Ratings7
Average rating3.6
An extraordinarily powerful and evocative literary novel set in Iran in the period immediately after the Islamic Revolution in 1979. Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. The Enlightenment of the Greengage Tree is really an embodiment of Iranian life in constant oscillation, struggle, and play between four opposing poles: life and death; politics and religion. The sorrow residing in the depths of our joy is the product of a life between these four poles. "This novel is an exciting development in Australian publishing." ~ ANZ LitLovers LitBlog. Read the rest of this fantastic review here. "Living in the 21st Century is not for the faint hearted, so it's no surprise that writers of literary fiction are looking clear-eyed at schisms of times past and the capacity of humans for brutality. Stylistically similar to Eka Kurniawan's acclaimed Beauty is a Wound, this novel is set in the aftermath of Iran's Islamic Revolution of 1979. Many scenes, most memorably Azar's handling of Beeta's fate, blend heavy darkness with allegorical flights of imagination, marking the author as an assured fabulist. She brings to colourful life an extended family replete with beauty, humour, and tragedy." ~ WritingWA
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New all-time favorite book. It could not be more timely and I experienced a disconcerting catharsis while reading it. It employs magical realism, which I know is not for everyone, but if you are willing to suspend disbelief to surrender to the storytelling, and nods to Persian folklore and mythology, while allowing it to symbolically tell you an otherwise brutal (but very necessary) story of the consequences of political oppression and religious zealotry and its all too often accompanying indifference, you may even shed a few tears when you reach its final pages and recognize its devastating beauty.
Having very little knowledge of Iran, especially the revolution, I can't say how much of this is based on real atrocities and how much is exaggerated. I've read a few reviews written by people much more intelligent than I and it seems to go either way.
But I can say, for me, the book kept my interest. I loved the folk tales woven into the story and the glimpse into a culture I know little about. I'm not sure if things were awkward in translation or if that was the fault of the author, but I felt like it was clunky in some areas, confusing in others. Still, I was unable to put the book down!
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