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"Striking images of a land renowned for its contradictions and variety as viewed by one of the great artists of our century."Houston Post Henri Cartier-Bresson's record of his fascination with India over half a lifetime contains the very best of his photographs of that country. Beginning in 1947 at the time of Independence and produced during six extended visits over a twenty-year period, these beautiful, dramatic images are shaped by an eye and a mind legendary for their intelligent empathy and for going to the heart of the matter. Cartier-Bresson's extraordinary gifts of observation and his famous "mantle of invisibility," as well as his good connections with Jawaharlal Nehru and others, allowed him to capture the quintessence of India. His pictures of Hindus in refugee camps after the Partition or beggars in Calcutta speak with the same passion and authority as those of the Maharaja of Baroda's sumptuous birthday celebrations or of the Mountbattens on the steps of Government House. Ample space is given to his famous reportages, such as the astonishing sequence on the death and cremation of Gandhi. But above all, it is the apparently ordinary faces and scenes from market, temple, or countryside that have the power to put us in direct touch with the spirit of a country and its people. 105 duotone illustrations.
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Really fascinating, especially if you're a fan of recent Indian history. I didn't realize the famous picture of the Mountbattens with Nehru laughing between them (the cover of this wonderful book) was by Cartier-Besson. Lots of other famous pics of Gandhi, as well.
I wasn't sure how I felt about the book's presentation of these photographs - they jump around across time (photos of fleeing refugees during Partition in 1948, then suddenly Keralan dancers in 1960s, etc) and across space (Rajasthan on one page, Orissa on the next). If someone doesn't know India very well, or even just doesn't read the captions, they may not realize that they're seeing such very different contexts.
Also, funnily, given the intro by Satyajit Ray, I did feel a deep familiarity with these black and white portrayals of rural poverty thanks to old Indian cinema - specifically, it reminded me of some old Hindi films like Awaara or Chori Chori (incidentally, I read somewhere that Nehru adored this song - boy, do I agree). Ray's Pather Panchali, as well.
I do wonder how someone who's totally unfamiliar with Indian history, regions, etc, would interpret all these pics. The book mentioned that Cartier-Bresson (who I know zero about) made a similar book about Mexico (that I know almost zero about), so maybe I'll check that out next.