Ratings2
Average rating3.5
MY FIRST COUP D'ETAT is a literary nonfiction account that charts the coming of age of John Dramani Mahama in Ghana during the dismal post-independence "lost decades" of Africa. He was seven years old when rumors of that first coup reached his boarding school in Accra. His father was suddenly missing. "It is sometimes incorrectly referred to in texts as a bloodless coup, yet it was anything but," Mahama writes. "They tried, as best they could, with smiles and toffee, to shield me from their rising anxiety but I could feel it bouncing off the quick sideways glances they shot one another and taking flight like some dark, winged creature." John's father, a Minister of State, was in prison for more than a year. MY FIRST COUP D'ETAT offers a look at the country that has long been considered Africa's success story--from its founding as the first sub-Saharan nation to gain independence, to its current status as the only nation on the continent to have, thus far, met the majority of targets on hunger, poverty, and education set by the U.N. But these stories work on many levels--as fables, as history, as cultural and political analysis, and of course as the memoir of a young man who, unbeknownst to him or anyone else, is destined to become a leader in his own land. These are stories that rise above their specific settings and transport the reader--much like the stories of Isaac Bashevis Singer and Nadine Gordimer--into a world all their own, one which straddles a time lost and explores the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.
Reviews with the most likes.
Written by the current Ghanaian President, My First Coup d'Etat is a far-reaching and interesting memoir of life in post-colonial Ghana. It follows Mahama from the day he learns his father, a Member of Parliament, has been ousted following the 1966 coup, which removed Ghana's first President, Kwame Nkrumah, from government.
The book then follows a meandering, indirect path through Mahama's life and musings: we learn both of his political maturation, his family history in the north of the country, and the life and culture of a fast-developing, fast-Westernizing Ghana. Mahama's attitudes towards this change, and this tension between tradition and modernity, are somewhat nebulous: he implies a healthy skepticism regarding religion and its uses; he describes his affair with socialism in relatively muted terms; and, while describing the later coups in Ghana's history, he refrains from pointing fingers. This makes sense, given his current position. And, honestly, the book doesn't suffer much from this lack of big opinions, it's still a pretty good read.