Murtagh: The World of Eragon

Far and away Paolini's best novel, and one of my favorite books of the year. And not just because of childhood nostalgia: this is a genuinely very good fantasy novel that emphasizes the best aspects of Paolini's storytelling and worldbuilding, and gives a wonderful story to the original series's most interesting character.

When I heard this book was coming out, I didn't have high expectations at all. Murtagh's arc at the end of the Inheritance Cycle is a dark one, and I'd expect his journey away from Ilirea to be filled with much more alcohol, sex, and depression than you could ever expect in a young adult book. I selfishly wanted a very adult, grimdark novel out of this one.

I'm thrilled to say that we got a very dark book in a fantastic way. Paolini handles Murtagh's arc with maturity, class, and deftness. Despite the young-adult marketing and clean narration, we have a protagonist in his twenties who at times approaches Fitz-like levels of intensity and emotional devastation. Murtagh is a far, far more interesting character viewpoint than Eragon, and Paolini lets his perspective burrow deeper into Murtagh's mind than we ever really saw with Eragon in the original series. The setup for what will be the next Alagaesia series is smaller than some people have been saying; you won't see many characters from the original series making appearances here.

I always felt that Paolini's world particularly separated itself from its derivative origins due to its large focus on wilderness and environment, and this one leans into those aspects even more. Readers familiar with the Western United States will recognize several natural, cultural, and social themes that pop up in the book. The writing was solid; a big improvement on the Fractalverse, but I suspect Paolini writes better in Alagaesia anyway.

My only substantial criticism of Murtagh is who it's for. I highly recommend this to all the other childhood Eragon fans out there who might have forgotten about the series and want a much-better-than expected jaunt down memory lane. It is absolutely not the best entry point into the world; adult readers who are interested will probably have to struggle through the original series for this to make much sense, and I find Murtagh's internal monologue far more relatable to people in their twenties than teens looking to get into the series. I've seen very little marketing around this series in my largely epic-fantasy-focused social media feeds, which is a shame because this book is good, and most of today's epic fantasy fans grew up on this series. Read this!

While not overly amazing or an example of excellent prose, Murtagh does a great job of recapturing the sense of adventure and hitting on the nostalgia aspects of the original series. Fans of the Eragon books will definitely find lots to enjoy throughout. Whoever thinks this could be read standalone without having read the original series is crazy though. Overall a fun, easy read that’s a good time throughout.

I'd say that this was a “fun” return to the Eragon world, but it would feel insensitive because of all the torture and human suffering and stuff. I really liked getting to follow the characters and see more of what happens after the end of the original series, but I would call this more of a spinoff than a sequel. Also, I think this book could've been a lot shorter if he had cut out some repetitive description. But, I was entertained the whole time, and I enjoyed it.

Age range: 16+
The main character is tortured for a while, and he wrestles with a lot of questioning guilt. Plus normal violence outside of that. Probably not great for younger readers.

I've like this whole series, and this book was no exception. There was one section that was far too long in my opinion where the same thing kept happening over and over (that's all I'll say to prevent spoilers). I don't think it was needed, we got the point the first time. But over all I would recommend this book I did enjoy it quite a lot.

I am very surprised with this book and not really in a good way. I really enjoyed the original books so I assumed that this would be better since the author is an adult now but I thought the writing was a snooze fest with only some good parts sprinkled in with an ending that vastly helped bring this from 2 stars to 3.

Idk if the story is just boring or I just wasn't feeling it at this time but I kept zoning out over and over to the point where I just started skimming. I'll be rereading the whole series when the next book comes out so we shall see if I feel the same way then, but at this point I don't recommend this book unless you really enjoyed the original series and if you didn't think it was that great then don't bother continuing.

Great addition to the series. I loved getting a look into life after Eragon, and following a rider that isn't perfect or all powerful. 

This is book five of The Inheritance Cycle, however it is not the book five that the author previously had in mind as one day coming out (aka hell yeah there’s still more). This also features the same story shown in The Fork, just from Murtagh’s perspective.

