Weaving together the lives of blacks and whites, racists and civil rights advocates, and the events of peaceful protest and violent repression, Sena Jeter Naslund creates a tapestry of American social transformation at once intimate and epic. In Birmingham, Alabama, twenty-year-old Stella Silver, an idealistic white college student, is sent reeling off her measured path by events of 1963. Combining political activism with single parenting and night-school teaching, African American Christine Taylor discovers she must heal her own bruised heart to actualize meaningful social change. Inspired by the courage and commitment of the civil rights movement, the child Edmund Powers embodies hope for future change. In this novel of maturation and growth, Naslund makes vital the intersection of spiritual, political, and moral forces that have redefined America.
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Sena Jeter Naslund knows how to craft a very beautiful sentence. There is a cadence to the words she puts together that can be no accident. And though Four Spirits suffers from being the follow-up to Naslund's brilliant Ahab's Wife, it is this beautiful rhythm coupled with her heart for the subject that provide this novel with its strongest qualities.
What harms Four Spirits most, I believe, is the author's attempt to present so many perspectives. It works, but it doesn't necessarily add to the story. It's like adding all kinds of gears and levers and such to a machine that works great without them. Naslund does a masterful job writing from the viewpoint of so many characters, but their stories add nothing to little to the story.