Added to listOwnedwith 17 books.
It's quite creepy to consider that the words of Osamu Dazai reek of an ongoing behavior within Japan–he wrote this shortly before his death in 1948!–that is defined by a contradictory form of servitude (emotionally torn, functionally obedient) and a penchant for vices. No Longer Human evokes the kind of self-awareness that should be alarming, even as it packages itself as a fictional reading of three notebooks from a character named Oba Yozo.
The quickest way I can describe reading this is that it evokes itself so nonchalantly that any form of Japanese media that comes before or after makes a lot of sense. It's astounding to consider that this is all compressed into such a story. Wow.
It's quite creepy to consider that the words of Osamu Dazai reek of an ongoing behavior within Japan–he wrote this shortly before his death in 1948!–that is defined by a contradictory form of servitude (emotionally torn, functionally obedient) and a penchant for vices. No Longer Human evokes the kind of self-awareness that should be alarming, even as it packages itself as a fictional reading of three notebooks from a character named Oba Yozo.
The quickest way I can describe reading this is that it evokes itself so nonchalantly that any form of Japanese media that comes before or after makes a lot of sense. It's astounding to consider that this is all compressed into such a story. Wow.
Added to listOwnedwith 12 books.
Added to listOwnedwith 11 books.
The first (of many more) Eric Gamalinda read introduces itself as a forlorn, mystical undertaking that effectively is a compressed revision of Rizal's Noli Me Tangere and El Filibusterismo in a manner that is much more spiritual, and intensely sexual (read: the sex here is astoundingly graphic, but not boyishly employed without reason.)
If anything, its freewheeling adaptation of a true-to-life spiritual leader in the Negros Revolution sheds light on Philippine History and its future in a manner so damningly strong that one can't help but be impressed. The final act of this film really turns things up, where the intensities that the war builds up just spills over and begins to be something so enchanting and tragic.
Summatively, this book is an enrapturing story of holy prophets who were born to deliver salvation at a time when everything doesn't make sense.
The first (of many more) Eric Gamalinda read introduces itself as a forlorn, mystical undertaking that effectively is a compressed revision of Rizal's Noli Me Tangere and El Filibusterismo in a manner that is much more spiritual, and intensely sexual (read: the sex here is astoundingly graphic, but not boyishly employed without reason.)
If anything, its freewheeling adaptation of a true-to-life spiritual leader in the Negros Revolution sheds light on Philippine History and its future in a manner so damningly strong that one can't help but be impressed. The final act of this film really turns things up, where the intensities that the war builds up just spills over and begins to be something so enchanting and tragic.
Summatively, this book is an enrapturing story of holy prophets who were born to deliver salvation at a time when everything doesn't make sense.
The first (of many more) Eric Gamalinda read introduces itself as a forlorn, mystical undertaking that effectively is a compressed revision of Rizal's Noli Me Tangere and El Filibusterismo in a manner that is much more spiritual, and intensely sexual (read: the sex here is astoundingly graphic, but not boyishly employed without reason.)
If anything, its freewheeling adaptation of a true-to-life spiritual leader in the Negros Revolution sheds light on Philippine History and its future in a manner so damningly strong that one can't help but be impressed. The final act of this film really turns things up, where the intensities that the war builds up just spills over and begins to be something so enchanting and tragic.
Summatively, this book is an enrapturing story of holy prophets who were born to deliver salvation at a time when everything doesn't make sense.
The first (of many more) Eric Gamalinda read introduces itself as a forlorn, mystical undertaking that effectively is a compressed revision of Rizal's Noli Me Tangere and El Filibusterismo in a manner that is much more spiritual, and intensely sexual (read: the sex here is astoundingly graphic, but not boyishly employed without reason.)
If anything, its freewheeling adaptation of a true-to-life spiritual leader in the Negros Revolution sheds light on Philippine History and its future in a manner so damningly strong that one can't help but be impressed. The final act of this film really turns things up, where the intensities that the war builds up just spills over and begins to be something so enchanting and tragic.
Summatively, this book is an enrapturing story of holy prophets who were born to deliver salvation at a time when everything doesn't make sense.