It’s only been a year since the end of the fourth book, and yet so much has happened and so many things are going on. Murtagh and Thorn are desperately searching for a path forward, in desperate need of figuring out who they are without the traumatic hand of Galbatorix overseeing them. Neither are sure if word has spread of their hand in bringing about the king’s end, so they travel on the very outskirts of society, camping out at night and constantly traveling. Murtagh keeps up his false identity we met in The Fork, but he just can’t help getting involved when things happen. This need, this desire to be good, this curiosity, is the impetus for everything that follows.

Paolini really pulled back the curtain with this one. Murtagh was the jaded, traumatized bad boy long before it was cool. And he doesn’t shy away from telling the reader just how horrible his time at Urû'baen was. From the memories of him as a child, living under the temperamental (at best) Morzan, to being bullied and overshadowed during court life, to his captivity and subsequent torture with Thorn. All while they were forced under oath. And don’t forget that Murtagh is only twenty at the end of the series! They really are just damaged boys. Beat down and trapped over and over again.

Sadly, for most of this new novel, that truth doesn’t change. Perhaps that’s just their lot in life (and Paolini does enjoy torturing us readers too). I will say again, kind of like my recently re-shared ‘review’ of Inheritance and the series in general, there was a part in this new one that involves a fish that had me shaking my head and wondering why I was reading about it. But again, the author reels it in and by the end you’re left not feeling like you’ve had enough. Each trial takes Murtagh and Thorn back through something that triggers a trauma, reliving the worst of their lives. And each time they must adapt, persevere, and fight back. They consistently claw their way out of the trouble they’ve walked into, and both end up way more dynamic for it.

Murtagh’s curiosity leads them down a path that involves a witch and her unruly cult. More than once they question if they should contact Nasuada, Eragon, or Arya so that they aren’t alone. Part anti-hero rashness, and part not knowing if they’ll be accepted by the others, they push on alone. This does not go well for them. There is even a part where Murtagh pushes a healing charm to Thorn’s nose that I could feel actual tears brewing. This witch makes a lot of heavy claims. Whether or not she’s telling the truth, or if those things come to pass, we may get to experience some things that make us say, “Galbatorix who?”

I really enjoyed that Paolini only has Murtagh use a handful of spells in the ancient language. He tends to get whatever he needs done, somehow, but it’s pointed out how he has quite large gaps in his education (unlike Eragon) and I felt like this was actually one of the author’s subtle ways of showing it. I feel like this book is half “Eragon ain’t the only dragon rider, I don’t need him,” and half “oh damn, we really should have called Eragon.” It’s hard to be the older brother.

I think it’s obvious that Paolini has clearly grown and learned a lot. The writing is powerful and each word is packed with meaning. Not only are his characters growing, but he has as well. His style still feels well within the world of Alagaësia, however I really wouldn’t tag this one as young adult at all. The themes are dark, the descriptions are brutal, and they have grown out of adolescence themselves. This was absolutely incredible, and I’m so excited that he’s stated he’s not running out of ideas anytime soon. Personally a 5/5*

This book was awesome! To me, Murtagh and Thorn felt much more likeable, tragic, and relatable than Eragon and Saphira. Both Murtagh and Thorn struggle with bugs from their past that continue to bite them. But in the end, of course, they both overcome their past and find a new confidence and identity in themselves. Oh, and they fight a witch and her cult army in order to prevent a giant dragon from eating the sun. Pretty epic.

I sorta read this one on and off in between other books, but still, now I want more of Murtagh! Ooh, and Uvek is my new favorite character. Never thought I'd end up liking an urgal so much.

What I found most surprising was that the writing style stayed pretty consistent from the original novels. Paolini has grown significantly as a writer, and I love his new scifi books so much, and I expected that returning to this series would read differently. 

But it still feels like Eragon, and I like that better. It's comfy coming back to this world. And writing Murtagh and Thorn's traumas was handled well, and needed the time and experience Paolini has gained to come through so poignantly. This was a painful read, but a story worth telling. From the author note, it's clear that more stories are coming, and I'm here for each and every one of them! 

I think this book does exactly what it is meant to do, and that is to drag readers right back into the world of Alagaësia.
Murtagh was always one of my favourite characters in the original Inheritance Cycle and his was one of the stories I desperately wanted more of. To have this wish finally come true is honestly incredible and I was smitten by the deep dive into Murtagh's mind right from the opening page.

