Daughter of the Centaurs

I love when stories–particularly with “selfless” female protagonists/heroines–live by the seat of their pants and know the skills–or slowly learn, in this case–how to survive and be independent. When Malora must leave her People and live alone forevermore with just her horses as company, she saw a restless but fortifying life ahead of her. When she went back to discover the desolation of her people it destroyed something in her. That's when they discovered that the People were not as dead as they thought. A society of human and horse hybrids have been living successfully since the war with the People of Mount Kamaria–known now as Mount Kheiron, habitat of the centaurs–occured. From Daughter of the Mountains, to Daughter of the Plains, to Daughter of the Centaurs, Malora “Ironbound” Thora-Jayke does not fail to capture the reader's heart and symbolize inspiration for a whole other race.

Such vivid descriptions of mountainous and barren landscapes. So easy to hear the hoofs of Malora's “boys and girls” stampeding across the plains. Without the need to learn to read or write, Malora's voice captures more abstract concepts and appreciated the primal nature of the land she knows by heart. Her love of horses became my love of horses for all their nickering, whinnying, snorts and eye-rolls. When first encountering the Highlanders and their method of living, the frivolity was comforting but seen as a waste through the main characters'. The author's writing ability to depict all the monuments, murals and colorful aspects of a Highlanders' life was dazzling and absolutely awe-inspiring to behold. With the minor addition of its own terminology, Daughter of the Centaurs was originally created and uniquely executed. I did not want to put down this book for longer than six hours, couldn't part with it; not the world or the characters.

The plot did prove a bit too peaceful and calm, but it was successful in appealing to the no-nonsense side of me. I can't stand when authors make up unnecessary conflict between two parties just to liven up a certain scene. The book's solitary, soothing tone helped develop Malora's characters and was easy to use as a filter to distinguish traits and personalities of other characters.

It is obvious, reading the ending and knowing all the other unanswered questions, that there will be a second book in the series. No doubt the “Centauriad #1” gave that away. Its the waiting that might do me in if I don't get another horse-y book-related fix in the next six months.

Grade: A-