Dark Neon & Dirt
Ratings1
Average rating4.5
What’s Dark Neon & Dirt About?
I’ve tried 6 different versions of this, and have ended up saying something I regret each time. Let’s see if I can nail it this time. I’m thinking of a recipe.
Ingredients
- 1 child who escaped Vietnam right after the fall of Saigon, who learned to defuse bombs to serve in Iraq, and is now one of LA’s most successful thieves
- 1 LAPD lieutenant whose driving interest (not quite an obsession, but you never know) is finding out this thief’s identity and apprehending him. I’m not sure if he cares about the order. His other interests? Best if you don’t know
- 1 member of the FBI’s Art Crime Team who decided that opening a gallery in France seemed like a more lucrative way to spend her time
- A generous amount of LA Noir to season
Directions
- Combine the robber, cop, and seasoning, mix well.
- Slowly pour in the gallerist.
- Bring to rolling boil over a sweaty LA heat.
- Serve hot.
Heat
If Trang isn’t one of Michael Mann’s biggest fans, he’s sure acting like it. Or at least the narrative voice of this book is. I was to wrapped up in things to count, but there were a number of direct references and allusions to Heat. Enough that there’s no way that the reader is not supposed to pay attention to as many as you can catch.
That said—despite what I expected after the first couple of references—beyond it being about a fairly successful thief being chased by a detective, and the cat-and-mouse between them and the biggest score in the thief’s career, there’s very little overlap.
I’m pretty sure if you enjoyed Heat that this is going to be right up your alley. But that’s true of people who enjoyed Winslow’s Crime 101, or any good cop-and-robbers story.
So, what did I think about Dark Neon & Dirt?
I want to say a lot about this book, but I’m afraid I’ll spill more than you want me to, prospective reader. Although…even saying that there’s something to spill is sort of accomplishing that anyway. I’m just not going to win here.
This grabbed me and wouldn’t let go. I rarely—if ever—knew just where he was taking the story or the characters. And even if I was right about something, it felt more like a lucky guess than me understanding what Trang’s plan was. That’s from the first scene to the last—and all stops in between.
It’s hard to elaborate on this, but let me make a couple of notes on character. Once you put down the novel for the last time, I expect you’ll take a couple of minutes and re-evaluate almost every choice made by the majority of the characters. You’ll also find yourself appreciating the way that every character felt like a new twist on a tried-and-true favorite type. You find yourself getting annoyed with, if not actively disliking, characters who would be the protagonists/heroes of pretty much every other crime novel you can think of. Most of the rest will generate a good deal of ambivalent feelings for you (eventually, in the moment, you’ll be pulling for their success).
Honestly, I’m still revising my thoughts on a couple of characters as I type this up.
One thing you won’t revise is how these people think and talk—especially talk. You all know how much I’m a sucker for good dialogue, and Trang did not disappoint. Especially Lt. Monroe, something about his lines endeared him to me.
I mentioned Winslow above, and this is just the kind of story he’d tell—Trang doesn’t have Winslow’s style (yet), but his voice and story-telling choices are similar. I can also see this as an outline that Elmore Leonard would work from. For a debut novel, it’s hard to ask for more than that.
Within a chaper or two, I pretty much felt like Trang came over and sat down too close to me on some bench, so I had to slide over a bit before introducing himself and telling me that I needed to make some room on my shelves between Tolkein and Tropper because he intended on filling it over the next few years.
Trang’s got the chops—I cannot wait to see what comes next. I strongly encourage crime readers (particularly those with an affinity for novels that live in the gray areas) to pick this up, while I go reorganize my shelves.
Disclaimer: I was provided a copy of this ARC by the author a day or two before I was going to order it, so it really didn’t affect my opinion of it–he just saved me a few bucks. (and I paid him back by not posting this on time, he really didn’t come out good in this deal).
Originally posted at irresponsiblereader.com.
What’s Dark Neon & Dirt About?
I’ve tried 6 different versions of this, and have ended up saying something I regret each time. Let’s see if I can nail it this time. I’m thinking of a recipe.
Ingredients
- 1 child who escaped Vietnam right after the fall of Saigon, who learned to defuse bombs to serve in Iraq, and is now one of LA’s most successful thieves
- 1 LAPD lieutenant whose driving interest (not quite an obsession, but you never know) is finding out this thief’s identity and apprehending him. I’m not sure if he cares about the order. His other interests? Best if you don’t know
- 1 member of the FBI’s Art Crime Team who decided that opening a gallery in France seemed like a more lucrative way to spend her time
- A generous amount of LA Noir to season
Directions
- Combine the robber, cop, and seasoning, mix well.
- Slowly pour in the gallerist.
- Bring to rolling boil over a sweaty LA heat.
- Serve hot.
Heat
If Trang isn’t one of Michael Mann’s biggest fans, he’s sure acting like it. Or at least the narrative voice of this book is. I was to wrapped up in things to count, but there were a number of direct references and allusions to Heat. Enough that there’s no way that the reader is not supposed to pay attention to as many as you can catch.
That said—despite what I expected after the first couple of references—beyond it being about a fairly successful thief being chased by a detective, and the cat-and-mouse between them and the biggest score in the thief’s career, there’s very little overlap.
I’m pretty sure if you enjoyed Heat that this is going to be right up your alley. But that’s true of people who enjoyed Winslow’s Crime 101, or any good cop-and-robbers story.
So, what did I think about Dark Neon & Dirt?
I want to say a lot about this book, but I’m afraid I’ll spill more than you want me to, prospective reader. Although…even saying that there’s something to spill is sort of accomplishing that anyway. I’m just not going to win here.
This grabbed me and wouldn’t let go. I rarely—if ever—knew just where he was taking the story or the characters. And even if I was right about something, it felt more like a lucky guess than me understanding what Trang’s plan was. That’s from the first scene to the last—and all stops in between.
It’s hard to elaborate on this, but let me make a couple of notes on character. Once you put down the novel for the last time, I expect you’ll take a couple of minutes and re-evaluate almost every choice made by the majority of the characters. You’ll also find yourself appreciating the way that every character felt like a new twist on a tried-and-true favorite type. You find yourself getting annoyed with, if not actively disliking, characters who would be the protagonists/heroes of pretty much every other crime novel you can think of. Most of the rest will generate a good deal of ambivalent feelings for you (eventually, in the moment, you’ll be pulling for their success).
Honestly, I’m still revising my thoughts on a couple of characters as I type this up.
One thing you won’t revise is how these people think and talk—especially talk. You all know how much I’m a sucker for good dialogue, and Trang did not disappoint. Especially Lt. Monroe, something about his lines endeared him to me.
I mentioned Winslow above, and this is just the kind of story he’d tell—Trang doesn’t have Winslow’s style (yet), but his voice and story-telling choices are similar. I can also see this as an outline that Elmore Leonard would work from. For a debut novel, it’s hard to ask for more than that.
Within a chaper or two, I pretty much felt like Trang came over and sat down too close to me on some bench, so I had to slide over a bit before introducing himself and telling me that I needed to make some room on my shelves between Tolkein and Tropper because he intended on filling it over the next few years.
Trang’s got the chops—I cannot wait to see what comes next. I strongly encourage crime readers (particularly those with an affinity for novels that live in the gray areas) to pick this up, while I go reorganize my shelves.
Disclaimer: I was provided a copy of this ARC by the author a day or two before I was going to order it, so it really didn’t affect my opinion of it–he just saved me a few bucks. (and I paid him back by not posting this on time, he really didn’t come out good in this deal).
Originally posted at irresponsiblereader.com.