Ratings23
Average rating3.2
In a world beset by amassing forces of darkness, one organization—the Regional Office—and its coterie of super-powered female assassins protects the globe from annihilation. At its helm, the mysterious Oyemi and her oracles seek out new recruits and root out evil plots. Then a prophecy suggests that someone from inside might bring about its downfall. And now, the Regional Office is under attack.
Recruited by a defector from within, Rose is a young assassin leading the attack, eager to stretch into her powers and prove herself on her first mission. Defending the Regional Office is Sarah—who may or may not have a mechanical arm—fiercely devoted to the organization that took her in as a young woman in the wake of her mother’s sudden disappearance. On the day that the Regional Office is attacked, Rose’s and Sarah’s stories will overlap, their lives will collide, and the world as they know it just might end.
Reviews with the most likes.
Gonzales explodes the narrative and reassembles the shards into a time jumping story that switches from the expletive laden thoughts of a female operative to the dry conjecture of a research paper. It's a pop culture laden romp through the last days of a superhero initiative with nods to Die Hard, Minority Report, Karate Kid with a healthy dose of the X-Men, Morning Glories or the Umbrella Academy.
Given Gonzales' literary history it gets the literary fiction label with a side of genre instead of being placed firmly in YA where it could comfortably sit - less the grisly and funny interlude focused on the office drones that splits the book. And while I loved the action beats throughout I thought Daniel O'Malley's The Rook was the better version of this book.
My first instinct is to compare this book to Peter Clines' [b:Ex-Heroes 16479439 Ex-Heroes (Ex-Heroes, #1) Peter Clines https://d.gr-assets.com/books/1360646185s/16479439.jpg 10753679]. Both books deal with superheroes, and both books use an alternating Then/Now structure to show both the actions of the superheroes and how they became superheroes. But where Clines' novel is an escapist action romp, Gonzales takes the last season of Buffy the Vampire Slayer (when they go out and find the other potential slayers) and sets it inside a corporate bureaucracy. The action is too dry for my taste, and the homicidal robot arm, while clearly the best part of the book, isn't given nearly the attention it deserves.
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