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The self-proclaimed Sun King, Louis XIV ruled over the most glorious and extravagant court in seventeenth-century Europe. Now, Antonia Fraser goes behind the well-known tales of Louis's accomplishments and follies, exploring in detail his intimate relationships with women. The king's mother, Anne of Austria, had been in a childless marriage for 22 years before she gave birth to Louis XIV. A devout Catholic, she instilled in her son a strong sense of piety and fought successfully for his right to absolute power. In 1660, Louis married his first cousin, Marie-Thérèse, in a political arrangement. While unfailingly kind to the official "Queen of Versailles," Louis sought others to satisfy his romantic and sexual desires. Fraser weaves insights into the nature of women's religious lives--as well as such practical matters as contraception--into her sweeping portrait of the king, his court, and his ladies.--From publisher description.
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Reading Antonia Fraser writing on the women that spangled Louis XIV's court makes you incredibly grateful for her scholarship and fluid prose, especially if you've read a locus of writing on the subject. Fraser's survey of Louis the XIV's female influences is fascinatingly comprehensive, interestingly salacious, and curiously journalistic. Most historians tend to take a point of view and set up camp there, and not many have the conviction or steady hand for their thesis to be, “it's complicated.” Fraser pulls it off in this book without seeming waffling or poorly researched, and every relationship documented – from Louis and his mother to Louis and Madam Right Now – is nuanced and rich. As much as I loved it, so much of the momentum for reading this book (especially in the second half) was motivated by personal interest in the subject, and not particularly driven by captivating storytelling. Partly that's a function of Louis getting older, slowing down, settling down with his secret morganatic marriage and ceasing his habitual tapping of every piece of available ass in court. Partly it's because the second half loses its tight narrative focus on Louis, having to spend a lot more time branching outward to cover the various tragic deaths of his dauphin, his other dauphin, the dauphiness – essentially everybody at court. Fantastic, comprehensive reading if this subject is in your sweet spot, but not recommended for general curious audiences.
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