Last Dance on the Starlight Pier
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Set during the Great Depression, Sarah Bird's Last Dance on the Starlight Pier is a novel about one woman—and a nation—struggling to be reborn from the ashes. July 3. 1932. Shivering and in shock, Evie Grace Devlin watches the Starlite Palace burn into the sea and wonders how she became a person who would cause a man to kill himself. She’d come to Galveston to escape a dark past in vaudeville and become a good person, a nurse. When that dream is cruelly thwarted, Evie is swept into the alien world of dance marathons. All that she has been denied—a family, a purpose, even love—waits for her there in the place she dreads most: the spotlight. Last Dance on the Starlight Pier is a sweeping novel that brings to spectacular life the enthralling worlds of both dance marathons and the family-run empire of vice that was Galveston in the Thirties. Unforgettable characters tell a story that is still deeply resonant today as America learns what Evie learns, that there truly isn’t anything this country can’t do when we do it together. That indomitable spirit powers a story that is a testament to the deep well of resilience in us all that allows us to not only survive the hardest of hard times, but to find joy, friends, and even family, in them.
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Powerful Examination Of Oft-Ignored Areas. Know up front that there is a LOT going on in this book, and to me it absolutely warrants the 400 page length. The book begins and ends in Galveston during the Depression, when one family had absolute control of the island. In between, we see a lot: the burlesque shows of the era - including their seedier sides engaging in open pedophilia, the dance marathons that were cheap entertainment for so many in this pre=television era and the marathoners that endured so much just to stay off the streets, the politics of the era (where your mileage is absolutely going to vary, but was true to the period at minimum), the treatment of homosexuality in the era, a new surgery meant to cure so many mental health issues - including homosexuality - that was just as barbaric as described late in the text here, and so much more. For those that care about precise historical fact in their historical fiction - I personally tend to give authors at least a touch of leeway, depending on particulars including overall story - know that this surgery was real, and the details provided about both it and the doctor that originated it - Dr Walter Freeman - are real. Bird simply moved up the timeline by about 15 years or so, and used it to great effect within the confines of her story. Truly a remarkable work, and very much recommended.
Note: For those seeking more details on the real horrors of the transorbital lobotomy described in this tale, My Lobotomy by Howard Dully - which I first encountered as a late night NPR broadcast - is truly tragically horrifying.
