The Stormcaller

What could have been a four star book compromises its way up to three stars. First, the good. Tom Lloyd presents us with a world filled with gods and men, and all the fantastical tropes that walk in between. Lloyd tugs at all of the familiar strings – prophetically proclaimed saviors, curses, even vampires, and of course, the question of whether our protagonist will turn out to be the hero or the doom foretold. While a simple enough story, it is often the simple ones that speak truest to us. There is an appeal to these modern fairy tale, and Lloyd makes sure to pepper his story with just enough of these elements to intrigue us and keep us flipping pages.

So why the struggle up to three stars? This book failed for me on purely technical merits. It had all of the ingredients of the kind of book I normally devour – magic, prophesy, gods, big shiny swords with special names, world in peril, etc. Where did it lose me?

First, the list of characters, in addition to being too long to keep track of in such a short book, was tucked away at the back of the book. Literally. Readers of the paper edition might have seen it, by accident, when going to set the book down. Readers of the electronic edition, though, would suffer the entire length of the book before discovering that hidden away at the back there is a mild attempt at explaining who's who. Mild, because it isn't conclusive, and doesn't give us the information we need to fully appreciate the story that Lloyd is telling.

Tackling a new world, with politics and struggles between sides, with an obvious sense of depth and history, is nothing new to fantasy readers. Its part of what makes second world fantasy stand out, after all. As readers, we've come to expect that the author will use one of a few well trod mechanisms. The simplest, and least favored, is of course to just info dump, preferably somewhere near the start of the tale so we can get that nasty mess out of the way and move on. The more timid author will provide us with a glossary, or at least well populated and advertised appendixes, that explain the lay of the land, who the sides are, even a little cultural background. Some prefer this method as it leaves it up to the reader to determine what depth they're willing to explore and understand the underpinnings of the world they just engaged. Of course, the truly brave writer – and this is why epic fantasy is known for its lengthy tomes, I think – will layer their explanations and insights about their fantasy world through the telling of the novel, so that while you may start not knowing who Bahl is or what a white-eyes is, by the end of the story you'll catch yourself swearing in Bahl's name and cursing the blight that is a white-eye born man. These are the story tellers. And this is what is so infuriating about this book, because it is this final cusp that it fails to cross. Our understanding of the world is so incomplete we are left questioning what is happening for part of the book. Every time I felt I had a grasp, we were introduced to a new character that made me question whether we were speaking the same language.

In the end, I think this first book had potential, but never quite rises above these flaws to stand out. Recommended for genre readers looking for a new series, but be forewarned its rough around the edges.