C. J. Daley
First saw this in the Library section of the SFF Insiders Discord and really liked the cover. A huge thanks to James for the audible code! Liz May Brice did a great job with the narration.
1920s Liverpool delivers a setting both familiar and different. Det. Amelia Dei must fight through gender roles, misogyny, and the supernatural in this murder mystery that feels both historical and fantastical. In a way it reminded me of Shadowseer: London by Morgan Rice in that it feels like a classic mystery meshed with an almost urban fantasy twist. Or Out on a Limb by Luis Paredes with its hints at a supernatural world beyond kind of a la Men in Black (although not alien).
Amelia will stop at nothing to upend Dr. Knight and his string of mysterious coma patient deaths. Her superiors don’t believe in her, and are finding it hard to believe her when she says something suspect is going on, but she refuses to relent. Her partner, Det. Reed, is the only one to have her back as the mystery unfolds into swirling darkness.
This is written well and feels cohesive. I found myself wondering where the two authors blended, becoming this unique voice. The two POVs (Amelia and Dr. Knight) worked well for me as I enjoy a glimpse into the dark and madness. The only hang up I had were the flashback memory scenes with young Knight. I understood their need, as it shows his coming into his power and experiencing his dark reality—the Umbra Mentis, but they also felt like attempting to humanize. As the story opens with him committing SA and reveling in it, I didn’t find him redeemable.
This tackles themes of sexism, gender roles, mental illness, poverty, and sexual orientation rather well. Even in a reality that turns out to have an entirely exterior nightmarish world just beyond it, these things are still present and touched on throughout. The Umbra was creepy, intriguing in what the authors held back, and I wished to know more. The inspector finally backing Amelia, as well as hinting at his awareness of the supernatural, makes me feel like there could be an expansive series even beyond the Umbra!
I really liked the last names of Dei and Knight facing off against each other. I have to imagine it was purposeful, as they even chose spellings that were not so on the nose. As the Umbra is this kind of swirling mass of black and darkness, it really felt like Amelia was the day facing off against the night.
First saw this in the Library section of the SFF Insiders Discord and really liked the cover. A huge thanks to James for the audible code! Liz May Brice did a great job with the narration.
1920s Liverpool delivers a setting both familiar and different. Det. Amelia Dei must fight through gender roles, misogyny, and the supernatural in this murder mystery that feels both historical and fantastical. In a way it reminded me of Shadowseer: London by Morgan Rice in that it feels like a classic mystery meshed with an almost urban fantasy twist. Or Out on a Limb by Luis Paredes with its hints at a supernatural world beyond kind of a la Men in Black (although not alien).
Amelia will stop at nothing to upend Dr. Knight and his string of mysterious coma patient deaths. Her superiors don’t believe in her, and are finding it hard to believe her when she says something suspect is going on, but she refuses to relent. Her partner, Det. Reed, is the only one to have her back as the mystery unfolds into swirling darkness.
This is written well and feels cohesive. I found myself wondering where the two authors blended, becoming this unique voice. The two POVs (Amelia and Dr. Knight) worked well for me as I enjoy a glimpse into the dark and madness. The only hang up I had were the flashback memory scenes with young Knight. I understood their need, as it shows his coming into his power and experiencing his dark reality—the Umbra Mentis, but they also felt like attempting to humanize. As the story opens with him committing SA and reveling in it, I didn’t find him redeemable.
This tackles themes of sexism, gender roles, mental illness, poverty, and sexual orientation rather well. Even in a reality that turns out to have an entirely exterior nightmarish world just beyond it, these things are still present and touched on throughout. The Umbra was creepy, intriguing in what the authors held back, and I wished to know more. The inspector finally backing Amelia, as well as hinting at his awareness of the supernatural, makes me feel like there could be an expansive series even beyond the Umbra!
I really liked the last names of Dei and Knight facing off against each other. I have to imagine it was purposeful, as they even chose spellings that were not so on the nose. As the Umbra is this kind of swirling mass of black and darkness, it really felt like Amelia was the day facing off against the night.