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Thirty-six-year-old Grace McAllister never longed for children. But when she meets Victor Hansen, a handsome, charismatic divorced restaurateur who is father to Max and Ava, Grace decides that, for the right man, she could learn to be an excellent part-time stepmom. After all, the kids live with their mother, Kelli. How hard could it be? At thirteen, Ava Hansen is mature beyond her years. Since her parents’ divorce, she has been taking care of her emotionally unstable mother and her little brother—she pays the bills, does the laundry, and never complains because she loves her mama more than anyone. And while her father’s new girlfriend is nice enough, Ava still holds out hope that her parents will get back together and that they’ll be a family again. But only days after Victor and Grace get engaged, Kelli dies suddenly under mysterious circumstances—and soon, Grace and Ava discover that there was much more to Kelli’s life than either ever knew. Narrated by Grace and Ava in the present with flashbacks into Kelli’s troubled past, Heart Like Mine is a poignant, hopeful portrait of womanhood, love, and the challenges and joys of family life.
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Amy Hatvany is carving out a nice niche for herself in the Barbara Delinsky/Jodi Picoult Women's Fiction genre. Heart Like Mine is a well-written, thoughtful novel where there are no heroes or villains, just realistic characters dealing with incredibly difficult situations. Grace is madly in love with Victor and, although she never particularly wanted to be a mother, she is satisfied with seeing his two children on his alternating weekends. But when his ex-wife Kelli dies suddenly, Grace has to reassess their relationship, including an engagement so recent they haven't even told Victor's kids yet. What does Grace owe Victor and his kids, and is this still the relationship she wants?
Meanwhile, Victor's teenaged daughter Ava is grieving her mother's death while also feeling resentment towards her father and his girlfriend and anger towards her mother for leaving her behind. Already an outsider at school, she doesn't want to be known as “the girl whose mother died.”
Both Grace and Victor fear that Kelli's death might have been a suicide, and chapters told from the dead woman's point of view provide insight into her troubled psyche. Kelli was an emotionally fragile woman who had never recovered from an adolescent trauma, but she desperately loved her children. Was she falling deeper into despair or was she about to turn the corner?
Despite the difficult subject matter, the story moves quickly as the reader wants to find out the mystery behind Kelli's death and see a positive resolution for the remaining characters. My one quibble is the unlikely premise that Grace, the director of a battered women's shelter, would drive a Lexus (a fact that bothers Ava, given Kelli's more modest lifestyle). But that's a small point in an otherwise engaging novel.