Jeff Sexton
Pulse Pounding Nail Biting Thriller With Some Powerful Dusty Rooms. Wait. An author known for *airplane* tales is writing a book that takes place 99% *on the ground*? Yes. And she does a damn fine job of it to boot.
As someone who has actually worked in the nuclear waste disposal area (at the Savannah River Site, where I sat yards away from tanks containing tens of thousands of gallons of nuclear waste and worked on putting the information-and-control spreadsheet (yes, spreadsheet) online), having a *touch* of knowledge of the field only made it that much more terrifying... because I knew exactly what some of the devices Newman speaks of were. (Specifically, the dosimeter badges. Never had to wear one myself, despite going into certain areas a time or two, but remember the training all too well - the "Kiss Your Ass Goodbye" badge in particular.)
Even without having worked a touch in an adjacent area of the tale though, this is one of those disaster tales that starts off in the middle of the action... and never really slows down. After the introduction where we see the plane going down, from there the tale takes place entirely ground-based, but with a strong countdown clock that is actually calculated within the tale and is used to great effect, going down to the final moments.
Perhaps Newman's greatest strength in this particular tale though is in *not* making any "superheroes" but instead showing everyday people in every day situations (yes, including nuclear power generation and nuclear waste management) doing their best with what is in front of them and trying to avert catastrophes big and small. Newman even manages to "humanize" her (fictional) President of the United States in ways not often done well, yet here is.
And about those dusty rooms... man, the hits just keep hitting. There are *several* points here where if your eyes don't get misty, I question whether they *ever* do. Newman sprinkles these moments throughout the book, but in a couple of scenes are particularly strong indeed - nearly to the point of needing an audio version of the text to get through them.
Overall truly an excellent and fast read - despite being 300+ pages, you're not going to want to put it down.
Very much recommended.
Originally posted at bookanon.com.
Pulse Pounding Nail Biting Thriller With Some Powerful Dusty Rooms. Wait. An author known for *airplane* tales is writing a book that takes place 99% *on the ground*? Yes. And she does a damn fine job of it to boot.
As someone who has actually worked in the nuclear waste disposal area (at the Savannah River Site, where I sat yards away from tanks containing tens of thousands of gallons of nuclear waste and worked on putting the information-and-control spreadsheet (yes, spreadsheet) online), having a *touch* of knowledge of the field only made it that much more terrifying... because I knew exactly what some of the devices Newman speaks of were. (Specifically, the dosimeter badges. Never had to wear one myself, despite going into certain areas a time or two, but remember the training all too well - the "Kiss Your Ass Goodbye" badge in particular.)
Even without having worked a touch in an adjacent area of the tale though, this is one of those disaster tales that starts off in the middle of the action... and never really slows down. After the introduction where we see the plane going down, from there the tale takes place entirely ground-based, but with a strong countdown clock that is actually calculated within the tale and is used to great effect, going down to the final moments.
Perhaps Newman's greatest strength in this particular tale though is in *not* making any "superheroes" but instead showing everyday people in every day situations (yes, including nuclear power generation and nuclear waste management) doing their best with what is in front of them and trying to avert catastrophes big and small. Newman even manages to "humanize" her (fictional) President of the United States in ways not often done well, yet here is.
And about those dusty rooms... man, the hits just keep hitting. There are *several* points here where if your eyes don't get misty, I question whether they *ever* do. Newman sprinkles these moments throughout the book, but in a couple of scenes are particularly strong indeed - nearly to the point of needing an audio version of the text to get through them.
Overall truly an excellent and fast read - despite being 300+ pages, you're not going to want to put it down.
Very much recommended.
Originally posted at bookanon.com.