Uncanny Ireland
Ratings1
Average rating4.5
‘’The remnants of a pagan past combined with Catholic faith and political conflict have rendered Ireland a bewitching land for those who wish to be initiated to its mysteries, marvels, wonders and horrors.’’
There’s something quietly magnetic about the way Irish storytelling leans into the mist—how it welcomes the uncanny, the haunted, the half-seen. Uncanny Ireland, edited by Maria Giakaniki, is a rich and atmospheric collection that does just that, drawing together strange tales from across time and place. The book is divided into six evocative sections—Folktales and Folk Beliefs, Myths and Legends Reimagined, Some Rural Ghosts and Uncanny Sounds, Gothic Chills, Strange and Dangerous Women, and Modern Horrors—each offering a different lens into Ireland’s darker imaginings. I was especially proud, as a Greek reader, to see this volume edited by a fellow Greek woman. There’s a quiet affinity, I think, between Irish and Greek storytelling—both steeped in myth, shaped by sorrow, and fiercely rooted in land and lore, even if our shores are miles apart.
‘’Open and let me in,’’ she called to the warder. ‘’I claim the protection of this holy place.’’
The Evil Eye (Lady Jane Wilde): Snippets written in the language of the Irish people, narrating true stories of omens, customs, and beliefs.
The Unquiet Dead (Lady Augusta Gregory): True cases of spectral encounters and the connection between our world and the next.
The Curse of the Fires and of the Shadows (William Butler Yeats): A tale of the sidhe, of loss and death set during the Irish Confederate Wars.
A Legend of Barlagh Cave (Fitz James O’Brien): Celtic mythology is strongly imbued in the Irish tales. This is a story of love and despair.
The Monks of Saint Bride (Herminie Templeton Kavanagh): One of the most atmospheric tales in the collection, this is the legend of a curse in the name of love, and uncanny sounds echoing in an old abbey.
The Drowned Fisherman (Anna Maria Hall): The tragic fate of a fisherman who drowns, but the mystery and sorrow surrounding his death unravel deeper secrets within the tight-knit community. Hall weaves themes of loss, superstition, and human frailty with a poignant sensitivity to the harsh realities of rural life.
A Scrap of Irish Folklore (Rosa Mulholland): Fairy men are better than real men, no doubt about it.
The Strange Voice (Dora Sigerson Shorter): A love that withstands death as a young woman is determined to follow her shadowy lover.
The Wee Gray Woman (Ethna Carbery): One of the most haunting, moving, tragic stories. A tale of a doomed love, condemned by a young man's reluctance to acknowledge his love for a mysterious girl.
Tale of the Piper (Donn Byrne’): A piper's tune that may echo the Devil’s music.
The Last of Squire Ennismore (Charlotte Riddell): A fascinating tale of a seaside spectre and unlucky vessels.
The Fortunes of Sir Robert Ardagh (Joseph Sheridan Le Fanu) : I can never connect to the stories of this writer. I just can't get the fascination with his stories which, for me, are the epitome of the sleeping pill.
“It is now the fall of the night. The last of the neighbours are hitting the road for home.”
The Watcher O’ The Dead (John Guinan):
A sad tale that makes use of the conviction that the last person to be buried must guard the graveyard and its souls.
The Sea's Dead (Katharine Tynan): My favourite story in the collection. The tale of a woman who may be a selkie and her undying love for her man.
Julia Cahill's Curse (George Moore): I am not sure what this story wanted to accomplish. Promiscuity is hardly the road to progress…Indifferent, idiotic.
The Return of Niav (Dorothy Macardle): An interesting take on the myth of the Changeling that briefly echoes the Children of Lir and a few of the most famous Irish myths.
The Back Drawing-Room (Elizabeth Bowen): A Christmas story in which one of the guests narrates an unsettling encounter in an abandoned estate.
The Raising of Elvira Tremlett (William Trevor): A boy finds solace in the company of a strange girl as domestic life becomes more and more difficult.
Encounter by Night (Mary Frances McHugh): A man who is trying to find shelter for the night stumbles upon a tragic event. Sad and shocking, set in Dublin.
A Ghost Story (Mary Beckett): A young married couple that seems unable to see eye to eye in practically everything is about to fall apart because of a haunted house and a TV.
Uncanny Ireland left me with a range of responses, which is something I value in a collection like this. A few stories stayed with me—The Sea’s Dead and The Wee Gray Woman in particular—while others felt forgettable or simply not for me. But that’s part of reading widely: letting yourself respond honestly, rather than expecting each piece to resonate in the same way. What I appreciated most was how rooted these stories are in place and memory—how they carry the weight of old beliefs, quiet heartbreaks, and things half-said. There’s something universal in that, even if the setting is deeply Irish. These stories may come from another time and place, but the feelings they stir—longing, fear, wonder—are instantly familiar. While Uncanny Ireland offers many moments of atmospheric richness and haunting storytelling, it didn’t consistently maintain that immersive quality for me throughout. A few stories truly stood out and lingered, but others felt less compelling or just didn’t resonate. By my usual standards, when I find myself wavering between 4 and 5 stars, it’s a clear sign to lean toward 4—honesty in ratings matters to me. This collection is well worth reading, especially for lovers of Irish folklore and uncanny tales, but it’s not without its uneven patches.
“The greys of the landscape deepened; the green - purple of the trees sunk into gulfs of black all around; a few poplars beyond the cabins stirred faintly in the sky, and the white-blossomed boughs of an alder-tree glimmering out of the deepest darkness down the vanished road, and suggested the hovering nearness, yet aloofness of a reserve of sympathetic and vigilant spirits.”
Many thanks to the British Library Publishing and NetGalley for the ARC in exchange for an honest review.
