The City of Brass
Ratings331
Average rating4
One of my favorite reads of the year. Book one is packed with action from the begining, though for some people it might feel like a slow-burn. But it's all worth it, trust me. I loved every page and when I finished, I just had to immediately start book two because that cliffhanger at the end...
100% recommended.
One of my favorite reads of the year. Book one is packed with action from the begining, though for some people it might feel like a slow-burn. But it's all worth it, trust me. I loved every page and when I finished, I just had to immediately start book two because that cliffhanger at the end...
100% recommended.
Added to listSeries Newwith 23 books.
Added to listIndie Presswith 70 books.
Added to listBig Bookswith 33 books.
This novel won a metric frack tonne of awards, positive reviews and effusive praise. I can see why after I read this rich Middle Eastern fantasy, the first of a trilogy and the author Chakraborty’s intriguing debut.
"On the streets of 18th-century Cairo, young Nahri—she has a real talent for medicine but lacks the wherewithal to acquire proper training—makes a living swindling Ottoman nobles by pretending to wield supernatural powers she doesn’t believe in. Then, during a supposed exorcism, she somehow summons a mysterious djinn warrior named Dara, whose magic is both real and incomprehensibly powerful. Dara insists that Nahri is no longer safe—evil djinn threaten her life, so he must convey her to Daevabad, a legendary eastern city protected by impervious magical brass walls. During the hair-raising journey by flying carpet, Nahri meets spirits and monsters and develops feelings for Dara, a deeply conflicted being with a long, tangled past. At Daevabad she’s astonished to learn that she’s the daughter of a legendary healer of the Nahid family. All the more surprising, then, that King Ghassan, whose ancestor overthrew the ruling Nahid Council and stole Suleiman’s seal, which nullifies magic, welcomes her. With Ghassan’s younger son, Prince Ali, Nahri becomes immersed in the city’s deeply divisive (and not infrequently confusing) religious, political, and racial tensions. Meanwhile, Dara’s emerging history and personality grow more and more bewildering and ambiguous". -Kirkus review
In this syncretic, nonderivative and incredible backdrop, Chakraborty has constructed a compelling yarn of personal ambition, power politics, racial and religious tensions, strange magics, and terrifying creatures, culminating in a cataclysmic showdown that I did not see coming.
Can not wait to follow this in the next novel The Kingdom of Copper.
This novel won a metric frack tonne of awards, positive reviews and effusive praise. I can see why after I read this rich Middle Eastern fantasy, the first of a trilogy and the author Chakraborty’s intriguing debut.
"On the streets of 18th-century Cairo, young Nahri—she has a real talent for medicine but lacks the wherewithal to acquire proper training—makes a living swindling Ottoman nobles by pretending to wield supernatural powers she doesn’t believe in. Then, during a supposed exorcism, she somehow summons a mysterious djinn warrior named Dara, whose magic is both real and incomprehensibly powerful. Dara insists that Nahri is no longer safe—evil djinn threaten her life, so he must convey her to Daevabad, a legendary eastern city protected by impervious magical brass walls. During the hair-raising journey by flying carpet, Nahri meets spirits and monsters and develops feelings for Dara, a deeply conflicted being with a long, tangled past. At Daevabad she’s astonished to learn that she’s the daughter of a legendary healer of the Nahid family. All the more surprising, then, that King Ghassan, whose ancestor overthrew the ruling Nahid Council and stole Suleiman’s seal, which nullifies magic, welcomes her. With Ghassan’s younger son, Prince Ali, Nahri becomes immersed in the city’s deeply divisive (and not infrequently confusing) religious, political, and racial tensions. Meanwhile, Dara’s emerging history and personality grow more and more bewildering and ambiguous". -Kirkus review
In this syncretic, nonderivative and incredible backdrop, Chakraborty has constructed a compelling yarn of personal ambition, power politics, racial and religious tensions, strange magics, and terrifying creatures, culminating in a cataclysmic showdown that I did not see coming.
Can not wait to follow this in the next novel The Kingdom of Copper.