Hummingbird Salamander
Ratings47
Average rating3.4
dnf @ 11%
i was going to try to push to the quarter mark before calling it but i was SO bored. i absolutely dreaded picking this up and couldn't connect with the MC at all. i may have to accept that jeff vandermeer's writing isn't for me and that the annihilation series is the exception.
Very interesting but the characters were really flat and not interesting. Felt like a john grisham book only with forensic investigations and climate change. I was intrigued with the usage of bioterrorism with climate change secrets but its a one and done read for me.
3.5- VanderMeer books have become comfort reads for me. I appreciate the way he describes nature and incorporates it into his stories.
Such a disappointement after only haven't read and loved one VanderMeer before: book[b:Annihilation 17934530 Annihilation Jeff VanderMeer https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1403941587l/17934530.SX50.jpg 24946895]. This one's a mystery that is too unnecessarily mysterious and tangled, and very unappealing, as the protagonist is too paranoid and manic and really doesn't explain well why she let herself be pulled into this mystery in the first place. What a waste of a perfect cover and title.
I might write a review later, but for now I will just say that I love VanderMeer's ability to write a clear and gripping story in a way that also unbalances and confuses the reader.
If you're looking for something like Annihilation or Borne, this isn't quite in the same vein. I'm used to turning to VanderMeer for New Weird, but this only barely touches the edge of science fiction. It's much more of a thriller with a conservationist core. VanderMeer does not pull punches reminding the reader exactly how thoroughly we have ravaged our planet, and uses the arc of the thriller to get readers to ask themselves some tough questions. It's fast-paced, well-constructed, and often surprising with some Roshamon levels of perspective thrown in as well. It's not what I was expecting, but it was definitely worth the read.
I don't know why this took me so long to read. I found the book sort of slow to get going, got like a third of the way through, and then got distracted by the idea of re-reading Chris Claremont's entire Uncanny X-Men run. Then I picked this book back up and burned through the remaining two thirds in a day and a half.
Anyway, with more granular ratings, I'd give it three and a half. I do think it starts off sort of slow, but it picks up very quickly. I dig the slow motion apocalypse taking place just outside the boundaries of the story, and the way it mirrors Jane's personal situation.
This one is going to stay with me, just like Dead Astronauts has. Beautiful, heartbreaking book.
Even with my issues with the book, I did really like it. It took me a bit to warm up to this book. It starts kind of slow and doesn't quite have a clear point until a while in. The main character's arc doesn't seem to have a very strong motive, and that kind of bothers me. It did keep me interested though, and as always, I like his writing style a lot.
Thank you to Net Galley; Mr VanderMeer; and Firar, Straus and Giroux for an ARC of this book for an honest review.
I love VanderMeer. Really, I do. I gobbled up the Southern Reach trilogy; I bawled over Borne. I have his amazing book on writing. So I fully expected to love this book with every fiber of my being. Yet, I did not.
Essentially, we follow “Jane,” our statuesque, muscular heroine as she goes down the rabbit hole of eco-conspiracy theories. One day, as she's leaving a coffee shop, the barista runs after her with a mysterious note. This note leads her to a taxidermied, extinct hummingbird. And after that, things get really real. She's followed, she's threatened, she's armed. Her life gets topsy-turvy and out of her control completely. And all because of a dead bird. And maybe a salamander, if she can find it.
The focus of her quest is one Silvina Vilcapampa, supposed eco-terrorist and daughter of an evil industrialist who traffics in rare animals. Silvina is supposedly dead when the story starts, but so many things don't add up for Jane. As she hunts down anyone connected to Silvina and the bird, she is further embroiled in a strange conspiracy that has ties to her childhood. And nothing, including what she thought of Silvina, is reliable.
I went into this book so excited for everything in it. But the writing was not up to the standard to which I'm accustomed with Vandermeer. He constructs beautiful sentences into weird, lovely, tragic tales. This had very little of that. It felt like he dialed it in, or rushed to meet a deadline. Jane is never as engaging as Ghost Bird or Borne or Rachel or the Psychologist, or even Control. She's a mess of a person, which is fine. But she just lacks that extra something. And the things that happen don't entirely make sense. I've read two books in which heroes hide in piles of slain animal grue in the last few weeks, and this one just didn't feel as realistically horrifying as the other one (in My Heart is a Chainsaw). Jane engenders a disconnect from the reader. It isn't a case of likeable or unlikeable. It's a case of, “I don't really care about her.”
I kept waiting to love this book, and I kept being disappointed. It felt like a thriller, but weirder. But not as charmingly Weird as Vandermeer's other books. And, at times, it was almost nonsensical, but not in the giant bear fights sentient alien plant way, which is the very best way.
And then the end, Which I realize some people didn't like. But, for me, it kept the book at three stars. The end isn't satisfying; it doesn't need to be. It needs to have impact, which it did. Nothing is what Jane expected, nor what I expected. And the not knowing is tragic and hopeful and beautiful.
