Ratings3
Average rating3.7
A woman goes into a bakery to buy a strawberry cream tart. The place is immaculate but there is no one serving so she waits. Another customer comes in. The woman tells the new arrival that she is buying her son a treat for his birthday. Every year she buys him his favourite cake; even though he died in an accident when he was six years old.
From this beginning Yoko Ogawa weaves a dark and beautiful narrative that pulls together a seemingly disconnected cast of characters. In the tradition of classical Japanese poetic collections, the stories in Revenge are linked through recurring images and motifs, as each story follows on from the one before while simultaneously introducing new characters and themes. Filled with breathtaking images, Ogawa provides us with a slice of life that is resplendent in its chaos, enthralling in its passion and chilling in its cruelty.
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Yoko Ogawa writes a range of thrilling shorts in this collection called “Revenge.” Each story takes a short look into the lives of seemingly interconnected characters. However, once you get to know the characters, their tendencies, and their innermost thoughts, each thread sort of winds its way together.
The dark narratives always include some sort of macabre undertone and subtly that really gets under the skin. For instance, in “Sewing for the Heart” (my absolute favorite of the bunch), we are introduced to a singer who literally has her heart attached to the outside of her body. She is self-conscious of it, and as you can imagine, she wants it covered up so nobody can see it when she performs. She enlists the help of a handbag designer to develop something that fits over it. He has some interesting inner thoughts (to say the least) and develops a unique solution. This story really captures the feel of Japanese horror in a way that excites, nauseates, and makes you think. Sadly, not all of the shorts are as good as this one.
To me, most of the stories are a bit too heavy-handed. Yes, the universe being built between the stories is interesting, but it meanders quite a bit throughout, leaving some of the ah-ha moments to fall flat. I really did not have the inkling to review some of the past stories to really connect each and every thread together.
So, who is this for? Well, that is a tricky question to answer. It is effective enough to give you genuine goosebumps if you are a seasoned horror fan while also stimulating the brain with some extra sensory imaginative underpinnings if you are looking for something a bit more challenging. It just does not hit any trope with a wide brush.
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A reaction to each story and a separate review for each:
Story 1 of 11: “Afternoon at the Bakery” - This one was on the creepy side. Especially the refrigerator scene. (⭐⭐⭐)
Story 2 of 11: “Fruit Juice” - this story had an eerie feel to it. A weird date, some fruit eating, and a melancholy follow up later in life. (⭐⭐)
Story 3 of 11 - “Old Mrs. J” - This was the best one so far! A drunk husband, fingerling vegetables, and massages gone wrong.
‘'Why was everyone dying? They had all been so alive just yesterday.''
Yoko Ogawa creates a dark wonder of sadness, loneliness and unsettling desires in Revenge, a collection of eleven seemingly disconnected stories. However, as is always the case with Ogawa's work, nothing is as it seems and the tales are written in a ‘' matryoshka'' style. Each story is connected to the previous one via a characteristic feature. You will discover the clues as you go along the way, as pain, oblivion and death are standing by, watching you.
What makes Revenge stand out is the seamless way in which brief scenes of daily life, vivid and sharp and tender and melancholic are intertwined with the strange themes of the stories. Paragraphs like these invite you to Ogawa's world.
‘'Families and tourists strolled through the square, enjoying the weekend. Squeaky sounds could be heard from a man off in the corner, who was twisting balloon animals. A circle of children watched him, entranced. Nearby, a woman sat on a bench knitting. Somewhere a horn sounded. A flock of pigeons burst into the air, and startled a baby who began to cry. The mother hurried over to gather the child in her arms.''
‘'Where had it all come from? Outside, the world lay under a blanket of white, just as my uncle had said. The air was still, and large snowflakes drifted out of the night sky. The street was empty, and the car that had been lurking near the entrance had disappeared. I walked gingerly over the unmarked snow. When I turned to look back, the window was dark.''
Afternoon in the Bakery: A woman buys a strawberry cake every year for her son's birthday. But the boy died twelve years ago...
Fruit Juice: A young woman tries to reconcile with her estranged father, with the help of a classmate.
Old Mrs J: The haunting story of a writer and an old lady who is very fond of kiwis. And strangely-shaped carrots.
The Little Dustman: A man is stuck in the metro due to technical issues, as he tries to be on time for her step-mother's funeral. A tale of family, tigers and Brahms.
Lab Coats: Two young women work in the morgue. Their job requires them to empty the pockets of the lab coats of the deceased.
Sewing for the Heart: A young woman has a strange order for a bag maker. She needs a special bag for her heart.
Welcome to the Museum of Torture: A young woman is fascinated by the Museum of Torture. Perhaps, too fascinated...
The Man Who Sold Braces: A young man reminiscences of his uncle, a strange man hiding a few dark secrets.
The Last Hour of the Bengal Tiger: The haunting tale of a dying tiger.
Tomatoes and the Full Moon: A moving story of a strange woman and bitter memories. And what is the link between the full moon and tomatoes?
Poison Plants: The saddest story in the collection. A woman who has been fighting a chronic illness befriends a young man who becomes her sole support. But will it last?
It's Yoko Ogawa. Just read it.
‘'Everyone I know has died. My past is full of ghosts.''
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