The Long War
Ratings82
Average rating3.4
Like the first book, only seconder.
More about the main characters and some new ones.
New species, a terrible disaster (one that scares me in real life) and
more odd places amongst the Earths.
So, if you read the first one, you should read this one.
The story is structured like this: various teams travel the Long Earth with different goals in mind.
Much of the conflict revolves around humanity and their ability to co-exist with trolls and other humanoids. The war in the title deals with the Datum government wanting to control humans on Long Earth worlds, since their departure damaged the economy.
Things don't rev up until the last 50 pages. I enjoy the light humor and writing style so much that I was willing to stick with it, but it can really try a reader's patience.
I had a harder time getting through this book than the first one, possibly due to a distinct lack of Lobsang. It takes him ages to show up, and the pacing until he gets there is pretty slow. I still find the concept of the book fascinating, and this one allows for more in depth exploration of the sapient races as well as the potential of areas like The Gap. If either of those peaked your interest, definitely continue on with this one. It also has an excellent sense of scale both within the universe and the universes, something that feels very timely.
I love the big themes it addresses, and that is enough for me to finish off the trilogy, although it will probably be a while before I'm ready to dive in again.
reviews.metaphorosis.com
2 stars
With the cross-dimensional Long Earth relatively established, distant versions of Earth begin to chafe at Datum's Earth's attempts to control them. When the humanoid trolls encounter prejudice and violence, famed dimension-stepper Joshua Valiente once more feels called upon to step in.
Baxter and Pratchett's first entry in this series, The Long Earth, proved a disappointment that didn't play to either author's strength. Despite that, it had some interesting moments. This book doesn't.
The Long War (the ‘war' is a low key disagreement, entirely in the background), suggests that some collaborators just aren't a good match.,
The beginning is slow and jumbled, and frankly, it doesn't get much better. Characters have little connection to each other, and, worse, they're not interesting. Occasional tidbits of random information are thrown in for no good reason - for example, “At Watson Brake, Louisiana, five thousand years in the past, nomadic Native American hunter-gatherers had constructed major earthwork complexes,” which has only the faintest of connections to the story. The disjointed nature of the writing continues throughout. One or both authors seems to feel compelled to connect every event to one or another popular song from recent decades. I like some of those songs too, but what's the point? It gets really wearing, not to mention dull. There are too many other examples of in jokes (that also aren't funny).
Characters are inconsistent too. Joshua is described as loth to leave his family, but seldom thinks about them. A young girl named Roberta is introduced as a precocious side character, but somehow morphs into a super-genius when we're not looking. Some of the science is weak - on a world dense with insects except at high altitudes, bats chase flies at the top of a mountain. Why? A world with few plants has too much carbon dioxide - from where? The trolls, who have a complex song-oriented culture of their own, seem to sing only human music.
Some parts of the story make very little sense. In particular, a late-book crisis feels entirely author-manufactured, and very unlikely to occur in real life. The resolution is apparently something to take on faith, since close inspection just leads to sputtering and cries of “What?” The putative big problem that drives Joshua just fades away, and suddenly all is well again. One couple fall in love for no real reason that I could see.
On a minor note, SFF has happily moved away (mostly) from the rampant sexism of earlier years. Occasional misandry, however, is apparently now okay, apparently. Nowhere near as widespread as the previous misogyny, but just as irritating. Here, it's confined mostly to one character, where it might be treated as character definition, were it not treated as cute.
Overall, this is just not an interesting book, and certainly not the interesting collaboration of two talented authors. Instead of building to something new, they've sunk to a lowest common denominator. Even at that, they just don't seem to have tried very hard. There were lots of more interesting things the authors could have done with this idea. Let contesting nations each have one world where they hold the land. Let each nation have one world where they're as large as they once used to be. Explore the trolls, or the elves, or the mysterious pyramid builders. Almost anything. Instead they've served up a jumbled mostly plot-less disappointment that's doesn't lead much of anywhere at all, using characters not even the authors seem to care about.
I had reservations about the first book, but gave this one a try. I don't recommend that you do. I won't be going on to the third or fourth; I just don't care what happens in them.
Right now I feel like Joshua did towards Lopsang at the beginning of the book except about Jansen.
These books seem to be very much about the world-building and I need more plot. I suspect that if I'd read this, rather than listened to it, I would have given up on it a while ago. Don't know if I'll bother with the next one
Continues the story well and an enjoyable read but somehow get to the end without much emotional attachment to any of the characters.
Not as good as the 1st book. I was a little disappointed with it, but it wasn't bad.