow. Occasionally not.
But Resurrecting Easter is more than a visual history. Crossan makes a case for the tradition he feels best represents the Easter tradition expressed in the Gospels. His conclusion is that the true Easter vision is represented by the universal resurrection tradition that is dominant in the East.
I won't try to reproduce his argument in this review but I will leave you with some of his observations...
Read the whole review: https://thetempleblog.com/book-review-resurrecting-easter/
This would be better as an exhibit than a play-by-play travel and research details. I got through most of it.