Bruce Springsteen's “Born In The U.S.A.” and the End of the Heartland
A thought-provoking exploration of Bruce Springsteen’s iconic album, Born in the U.S.A.—a record that both chronicled and foreshadowed the changing tides of modern America On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen’s Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years. In There Was Nothing You Could Do, veteran rock critic Steven Hyden shows exactly how this record became such a pivotal part of the American tapestry. Alternating between insightful criticism, meticulous journalism, and personal anecdotes, Hyden delves into the songs that made—and didn’t make—the final cut, including the tracks that wound up on its sister album, 1982’s Nebraska. He also investigates the myriad reasons why Springsteen ran from and then embraced the success of his most popular (and most misunderstood) LP, as he carefully toed the line between balancing his commercial ambitions and being co-opted by the machine. But the book doesn’t stop there. Beyond Springsteen’s own career, Hyden explores the role the album played in a greater historical context, documenting not just where the country was in the tumultuous aftermath of Vietnam and Watergate, but offering a dream of what it might become—and a perceptive forecast of what it turned into decades later. As Springsteen himself reluctantly conceded, many of the working-class middle American progressives Springsteen wrote about in 1984 had turned into resentful and scorned Trump voters by the 2010s. And though it wasn’t the future he dreamed of, the cautionary warnings tucked within Springsteen’s heartfelt lyrics prove that the chaotic turmoil of our current moment has been a long time coming. How did we lose Springsteen’s heartland? And what can listening to this prescient album teach us about the decline of our country? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out.
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This is a complicated review for me. Steven Hyden has been my favorite music writer for the last decade plus and it was his writings about Springsteen (specifically his agreement that Tunnel of Love is underrated in the Bruce pantheon) on Grantland that first made me a fan.
That said, this book has me conflicted and I don't know whether it's on him, his editors, his publisher or all of the above. It's marketed as being centered around “Born In The USA” but it's much more than that. It's much more of a study of the man himself, a shifting political landscape and his role before, during and after it. I understand using BITUSA as a hook to draw people in but it does a disservice to the book's contents.
As for editing, it bounces all over the place, thematically and anecdotally. To market it around a single album calls for a more linear format and this doesn't have that.
And as for Hyden himself, it lacks objectivity. Again, I don't know the motivations for the book and whether he wanted his personal feelings and opinions to come through so much. The worst example of that is the long section comparing Springsteen to Hyden's greatest musical love, Bob Dylan. It goes into far more Dylan minutiae than most people are seeking when picking up this book.
It reads like a book by a Springsteen fanatic for other Springsteen fanatics, which it is and I am. As I mentioned, I love Hyden's work and his work on Springsteen and enjoyed this book immensely from that standpoint.
My criticism stems from whether any of the aforementioned parties wanted this to appeal beyond hardcore Springsteen fans. At the end of the day, as the book is written, I can't say that it would.
If you love Bruce though, by all means, dive into this, pull up some favorite bootlegs, dream about “Electric Nebraska” and enjoy.
Thank you to NetGalley and Hachette for the opportunity to read and review.