What makes Murtagh such an interesting and moving character to me is how completely and utterly broken he is. He's a character who has had one of the most difficult lots in life and he's forced to deal with the fallout of being enslaved to Galbatorix and all of the horrible deeds he was forced to carry out. This has broken him down even further into a bitter, lonely man which is so heartbreaking to read. His one saving grace is his dragon, Thorn, who I was equally happy to see more of. The trauma that these two have to endure and try to overcome through this book is absolutely heartbreaking and it had me so devastated reading of the horrors that have them struggling to find their ways.

There is something so unbelievably powerful about owning up to your actions, even those who shame you, those you regret, those you can blame on others, growing and learning from them, moving forward, and refusing to let yourself be caged in the confines of how others understand you to be.

It was both everything I've always wanted, and get so brutally hard to read about Murtagh and Thorn's time enslaved to Galbatorix. They were so abused by the King and it messed with them both physically and mentally, and scars both visible and not are forcefully on display throughout this book. Every second that one or both of them were brought down by their mental injuries just broke my heart, and it happens frequently and painfully. Murtagh's inner turmoil over feeling he is a bad person for all the bad deeds he was forced into shows how incredibly broken he is from his time enslaved and it's so tough to read about his self-loathing for something he literally had no control over. And even harder is the fact that everyone who knows of his horrid deeds blames him just as much and condemns him for the horrors he partook in, which made me so sad for both Murtagh and Thorn considering they were quite literally incapable of not following Galbatorix's orders. Suffice it to say it could be a very emotional read at times. And not just in the memories of the past. The present had its moments too, so basically I was an emotional wreck constantly.
But through all that is the bond between Murtagh and Thorn which is so pure despite everything the two have endured. It's the most meaningful and beautiful part of this book and I couldn't get enough of it. Even through the tough, heartbreaking moments they are forced to endure in the present in this book, their bond shines through all. There were multiple moments between them that just knocked the breath out of me with feeling, particularly a moment at the end that had me more than a little teary.

Moreso, those few and in between moments of little happiness that both - Murtagh and Thorn - are able to experience with each other are so beautiful and so long in the waiting for them. I just want these two to live a easy and cosy life together without them having to look back all the time.

Character: ★ ★ ★ ☆ ☆

Plot: ★ ★ ☆ ☆ ☆

Prose: ★ ★ ★ ☆ ☆ (I always forget how much Paolini loves making people tttrot~)

OVERALL: ★ ★ ½ ☆ ☆ ☆

My ridiculously long essay about this book, hosted on Substack, can be found at the URL at the end of this review.

Let it be known that, just like Eragon, Murtagh is not very bright. It must be from Mum’s side of the family.

I wanted this to be more than it was.

This was one of my most anticipated books of the year, but I’ve had mixed feelings on the whole affair since the announcement. Like many, The Inheritance Cycle was my all-time favourite series from when I was about nine to somewhere in my early teens, and Murtagh left such a huge impression on me as a kid that his archetype (the angsty, angry, yet tragic bad boy loner with parental issues) is still one of my favourite things ever; I cannot stress how much the one proper chapter he has in Eldest drove me feral between the two years of my reading it and Brisingr’s release. That being said, I think the magic for the series started fading in my eyes with the release of Inheritance, which I didn’t love, and my admiration for Paolini as a writer dulled with his other novel To Sleep in a Sea of Stars, which I thought was pretty … meh; the only thing I could and can really say about it was, “yup, that was indeed a book I read”.

So I was excited to revisit my OG bad boy, he has so much potential from where we last saw him, but I was worried about Paolini’s ability to deliver a *good book*. And mixed feelings is a good way to put it now that I’ve finished.

Firstly, I adored getting to see Murtagh and Thorn’s psyches seventeen years after being introduced to them and deciding that these two would be my favourite poor little meow meows/blorbos (or whatever the kids say nowadays) forever. My throat did all the closing up and my heart ached whenever I read the passages about their experiences in Urû’baen at the hands of Galbatorix and his court. A shining beacon throughout the novel was in watching the two of them struggling with and addressing the trauma they experienced, most notable in Thorn’s fear of confined spaces and the ugly consequences that follow.

