Ratings3
Average rating3.7
A new short story collection from a master
"Maggie understands that splatter for splatter's sake is boring. Psychopathy is boring. Coldness is boring. She's interested in feeling, and when her stories turn violent (as they frequently do), it's with a surreal emotional barbarity that distorts the entire world. You can mop up blood with any fabric. Maggie's concern is with the wound left behind, because the wound never leaves-it haunts. As a result, each of these stories leaves a wound of its own. Some weep, watching as you try (and fail) to recover. Others laugh. But never without feeling." -B.R. Yeager, author of Negative Space
"And once finished, I felt like my tongue had been misplaced, guts heavy and expanded ... gums numb with a tongue that'd been put elsewhere, my mouth clean around a pipe weaving up through pitch and shadow ... and well past ready, primed for delight, waiting but knowing I had already been filled to skin; crying shit, hearing piss, fingernails seeping bile, pores dribbling blood, soles slopping off and out to meet a drain mid-floor ..." -Christopher Norris, author of Hunchback '88
Reviews with the most likes.
Shit this collection was good.
Horror is about loss. Loss of agency, loss of comfort, loss of love, loss of direction, loss of future, loss of goals, loss of desire, loss of innocence, etc etc etc. So to make people actually feel that horror, you need to make them care about what's being lost.
Maggie Siebert fucking CARES, and you can tell. There is so much longing and pain in this book. The emotional core stuffed inside these tight jagged stories is always burning brightly through, daring you to look away, making you pray for a happy ending even when you know it won't come.
In no particular order, the stories that stood out the most for me - Best Friend, Coping, Every Day for the Rest of Your Life (definitely my favorite of the bunch), Witches, and Smells
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