Updraft

DNF - PG 201

Why?

Because I just don't have the energy to force my way through a story I'm not enjoying for the few moments I do like. Kirit is a self-centered brat, the world building makes no logical sense and is plain stupid. I find it hard to believe any society like this would/could survive. I gave it more of a chance than I ever expected to, but I've finally had enough. (Not to mention that it's a bit dystopian, which is certainly not my genre.)

Kirit lives in a city of towers made out of bone. She is about to earn her wings and be able to fly around the city like her mother who is a trader. The city is high in the clouds but there is danger in the clouds as well. Creatures they call sky mouths attack and eat whoever is in their path. The Singers keep these sky mouths away from the towers. They are the ultimate law in this city granting requests and dealing with lawbreakers.

I listened to this as an audiobook but also whisper synced with the Kindle edition. The narrator was excellent and kept me very clear as to who was who.

I had a hard time putting this book down and cannot wait until the next one. It is considered a young adult novel and while it is a really good story for a younger reader aka no sex, no kissing etc. it is an excellent story to get lost in. World building is strong and there is no dumbing down in this story. I'm sure this is going to be a best seller before long.

Too slow. Too much Hunger Games remix. At least it's only one book.

Executive Summary: This book finished stronger than it started, and I'll probably pick up the next one, but not right away. 3.5 Stars.

Full Review
This book has been getting a lot of buzz after various award nominations (and maybe some wins?). I wasn't really interested though. It sounded Young Adult, which I don't tend to enjoy, and I'm already not a big “Steampunk” fan. I'm not sure what qualifies as steam punk exactly, but maybe that's an inaccurate description? I'll leave that someone else. It's certainly closer to steam punk than it is to traditional fantasy.

I only picked it up because it was the June pick for Sword & Laser. This was a borrow over buy, and I still think that was the correct decision. It took me well over halfway to start getting into it. I wasn't particularly excited by any of the characters.

The main character irritated me for much of the book. The only thing that helped her case was many of the characters she interacted with were worse. The main exception was probably the twins, whose names I forget at this point.

I'm a big fan of the “magic school” trope, and this book had a bit of that vibe, right down to the asshole rival. However it was really the world building and the mystery of it that I found the most interesting. I wish we had been told a lot more than we were. Why do they live in the sky? Is there still a surface left? Where do the bones they use to build things come from?

More than anything else, finding out more about the world is what has me interested in reading the next book. However, I'll happily wait awhile to do so (maybe until the last book of the series is out).

A very interesting book that is an alegory against segregation and blind obedience to tradition, yet let down by very flat description. I felt no real connection to the main character, despite her being an extremely admirable and sympathetic protagonist on paper. I find it hard to make it through agdmirablnd novel if I can't connect to the main character. So despite this book ticking all the boxes, I was left trying to decide whether to give this two stars or three.

This book came with a YA label, which admittedly biases me against it slightly, but I will say I enjoyed it a lot more than I usually do YA. The setting is extremely unique and there's a great steampunk vibe without actually being steampunk. The characters live in towers made of living bone that grow with the city. They fly on manufactured wings to get from place to place, living under the traditions of a central Spire controlled by the mysterious Singers. The city is terrorized by monsters called Skymouths, tentacled horrors, invisible until their maws open way too close to you. I feel like the story would do very well as a Ran Murata style anime.

As a novel, it's quick and not terribly challenging. The characters are good or bad, the plot unfolds about as you would expect it, and our hero follows the typical journey. The beauty is all in the setting and culture Wilde creates, but not enough in the storytelling for it to be one of my favorites. It was a fun deviation from my usual comfort zone, though, and one I'd recommend to people who enjoy the YA structure.

World building: 5
Storytelling: 2

Man this book was frustrating. Like everyone else I think the world-building is quite spectacular and descriptive enough for the reader to clearly visualize this city in the sky. The writing of the flying was awe-inspiring. The characters were part of the frustration I had with the book but by the end I just accepted them for who they were.

For the majority of the book I felt like I was waiting. Waiting for someone to explain why there was a need for so much secrecy. Since the MC was in the dark about pretty much everything throughout about the first half, I was in the dark and not lovin' it. It constantly felt like I was only able to appreciate the parts of the world accessible to Kirit and I knew there was a lot that was just out of my reach.

I also didn't love any of the characters because they seemed so detached from each other. The only insight into any familial love was between Kirit and her second mother and wing-brother. Any other relationship–whether it be between Kirit and her actual mother, or Kirit and Wik–seemed lackluster and solely there to establish allies in order to accomplish the final revolution against ‘big brother'. Basically the finale was as predictable as any other dystopian YA, going against the established organization.

Overall, this was a rough read with a lot left to be desired.

Excellent world building!

