Sourcery

One-Sentence book review
Like other early Discworld books, it's a little rough around the edges, but you can see how Pratchett was beginning to find the identity of the series as a whole.

Summary, thoughts and notesThe book is part of the Rincewind sub-series in Discworld, specifically dealing with the eight son of a wizard, who in this case is not a wizard, but a sorcerer. The plot circles around our sorcerer, a kid named Coin, being manipulated by his father, who transferred his consciousness to his son's staff, into infiltrating Unseen University, taking it over, and creating an army of wizards to do as he says and effectively rule all of Discworld. Coin himself doesn't really want any of that, but his dad is the stubborn kind, Rincewind has his own kind of side adventure as much of this is going on, and eventually sync his adventure with Coin's in the book's final act, ending with a happy ending for most, excepting those who die, of course.It's hard for me to give an opinion on this book. Most people say that the first two books in the Discworld series (The Colour of Magic and The Light Fantastic), aren't a great place to start because they don't represent Discworld as a whole, and both the story, writing, jokes, and basically everything gets better as you go further along. I personally have found this book to be the weakest I've read so far, and I'm reading them in chronological order as the books were released, so I've read the first two books most people say to shy away from at first and honestly I liked them better.That's not to say I didn't like this book, it's just the one I've enjoyed the least, if that makes any sense. I thought the pacing was weird, it felt like there were long stretches where nothing happened, then a bunch of action and some pretty good jokes then back to a sort of lull in the story.Like always, Death absolutely steals the show every time he appears, with just the most incredible quotes, such as:“I meant," said Ipslore bitterly, "what is there in this world that truly makes living worthwhile?" Death thought about it. CATS, he said eventually. CATS ARE NICE.”and“And what would humans be without love?" RARE, said Death.”The book itself satirizes a bunch of fantasy tropes we all know and love, epic scale plots, magical wars, men = natural barbarians and women = natural homebodies, among other things. I think the way Pratchett manages to put so much of himself and his ideologies in the books without it feeling too in your face is an incredible skill that even to this day, not many authors can replicate.All in all, I'd say this book was good, if just average. The pacing was weird, and the plot itself I wasn't too invested in, but that's been the case with the other Rincewind-centered books I've read so far, so maybe Rincewind just isn't for me. Regardless, it did have some high points that I think make it worth it for me to revisit this book sometime in the future, maybe when I'm finally done reading all of the series.If you want to read a good old fantasy satire with some witty humor, or, alternatively, if you want a story about how wizards think they're the toughest people in the block until a smaller bully comes along, I think you'll like this book.

It's not easy to write good comedy, and it's significantly harder to write good parody. So I can only imagine how difficult it must be to create satire that is not just meant as a one-off gag, but is in fact an entire fantasy series in its own right, with lore and worldbuilding and continuity that surpasses most of the things it's lampooning.

Sourcery is my first Discworld book, though of course I've heard of both the series and the author for decades. I knew that it - and he - had a great reputation, and after finishing the book I can say it is well earned if only for his ability to thread this particular needle.

The most important part of a comedy is that it's funny, and Sourcery is very funny. Jokes are delivered at a rate equivalent to a belt-fed mounted machine gun. Even if one joke fails to land, you barely need to wait for the next sentence before a new one is attempted. There's puns, irony, satire, poop jokes, deep references, obvious references, and tons of meta jokes that could really only be told in literary form.

It's remarkable, often brilliant, sometimes distracting, and other times... a little annoying.

Sourcery is firmly a fantasy novel, and it's trying to tell you a story like one, with worldbuilding and adventure and character arcs that one expects. Most of the time the humor adds to the tapestry being presented, but not always. It's a book that doesn't take itself seriously, yet it still makes the attempt to tell a real story, with real stakes and character motivations and tension. It's a difficult balancing act, and not an altogether successful one. The prose constantly undercuts itself, oscillating between Loony Toons logic and real (well, fantastical) logic without much of a breather in between.

