Justice Gone

This originally appeared at The Irresponsible Reader.
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I've mentioned before here that after I decide to read a book I forget what its about (if I even know) to keep myself coming from being disappointed by preconceived notions. It worked this time, I really had no idea what it was about when I opened it on my Kindle last week.

Which made the opening pages, featuring the killing of an innocent and compliant veteran by the police, as shocking as they could've been. But they also led me to believe I was in for a grim, adult version of The Hate U Give. So when that story took a hard turn a few chapters later with the murder of some of those police officers, I was reeling as much as Lombardi could've hoped for.

That sensation kept repeating at each new phase of the action in Justice Gone—”Oh, so this is what the book is about.” Until I finally got that the book was about all of these things—not just one or two themes. It was actually pretty effective in that way, more than I might have thought possible in the abstract. It's difficult to enumerate them without revealing too much, so I'll be vague here—the central question is about the place of (and possibility of) seeing justice in our current politicized climate given the high level of suspicion of the police (and their suspicion of the general public) coloring everything, and apparent interference by government officials (especially those elected to office) on criminal investigations and prosecutions.

Sadly, in the mix of all those themes and ideas, the incident that set all of the rest in motion is forgotten about when not overshadowed by the events that spiraled from it. I wish Lombardi had been able to keep the focus on it while telling the other story, because that really is something tat needs to be told. Not that the rest doesn't, don't misunderstand. It's just we've all seen several variations of the rest of the novel, and haven't seen nearly enough of that.

One thing I really appreciated was the focus on the jury's deliberation toward the end of the novel. Lombardi's not afraid to introduce new characters—twelve of them, in fact—as the book wraps up. Occasionally, a legal thriller will take a peak inside the Jury Room, but never to this extent. Now I wonder why not.

Lombardi does slip into melodrama more than a few times. He gets out of it pretty quickly and easily, but it's there. His characters could all use a little more work to not be so forced, and be a little more believable—except for the accused, I never had a problem with him. But Lombardi's a good enough story teller that the problems with the writing and characters are swept under the carpet and ignored as long as you can focus on the story unfolding.

It's a book that feels timely and important—the kind of thing that will spark reflection on the part of the reader, and hopefully discussion. Justice Gone is the kind of compelling novel we need more of.


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.