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Average rating3.2
Tracing the fifteen-year fallout of a toxic high school rumor, a riveting, astonishingly original debut novel about the power of stories—and who gets to tell them
2015: A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep."
1999: Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high school as the reigning state champions. They're on top of the world—until two of his friends drive a passed-out girl home from of the team's "legendary" parties, and a rumor about what happened in the backseat spreads through the town like wildfire.
The boys deny the allegations, and, eventually, the town moves on. But not everyone can. Nick descends into alcoholism, and Alice builds a life in fits and starts, underestimating herself and placing her trust in the wrong people. When she finally gets the opportunity to confront the past she can't remember—but which has nevertheless shaped her life—will she take it?
An inventive and breathtaking exploration of a woman finding her voice in the wake of trauma, True Story is part psychological thriller, part fever dream, and part timely comment on sexual assault, power, and the very nature of truth. Ingeniously constructed and full of twists and turns that will keep you guessing until the final pages, it marks the debut of a singular and daring new voice in fiction.
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I have no idea what to think of this novel.
The story itself centers on the sexual assault of a teenage girl fifteen years earlier.
The book is such a jumble of ideas and styles. I don't know if it's wonderfully brilliant or dreadfully pretentious. The story takes on multiple points of view. It's a thriller, a campy horror novel, a memoir, and more. It uses found documents, parts of the novel are comprised entirely of emails or extremely juvenile plays written by our characters as children. There's a lack of believability throughout these stories that begs the question, Is this a nod to victims of sexual assault? And yet, on its surface, this book seems potentially offensive on multiple fronts, including toward those same victims of sexual assault.
So I don't know what to think. But I do think this is exactly the kind of book readers can get lost talking about with others. Love it or hate it. Think it brilliant or simple, empowering or degrading. You'll probably have feelings about this one, one way or another.
This “review” is part of a series in which I quickly scribble a few of the thoughts I had regarding a book I read in the first half of 2021 during a time when I let my reviews get very behind.
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