The book is very good at making me feel emotions for Murtagh and Thorn. But I wanted to feel, well, more. I wanted Murtagh to be a book about them navigating a post-Galbatorix landscape where they must deal with the fact that they’ve committed these atrocities, willingly or not. I wanted the main conflict to be centred around the fact that people don’t trust Murtagh and Thorn. I wanted a character-driven piece of storytelling.

Instead, the book is mostly a plot-driven sequel-setter. I’ve not been left a happy camper as it stumbles into the age-old sequel problem of oh shit, we need to escalate the stakes, and it’s decided to do this by introducing a Deep State, cheese-morality, Satanic Panic influenced, Westboro-fire-and-brimstone-esque Cthulhu cult that Murtagh and Thorn need to take out. But oops, we ran out of pages please buy the next book.

Man, when this was announced back in March, I thought was going to be a character study standalone D:

So, it’s an action-adventure book, it’s a book with all the swords and gore and magician duels of the previous books. It’s a winning formula, but, this time around, not for me. The characters stumble about from one plot point to the next through blind luck and by making strange (stupid) decisions, and I struggled to find a solid, motivational throughline for the events going on other than “we need to get the book to happen”. I found the main conflict centred around Bachel and her cult to be underwhelming at best, and downright boring at worst, and I just … I wanted more, and not in the way that more sequels! can fix.

In summary, Murtagh feels like a book teetering on the edge of having something to say, but never quite succeeding because instead of delving into what made Murtagh and Thorn so interesting in the first place, it’s more focused on doing, to be blunt about it, boring, tired, ill-thought out, and done-better-elsewhere plot things for later books. How can you have characters like Murtagh and Thorn, who have long been those with the most potential in the Cycle, and decide that this was the story that needed to be told about them? Setting them up to save the world isn’t why I found them interesting.

——

Criticisms from the original books that have been addressed and I am super happy about!

• The Empire is given more substance to it from the flat, evil entity it was in the previous books, hooray! The soldiers are talked about, the social classes are given more stage room, the economies and governments in cities and towns do exist; it was more than I was expecting upon coming into the book. Good job, I would like more, please.
• Murtagh is also, unlike Eragon, not ridiculously bloodthirsty. Sure, he is dangerous, but he’s not going about punching people so hard their hearts stop and coming away with the conclusion of “huh, I should change my knuckles to kill people even harder”, or “man, I wish I could kill a few more people for my literal murder mountain so I can have an even headcount of two hundred”. Murtagh and Eragon may be equally stupid, but at least Murtagh (mostly) escaped the psychopath gene that Eragon and Roran have.

However …

• Murtagh and Thorn’s relationship feels very much the same as Eragon and Saphira’s in that the Rider is definitely in charge and the dragon is, at best, a flying sidekick. Very frustrating. There are nice scenes between Murtagh and Thorn which show them as equals in the relationship, don’t get me wrong, and I love how they’re in each other’s corners, but Murtagh’s the one making the big decisions and calling the shots, with Thorn always going along with what Murtagh wants to do. So I’m not really sold on this being an equal partnership.
• We also return to the weirdly worded pseudo-medieval speak, and I’m still not a fan. Pls Chris. And whilst we’re on the subject of dialogue, can we stop with the written accents please. It’s so frustrating to read these “not-quite-Cockney-but-aping-on-something-vaguely-East-London”, are-youse-’avin-a-laff-at-me accents and I wish the trend would die. Just stop.
• Paolini still cannot write poetry and verse beyond the first two-ish lines of a stanza. I automatically skip these now because they’re the reading equivalent of nails on a chalkboard.
• There is still a looot of filler going on here. Flying around filler, random musings filler, random worldbuilding filler, descriptions that are so lengthy that they become, for me at least, ineffective. This book could have easily been 100 pages shorter if the filler was either cut or strictly edited down. This is something I always forget is a thing when I pick up a Paolini book until I’m like, “Oh…. Yeah.”

I will read the next book because Murtagh and Thorn are my favourites, but can it reach the heights of its potential? Well, that’s up to Chris and his team at Knopf Books, now.

If you would like to read an utterly exhaustive, in-depth analysis on this book that dissects the plot, characters, and writing, you can find my heinously long essay on Substack below.

Also who decided that the world map at the front of the travel book would be in made-up runes? Sir, I just want to talk to the art department.