It's a bit of a mishmash, and you can imagine a creative process in which the phrase “cut that, it doesn't fit” was rarely said.

Take Conina. She's a stealthy master thief, yet also an extremely violent barbarian, but really, she just wants to be a hairdresser. She's descended from Cohen, and like him her name is a pun. She is the love interest of 2 (maybe 3) men and a treasure chest. She's serious and smart except when she's dumb and naive. Of the 4(ish) members of the party, she's generally most competent, but I had no idea what her motivation was for remaining in the story, and I think you could have probably cut her after the first 50 pages without losing anything.

It's mostly obvious which parts of Conina are meant to be silly jokes and which are meant to be serious characterization. But when you smash all those traits into a single character, and the primary supporting role no less, it just doesn't gel right.

It's like eating a tasty meal that nevertheless feels off, as if the ingredients weren't measured in the right ratio, or didn't fully combine in the cooking process.

I liked Sourcery, and I think I'll read more Discworld books someday, but only when I'm in the mood for its particular brand of food.

The bravest heroes are the ones scared out of their boots. An interesting fable untamed sourcery on the Disc.

First book of the year. Good way to start the year with a book that is ultimately about identity and doing what is right rather than what is expected of us. I love that Rincewind is good with kids and that we get to see more of the Librarian. Something I really love about Pratchett is that I have to concentrate on every word. If I loose track and just let my eyes wander the pages then I have to go back and start again. Nothing is superfluous. Only 36 more to go!

Great story, love Rincewind as a character.
Loved the first 2/3s but didn't enjoy it quite as much toward the end!

Missing magic hat
hunted by a magic stick
spearheads magic war.

Executive Summary: This one might be a tie with [b:The Color of Magic 34497 The Color of Magic (Discworld, #1; Rincewind #1) Terry Pratchett https://d.gr-assets.com/books/1407111017s/34497.jpg 194190] as my least favorite of Discworld thus far.Full ReviewAfter how much I enjoyed [b:The Light Fantastic 34506 The Light Fantastic (Discworld, #2; Rincewind #2) Terry Pratchett https://d.gr-assets.com/books/1389554927s/34506.jpg 592532] I was looking forward to another Rincewind book. I just never got into this one as much. There are once again some great jokes, but many of them felt in one or two parts of the book and then longer stretches where I didn't even chuckle.The plot wasn't terribly engaging. It had potential. The Eighth son of the Eighth son is destined to be a Sorcerer, far more powerful than any Wizard of Discword. But I guess the execution was just a bit lackluster.Maybe I don't like the Rincewind books as much. Or maybe I'm getting burned out on Discworld after reading so many in a short period. I think it's most likely that in a series this large, they can't all be winners.The highlight of the book was Conina. The badass barbarian warrior women with aspirations of being a hairdresser. Most of the funniest quotes of the book seemed to involve her in some way. I hope we'll be seeing more of her in future books.

As always, a you to read, but I sometimes felt a little overwhelmed by the lengthy passages of metaphor.

Yet another Discworld book.
Here, the eighth son of an
eighth son of an eighth son
is born, destined to be a
sorcerer. Sorcerers and
wizards compete to control
the world.

Sorry, all I remember about this one is that I've never been keen on it.

3.5 stars, Metaphorosis reviews

Summary
Wizards aren't permitted children. Because if they have them, the eighth son of an eighth son of an eighth son is not just a wizard, but a sourceror. And they cause all kinds of trouble.

Review
Pratchett has settled Discworld into fairly solid storytelling by this point, but this fifth book honestly didn't bring back the humor that I remember from back when (and that induced me to buy the entire Discworld series as e-books). It's fun, if occasionally confusing, but I don't find the jokes as convincing as previously, and they're starting to feel on the repetitive side.

I liked the expanded role of the Luggage, am somewhat tired of Rincewind, and was disappointed that the titular sourceror is almost entirely undeveloped. There's a plot reason for it, but it still felt like a missed opportunity to make this a much fuller story.