C. J. Daley
Thanks to NetGalley, MCD books and Macmillan Audio for the ARC. Unfortunately, I’m really not sure which way I’m leaning on this one.
For starters, this was not at all what I expected, and it was not at all what I was looking for. While that’s not the fault of the book, it did hinder my enjoyment throughout. I find the blurb to be quite misleading, as it continually questions if things are supernatural, demonic, possessive. That’s not really what this is about. There are hints, or even outright comments, but it’s something all its own.
Now that the novel is out, and it’s getting into spooky season, it’s worth noting that this is not a haunted house story. At least not the Halloween month-style most readers will be looking for. One of the things I enjoyed the most, which I assume is what they meant by ‘a new kind of haunted-house story’, is that the novel is really pushing the idea that a house can be haunted in way more ways than the paranormal. With that concept it’s really pushing those bounds with its themes.
After the death of their parents, Ezri is forced home to Texas to meet with their sisters to finalize things. While each and every occupant of the house suffered, Ezri’s journey through childhood was the darkest. Perhaps that’s why they fled all the way to England. They’ve always been different, and that’s also a huge portion of why. The author labeled them as trans, although with their desire to be and broadcast as both at different times, I did wonder if the term gender-fluid was more accurate (but I don’t know). Either way, the author does make a point to showcase their experience and traumas as different, and that stood out much more to me than most of the commentary on race, even though a huge part of the plot is them being the first black family in an all white neighborhood. However the woman in the beginning saying “so articulate”, really led right off with how the book would commentate. And from the author of The Deep, you shouldn’t be surprised there. The twist at the end also hit in a kind of Get Out way that I will not spoil.
One this that took me 100% out of the story multiple times, is that the blurb mentions upper-middle class, but then the parents actions clash with that, and then there’s also all the kids feeling like their parents were frugal and they didn’t know they had money? Right in the beginning, a neighbor mentioned wanting the house but picking a different one, the mother insinuates that it was because the woman could not afford their house. The house is commented on as being large, and inside an entirely gated community. The mother’s tastes for furniture are expensive, even imported foreign pieces. They comment on the fact that the father HAD to have a $100,000 tv. In one pivotal scene, that showcases the mother in a particularly good mood, she wants to take them to a dinner to celebrate good news. It is remarked upon that they are not dressed for that kind of restaurant. So, instead of going to change, the mother buys every single on of them a brand new outfit. Head to toe to be able to go to the fancier dinner spot. Then one sibling asks if they can ice skate after dinner at the mall too and the mother says of course. Then in the present day portion of the novel, the family is astonished to hear that they were set to receive over a million dollars prior to liquidating anything else. I’m sorry, and maybe it’s just my lower middle class upbringing catching all the surprise here, but that sounds like an incredibly wealthy family, not one breaking into the upper middle class?
As one of four siblings, there were also some very odd things the siblings did together that stood out to me, but maybe that’s just my family dynamic? Like cuddling together in bed as adults, comments on wanting to lick tears away, as well as some questionably off massaging. Maybe this was another layer to show reactions to the trauma, but it took me out of the story a bit too much.
But at one point towards the end, someone’s reading The Bluest Eye by Toni Morrison, and I felt that the novel’s name drop was a really good choice as this is kind of an amalgamation of that book with the idea of a haunted house. All in all, some things in this that I really liked, and others that detracted from them.
Thanks to NetGalley, MCD books and Macmillan Audio for the ARC. Unfortunately, I’m really not sure which way I’m leaning on this one.
For starters, this was not at all what I expected, and it was not at all what I was looking for. While that’s not the fault of the book, it did hinder my enjoyment throughout. I find the blurb to be quite misleading, as it continually questions if things are supernatural, demonic, possessive. That’s not really what this is about. There are hints, or even outright comments, but it’s something all its own.
Now that the novel is out, and it’s getting into spooky season, it’s worth noting that this is not a haunted house story. At least not the Halloween month-style most readers will be looking for. One of the things I enjoyed the most, which I assume is what they meant by ‘a new kind of haunted-house story’, is that the novel is really pushing the idea that a house can be haunted in way more ways than the paranormal. With that concept it’s really pushing those bounds with its themes.
After the death of their parents, Ezri is forced home to Texas to meet with their sisters to finalize things. While each and every occupant of the house suffered, Ezri’s journey through childhood was the darkest. Perhaps that’s why they fled all the way to England. They’ve always been different, and that’s also a huge portion of why. The author labeled them as trans, although with their desire to be and broadcast as both at different times, I did wonder if the term gender-fluid was more accurate (but I don’t know). Either way, the author does make a point to showcase their experience and traumas as different, and that stood out much more to me than most of the commentary on race, even though a huge part of the plot is them being the first black family in an all white neighborhood. However the woman in the beginning saying “so articulate”, really led right off with how the book would commentate. And from the author of The Deep, you shouldn’t be surprised there. The twist at the end also hit in a kind of Get Out way that I will not spoil.
One this that took me 100% out of the story multiple times, is that the blurb mentions upper-middle class, but then the parents actions clash with that, and then there’s also all the kids feeling like their parents were frugal and they didn’t know they had money? Right in the beginning, a neighbor mentioned wanting the house but picking a different one, the mother insinuates that it was because the woman could not afford their house. The house is commented on as being large, and inside an entirely gated community. The mother’s tastes for furniture are expensive, even imported foreign pieces. They comment on the fact that the father HAD to have a $100,000 tv. In one pivotal scene, that showcases the mother in a particularly good mood, she wants to take them to a dinner to celebrate good news. It is remarked upon that they are not dressed for that kind of restaurant. So, instead of going to change, the mother buys every single on of them a brand new outfit. Head to toe to be able to go to the fancier dinner spot. Then one sibling asks if they can ice skate after dinner at the mall too and the mother says of course. Then in the present day portion of the novel, the family is astonished to hear that they were set to receive over a million dollars prior to liquidating anything else. I’m sorry, and maybe it’s just my lower middle class upbringing catching all the surprise here, but that sounds like an incredibly wealthy family, not one breaking into the upper middle class?
As one of four siblings, there were also some very odd things the siblings did together that stood out to me, but maybe that’s just my family dynamic? Like cuddling together in bed as adults, comments on wanting to lick tears away, as well as some questionably off massaging. Maybe this was another layer to show reactions to the trauma, but it took me out of the story a bit too much.
But at one point towards the end, someone’s reading The Bluest Eye by Toni Morrison, and I felt that the novel’s name drop was a really good choice as this is kind of an amalgamation of that book with the idea of a haunted house. All in all, some things in this that I really liked, and others that detracted from them.