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Against the Workshop is the first sustained critique of twenty-first century literary production in America under the MFA/creative writing program infrastructure. Since earlier critics like John Aldridge wrote on the subject, the creative writing regime has become vastly more institutionalized. Publishing has changed, but what does it mean for the quality of fiction and poetry? This book brings the subject completely up-to-date, by focusing on fiction and poetry generated during the last decade. The book contrasts the vast amount of sludge with the rare gems, to argue that the creative writing product is a debased one that will not stand the test of time.
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I came to this book with an open mind, but I was sure that I would disagree with Shivani on every point. However, Shivani makes a pretty good case for the idea that MFA writing programs have created a conservatism in American fiction. If I had one complaint, it is that the book provides plenty of great arguments with very little evidence. Having widely read many literary journals over the years, I don't need any examples, because I've seen it for myself. If I came to this book cold, however, I might find his arguments less convincing. Still, if you're a writer, and you have some background in literary theory and criticism, I recommend you read this. It's a pretty quick read. The very last essay is the most powerful, in my opinion.