This originally appeared at The Irresponsible Reader.
It's been awhile since I've re-written, honed, revamped, etc. a post so much. I think this is coherent. I should've just probably put up the publisher's description and said “Read it, it's special.”
—

I don't normally do this, but let me start with the Publisher's Description:
In a city of living bone rising high above the clouds, where danger hides in the wind and the ground is lost to legend, a young woman must expose a dangerous secret to save everyone she loves.Welcome to a world of wind and bone, songs and silence, betrayal and courage.Kirit Densira cannot wait to pass her wingtest and begin flying as a trader by her mother's side, being in service to her beloved home tower and exploring the skies beyond. When Kirit inadvertently breaks Tower Law, the city's secretive governing body, the Singers, demand that she become one of them instead. In an attempt to save her family from greater censure, Kirit must give up her dreams to throw herself into the dangerous training at the Spire, the tallest, most forbidding tower, deep at the heart of the City.As she grows in knowledge and power, she starts to uncover the depths of Spire secrets. Kirit begins to doubt her world and its unassailable Laws, setting in motion a chain of events that will lead to a haunting choice, and may well change the city forever—if it isn't destroyed outright.

You know how (if historical fiction I read/watched as a kid taught me anything), fathers used to throw their kids into a creek/river/lake to teach them to swim? That's pretty much how I felt about Wilde's treatment of readers: just throw us in, and if we make it out of the first chapter, we've learned how to swim. Sometimes that approach works, sometimes it doesn't – Wilde pulled it off. Like with [b:Uprooted|22544764|Uprooted|Naomi Novik|https://d.gr-assets.com/books/1420795060s/22544764.jpg|41876730] earlier this year, I just want to hang out in this world for a while, it's so rich. I actually don't want to live in it (unlike, say, the Tufa's land), between my acrophobia and aviophobia, I'd be a wreck (at best). But I want to keep reading about this world.

Honestly, this is such a rich world, I'm tempted to talk about it for this entire post – the feel, the history – both myth/legend and what really happened – it's so rich and real-feeling. We get hints at the economics of the place, the values, history, but just hints. Just enough to make you know that there's something there. Honestly? I think I prefer not knowing, just being teased when it comes to this world. Can't forget about the skymouths – these very, very, very strange predators at work here – I don't know when I've last read something so strange. The way that Wilde writes flying is just great, it's the literary equivalent of the original Christopher Reeve flying scenes. You buy it, you feel it, you want to do it (or you're filled with paralyzing fear at the idea).

But, obviously, I'm not going to talk about the worldbuilding for the whole post, or I wouldn't have said that. As great a creation that it is, it'd be nothing without the people and the story. We've glanced at the story, so what about the people?

Kirit has ambition, drive – she wants to fly with her mother and trade between with towers, and that's pretty much it. A nice, happy, well-off life. When that's thwarted (at least temporarily), she pushes back against the inevitable until she's convinced that it's the best option; there's a little coercion involved, but not entirely. Her best friend, Nat, is similarly driven – but where Kirit is forward focused, all Nat wants are answers about the past. The question for their relationship becomes: can it last when the two have such divergent goals?

In the Spire, there are three main figures that she interacts with, learns from, and is shaped by. There's Rumul, who's been calling the shots in the Spire (and therefore the city) for so long that both he and everyone else have a hard time thinking there's another option. Wik is the Singer who started her trouble, and realized her true potential, and is responsible for her fulfilling that potential. Sellis is her contemporary, who can't believe that her future is tied to this novitiate doing well.

There's a couple of younger twins – Moc and Ciel – that are of invaluable help to Kirit as she adjusts to her new reality – every time I read about them I saw WilyKit and WilyKat from the original Thundercats. And honestly I don't think that's too far off. There's Sidra, who might as well be named Nellie Oleson – we don't spend as much time with her overall as it appears we will at the beginning. I wouldn't have minded a little more time – but I'm glad we didn't get too much of her.

Looming over everything are Kirit's and Nat's mothers, Ezarit and Elna, and the shadows of their absent fathers. I wish we'd been able to see more of these mothers in action, get to see them being as wonderful as Kirit says they are (assuming she's right). I understand why we don't get to see that, why we just have to learn about it, but still, it'd have been nice. And we have to assume that Kirit's appraisal of them is correct, but that's probably easy to do.

Each of these characters (and others I don't want to bog this down further with) are so well drawn, fully fleshed-out, that half of them (if not more) could be edited out and this would still be a compelling read. There are so many overlapping, competing, contradictory, at cross-purposes, motives, plans, hopes that it's easy to see why any character (particularly young and unknowing) characters would be confused and unsure what to do. Maybe even sure what to do, for a time, and then seeing how they'd been used/mistaken. How often do you get something like that?

This isn't a YA book, but it's totally appropriate for that audience, and in many ways it aligns with YA stories/interests – Hunger Games, Divergent, or Red Rising fans will find a lot of the same themes at work. But don't go into this looking for something like them, you'll be disappointed. Especially if you're looking for a love triangle – or any romantic storyline at all.

I saw on Goodreads that Wilde said this was written as a stand-alone, but that there are two sequels coming. This is one of those books that I don't think needs a sequel, we got a good complete story here – but I'm going to be in line for it. A great piece of worldbuilding, a compelling story and some characters you want to spend time with – Updraft has it all.