C. J. Daley
Cassandra Campbell did a great job with the audio, giving life to each character and the horrors that follow.
A lottery pick they never thought they’d win, Ana and Reid just won a spot at the Deptford. The affordable apartment seems too good to be true, and even after the birth of their first child left Ana paralyzed from the waist down, they decide to accept, regardless of the single elevator and high floor. Moving isn’t easy on anyone, but harbored resentments, a nearly one year old, and perhaps some evilness, all culminate into one wicked transition.
For me, with the old building, the famous, richer inhabitants, and the down-on-their-luck newbies, this had reminiscent notes of Sager’s Lock Every Door. And while I have not read Salem’s Lot or Rosemary’s Baby (yet), I can tell that those comparison titles are where Cassidy imbues his horror elements over Sager’s thriller feels. And I really enjoyed how the author bleeds anxiety and paranoia into his characters differently. Ana takes on the more literal approach, with her suspecting something is wrong and trying to get away. And then Reid is the slower, irritability that permeates over time. His job, his wife, his friends, the littlest things start to tip him over, and I feel like the author handles that very well.
This sort of slow burn infestation of fear works really well for this novel. Reid just wants to provide and do what’s best for his family. A few things going terrible wrong? Well that can just be chalked up to the moving stress, can’t it?
While trying to stay as spoiler free as possible, the twist in the end with how each parent differed, did surprise me in the best way and I’m glad I rooted for who I did. I enjoyed this take on the Jewish ‘vampire’ and the inclusion definitely made it something unique.
Old buildings and history are the heart of NYC, just make sure the ones you move to don’t have a literal heart…
Cassandra Campbell did a great job with the audio, giving life to each character and the horrors that follow.
A lottery pick they never thought they’d win, Ana and Reid just won a spot at the Deptford. The affordable apartment seems too good to be true, and even after the birth of their first child left Ana paralyzed from the waist down, they decide to accept, regardless of the single elevator and high floor. Moving isn’t easy on anyone, but harbored resentments, a nearly one year old, and perhaps some evilness, all culminate into one wicked transition.
For me, with the old building, the famous, richer inhabitants, and the down-on-their-luck newbies, this had reminiscent notes of Sager’s Lock Every Door. And while I have not read Salem’s Lot or Rosemary’s Baby (yet), I can tell that those comparison titles are where Cassidy imbues his horror elements over Sager’s thriller feels. And I really enjoyed how the author bleeds anxiety and paranoia into his characters differently. Ana takes on the more literal approach, with her suspecting something is wrong and trying to get away. And then Reid is the slower, irritability that permeates over time. His job, his wife, his friends, the littlest things start to tip him over, and I feel like the author handles that very well.
This sort of slow burn infestation of fear works really well for this novel. Reid just wants to provide and do what’s best for his family. A few things going terrible wrong? Well that can just be chalked up to the moving stress, can’t it?
While trying to stay as spoiler free as possible, the twist in the end with how each parent differed, did surprise me in the best way and I’m glad I rooted for who I did. I enjoyed this take on the Jewish ‘vampire’ and the inclusion definitely made it something unique.
Old buildings and history are the heart of NYC, just make sure the ones you move to don’t have a literal heart…