Touchstone

...despite the enjoyable aspects of this novel, there are some parts of it that do not sit well with me at all: specifically, certain aspects of the worldbuilding. While the concept and the characters are a great joy to read about, the world itself does not do it any favours. The pseudo-European setting, as well as the mind-boggling number of fantasy races, some of which do not make a lot of sense (how can a Wizard be considered a separate race entirely from Human?), are not particularly interesting, and add very little to the story beyond explaining why certain characters are good at certain things and bad at others.

I am also not entirely pleased with the near-absence of any strong plot in this novel. To be sure, there are very strong hints of what the next book might be about, but that???s for the next book, not this one. While the travels and travails of Cade and the rest of Touchstone make for pleasant-enough reading, it does not have sufficient heft to carry a book on its own. A part of me thinks that this book could have been half as long and still been fun to read; if it were not for my interest in the characters, I think I might have set this aside halfway through and not given it a second though.

Full review here: https://wp.me/p21txV-Fr

reviews.metaphorosis.com

3.5 stars

Four young men form a theater troupe that competes to deliver performances based on magic. Their abilities depend in part on genetic inheritance from Wizards, Elves, Fae, Goblins, Trolls, etc. The book chronicles their personal development and relationships.

It's a treat to see something new from Ms. Rawn at last, after a long drought in the mysterious and frustrating aftermath of the Ambrai ‘trilogy'. In the interim, I've only seen one Rawn work (The Diviner), and didn't like it much. Unlike a number of reviewers, I did like Touchstone.

Rawn made her name with heavily romantic fantasy in the style of Mary Stewart's Merlin series, but tilted more toward romance and less toward real relationships. She did it very well, and the books were good. I and many others were enthralled, up until the Ambrai series suddenly stopped mid-flow.

This book veers slightly from the formula, with a little more focus on the mechanics of magical theater. As I was with Robin Hobb's latest series, I was disappointed in the cultural world-building - primarily because I'm sorry that in the 21st century, the default setting for fantasy is still  privileges for men and subservience for women. The individual characters in this book (and Hobb's) are of course feisty and rebellious, but the society is firmly male dominated. There are hints of potential for change, but essentially, it's harder to lose yourself in a world that not only replicates real world problems, but the problems of some decades ago. (Not that there isn't still a lot of room for progress here.)

On the bright side, Rawn uses a lot of fun, archaic words - perhaps even too many, but they do add to the ambiance. She also takes a great deal of care, spending much of this book setting up a relationship that seems almost certain to arrive in later books. It seems clear that the relationship is meant to be seen as illicit, but Rawn spends virtually no time addressing that aspect of the society, which will undermine the relationship if it does develop.

Sadly, for a book of this nature, very few of the characters are fully developed. Even among the four artists, only two of them, Caden and Mieka, are really explored. Most others are simply filler, and the relationships are thin. The world, as well, is apparently interesting, but woefully underexplored, as is the society overall. A map would have been helpful.

The book also starts slowly, and with some confusion. The roles of the artists are not very clear, and in fact they never really become clear. It's a recurring weakness that threads through the very core of the book.

So, it's not a great book, but I do think it's a good one. The writing is largely good, the characters are engaging, and the world is interesting. I will be following up with the other books in the series eventually, even if not as a high priority. I recommend it for Rawn fans, and fans of romantic fantasy generally.

* On a side note, what's the deal with publishers who skimp on the covers for ebooks? Despite the image above, the ebook actually has a much simpler and less attractive cover. The same is true for the reissued Sheri S. Tepper books, which have really terrible, basic covers. To me, it just says cheap.