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/
‘’The remnants of a pagan past combined with Catholic faith and political conflict have rendered Ireland a bewitching land for those who wish to be initiated to its mysteries, marvels, wonders and horrors.’’
There’s something quietly magnetic about the way Irish storytelling leans into the mist—how it welcomes the uncanny, the haunted, the half-seen. Uncanny Ireland, edited by Maria Giakaniki, is a rich and atmospheric collection that does just that, drawing together strange tales from across time and place. The book is divided into six evocative sections—Folktales and Folk Beliefs, Myths and Legends Reimagined, Some Rural Ghosts and Uncanny Sounds, Gothic Chills, Strange and Dangerous Women, and Modern Horrors—each offering a different lens into Ireland’s darker imaginings. I was especially proud, as a Greek reader, to see this volume edited by a fellow Greek woman. There’s a quiet affinity, I think, between Irish and Greek storytelling—both steeped in myth, shaped by sorrow, and fiercely rooted in land and lore, even if our shores are miles apart.
‘’Open and let me in,’’ she called to the warder. ‘’I claim the protection of this holy place.’’
The Evil Eye (Lady Jane Wilde): Snippets written in the language of the Irish people, narrating true stories of omens, customs, and beliefs.
The Unquiet Dead (Lady Augusta Gregory): True cases of spectral encounters and the connection between our world and the next.
The Curse of the Fires and of the Shadows (William Butler Yeats): A tale of the sidhe, of loss and death set during the Irish Confederate Wars.
A Legend of Barlagh Cave (Fitz James O’Brien): Celtic mythology is strongly imbued in the Irish tales. This is a story of love and despair.
The Monks of Saint Bride (Herminie Templeton Kavanagh): One of the most atmospheric tales in the collection, this is the legend of a curse in the name of love, and uncanny sounds echoing in an old abbey.
The Drowned Fisherman (Anna Maria Hall): The tragic fate of a fisherman who drowns, but the mystery and sorrow surrounding his death unravel deeper secrets within the tight-knit community. Hall weaves themes of loss, superstition, and human frailty with a poignant sensitivity to the harsh realities of rural life.
A Scrap of Irish Folklore (Rosa Mulholland): Fairy men are better than real men, no doubt about it.
The Strange Voice (Dora Sigerson Shorter): A love that withstands death as a young woman is determined to follow her shadowy lover.
The Wee Gray Woman (Ethna Carbery): One of the most haunting, moving, tragic stories. A tale of a doomed love, condemned by a young man's reluctance to acknowledge his love for a mysterious girl.
Tale of the Piper (Donn Byrne’): A piper's tune that may echo the Devil’s music.
The Last of Squire Ennismore (Charlotte Riddell): A fascinating tale of a seaside spectre and unlucky vessels.
The Fortunes of Sir Robert Ardagh (Joseph Sheridan Le Fanu) : I can never connect to the stories of this writer. I just can't get the fascination with his stories which, for me, are the epitome of the sleeping pill.
“It is now the fall of the night. The last of the neighbours are hitting the road for home.”
The Watcher O’ The Dead (John Guinan):
A sad tale that makes use of the conviction that the last person to be buried must guard the graveyard and its souls.
The Sea's Dead (Katharine Tynan): My favourite story in the collection. The tale of a woman who may be a selkie and her undying love for her man.
Julia Cahill's Curse (George Moore): I am not sure what this story wanted to accomplish. Promiscuity is hardly the road to progress…Indifferent, idiotic.
The Return of Niav (Dorothy Macardle): An interesting take on the myth of the Changeling that briefly echoes the Children of Lir and a few of the most famous Irish myths.
The Back Drawing-Room (Elizabeth Bowen): A Christmas story in which one of the guests narrates an unsettling encounter in an abandoned estate.
The Raising of Elvira Tremlett (William Trevor): A boy finds solace in the company of a strange girl as domestic life becomes more and more difficult.
Encounter by Night (Mary Frances McHugh): A man who is trying to find shelter for the night stumbles upon a tragic event. Sad and shocking, set in Dublin.
A Ghost Story (Mary Beckett): A young married couple that seems unable to see eye to eye in practically everything is about to fall apart because of a haunted house and a TV.
Uncanny Ireland left me with a range of responses, which is something I value in a collection like this. A few stories stayed with me—The Sea’s Dead and The Wee Gray Woman in particular—while others felt forgettable or simply not for me. But that’s part of reading widely: letting yourself respond honestly, rather than expecting each piece to resonate in the same way. What I appreciated most was how rooted these stories are in place and memory—how they carry the weight of old beliefs, quiet heartbreaks, and things half-said. There’s something universal in that, even if the setting is deeply Irish. These stories may come from another time and place, but the feelings they stir—longing, fear, wonder—are instantly familiar. While Uncanny Ireland offers many moments of atmospheric richness and haunting storytelling, it didn’t consistently maintain that immersive quality for me throughout. A few stories truly stood out and lingered, but others felt less compelling or just didn’t resonate. By my usual standards, when I find myself wavering between 4 and 5 stars, it’s a clear sign to lean toward 4—honesty in ratings matters to me. This collection is well worth reading, especially for lovers of Irish folklore and uncanny tales, but it’s not without its uneven patches.
“The greys of the landscape deepened; the green - purple of the trees sunk into gulfs of black all around; a few poplars beyond the cabins stirred faintly in the sky, and the white-blossomed boughs of an alder-tree glimmering out of the deepest darkness down the vanished road, and suggested the hovering nearness, yet aloofness of a reserve of sympathetic and vigilant spirits.”
Many thanks to the British Library Publishing and NetGalley for the ARC in exchange for an honest review.
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/