Dark Matter
Ratings53
Average rating4
In the 1930s, a man who is overwintering at a remote weather station of Svalbard, during the arctic nights, finds out that there's something very very wrong about that place.
This book is a slow-burning psychological horror that starts out as a simple journal log of the protagonist and then slowly turns into a tale of isolation and terror. Author Michelle Paver's utilisation of the isolated setting of the Arctic is absolutely brilliant and quite on par with meaty books like Dan Simon's Terror & Abominable. Overall, it's an excellent little horror novel that packs quite a punch and is highly recommended to any reader who likes spooky horror or survival stories.
This was engaging and well written, and very well performed by Jeremy Northam on the audiobook. At the start, I thought the book was pretty unremarkable and a bit predictable, and the protagonist was so thoroughly unlikable that I was eagerly looking forward to his horrific death. But a the story went on through all the seemingly inevitable motions, I realized I'd started to empathize with him and feel the same sense of miserable dread. This wasn't the fun and spooky ghost story I'd been looking for, and it wasn't action packed, but it was extremely effective at drowning me in mood.
Between 4 and 5 stars. This is going to be a difficult book to review, because it's hard to categorize.
It seems to be out of print (in the US at least), but the audiobook is on Audible. The narration by Jeremy Northam is an amazing performance, and I enjoyed it a lot.
It's a really engaging book, told almost entirely through the journal entries of the main character, Jack. I was emotionally involved with the story at every moment, and I was constantly anxious about what might happen next. It's set in the 1930s, but the language never seems old-fashioned. It isn't really full of twists and turns, but events surprised me several times. It's a pretty slow-paced book, but I was never bored.
Jack starts off pretty cynical, almost misanthropic. The idea of an Arctic expedition appeals to him as an escape from his downtrodden existence. I've always thought I would be okay living alone in the wilderness or something, and I do live alone, just in a suburb. Jack also prefers solitude, so I found him easy to relate to. As Jack discovers, though, we all often take everyday interactions, even with strangers, for granted.
This book deals with the idea that there's something dark and unimaginably terrifying beyond ordinary experience, but the narrative doesn't exactly focus on that topic; instead, it brushes against the concept repeatedly, like a monster in the dark. Jack is a fairly pragmatic man, more likely to complain about everyday problems than philosophical questions, which makes it more disturbing for the reader when he does go down dark mental paths.
At the beginning, Jack doesn't think he's going to get along with anyone on the expedition, since they're all of the upper class, and he isn't. But he becomes close to the leader, Gus, over time. He never learns to get along with Gus's best friend, Algie. I think Jack hates Algie because of jealousy; Jack has a huge crush on Gus (which he doesn't acknowledge to himself until very late in the book). But Algie is fat, and the language Jack uses to describe him is very hateful. So, content warning for that. I think fatness worked well as a surface trait that Jack could hate, though, and I understand why he needed to hate something trivial about Algie.
Because of Jack's feelings for Gus, this book is pretty much a standard gay tragedy. I won't spoil the actual ending directly, but you learn on the first page that Algie survives, and either Jack or Gus dies. So, it's hard for me to rate the book fairly, because I strongly object to "bury your gays."
I was hesitant about reading a horror novel, because I'm a coward about horror, but this one is much more creepy than terrifying. Jack spends most of his time in his own head, even when he's with others, and he spends the bulk of the book alone. When his fear really starts to set in, it feels like he's losing his sanity, which is upsetting. There are also several awful scenes of cruelty to animals (and proposed cruelty to animals). I was expecting the revelation of what had happened to the man who is haunting the island to be much more explicit. It's definitely not that I wanted blood and gore. But the revelation just did not have as much emotional impact as it could have, after so much buildup.
This book was very different from what I usually read, and I'm really glad I took a chance on it. I would like to read more books written in the style of a journal. I recommend it to anyone looking for something unusual.
5 go mad in the Arctic but then it's only 4.... 3 .....2....1 man and his dog. Wonderfully atmospheric chiller which is more a story about isolation and beards than a straight up ghost story. In the end the world is saved by dog, which is how it should be.
Absolutely incredible. The sense of dread builds until it's almost unbearable. Beautifully written; atmospheric, quiet, exquisitely paced. The audiobook read by Jeremy Northam is perfection.
While I wasn't too spooked by the story, have to admit that the author does an excellent job of telling an atmospheric ghost story. Also liked the pacing and the way it gives you periods of calm and and a sense of isolation followed by the encounter.
This was an excellent spooky tale which successfully melded a poignant personal story with the wilderness-awe style of horror seen in classics like The Wendigo and The Willows. The journal narration is effective, and Paver goes beyond using it simply as a first-person view. Jack's uses his journal to buck himself up, ventilate stress, explore his thoughts, and disclose secrets he can't otherwise admit to himself.
I listened to the audio book, and Jeremy Northam does an amazing job. It was a pleasure to hear him evoke Jack's progression from a disillusioned, resentful clerk to adventurer, to someone who views himself as half-desperate and half-heroic, in extremely trying, terrifying circumstances.