Ratings1
Average rating2.5
From the author of the New York Times bestseller Everybody Rise, a “shimmering” (New York Times Book Review) novel with the exquisite historical detail and evocative settings of The Cold Millions and Great Circle that tells the story of one unforgettable woman’s rise in country and western music. It’s 1980, and Lillian Waters is hitting the road for the very last time. Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and Nashville, plus a few new ones. She yearns to feel the rush of making live music one more time and bask in the glow of a packed house before she makes the last, and most important, stop on the tour: the farm she left behind at age ten and the sister she is finally ready to confront about an agonizing betrayal in their childhood. As the novel crisscrosses eras, moving between Lillian’s youth—the Depression, the Second World War, the rise of Nashville—and her middle-aged life in 1980, we see her striving to build a career in the male-dominated world of country music, including the hard choices she makes as she tries to redefine music, love, aging, and womanhood on her own terms. Nearing her final tour stop, Lil is forced to confront those choices and how they shaped her life. Would a different version of herself have found the happiness and success that has eluded her? When she reaches her Washington hometown for her very last show, though, she’ll undergo a reckoning with the past that forces her to reconsider her entire life story. Exploring one unforgettable woman’s creativity, ambition, and sacrifices in a world—and an art form—made for men, The Farewell Tour asks us to consider how much of our past we can ever leave behind.
Reviews with the most likes.
In the beginning, this was shaping up to be a five-star read for me. I procrastinated reading it because I didn't want it to end. I started this on a trip to Memphis which felt fitting with the country music themes of the book and liked it so much that I didn't want to read it while there were so many distractions. I maintained my captivation for the first third of the book, but that was it. Lillian Waters embarks on her final concert tour after a grim diagnosis when she begins having throat issues. She organizes the route so that her last stop is in her hometown in Washington — a place she hasn't visited for decades. She hopes to make some kind of peace with her past and her sister Hen. The book jumps from her past and her present in the 1980s as she finally shares her story. As I said before, I was eating up every page in the beginning. I was so I tricked by Lillian's childhood and how she dealt with living in an abusive household. As she got older, I didn't like the turn the book took even though the situations presented were predictable given the circumstances of her character. From there, it continued to morph into something I never would have picked up in the first place. I could see the end coming but it still shocked me in a sense. I had been holding out for more because of the setup. There was a lot I enjoyed, such as the writing and the ebb and flow of past to present. The rest unfortunately comes down to preference.