Tom
I initially started with the Re: Dracula podcast which releases episodes on the actual diary entry date. I found the voice acting to be good and I enjoyed the novelty but I could not abide by the ads and content warnings so I eventually dropped off in mid September and I only picked it up again with the audible version several months later. This turned out to be a much better way of listening.
Content wise Dracula is something of an oddity. Its first third is excellent with the parallel stories pushing the story along at a satisfying pace. It starts to slow down as everyone eventually converges on London, at times it feels like we are reading through pages of meeting notes as our heros deliberate endlessly. The final third is so drawn out that I started to suspect that the novel was serialised (it's not).
Another irritation is that the novel is very much a 'male-fantasy'. The women are sidelined except as either recipients of the men's noble blood sacrifices, articles of the men's demeaningly progressive compliments (Mina being told she has a "man's brain") or by parroting just how brave and bold said men are.
This is not to say that the novel is bad, just flawed, and I did enjoy listening to it, especially the first half. It's cultural reach is also undeniable and you can feel it's influence well over a century on.
I initially started with the Re: Dracula podcast which releases episodes on the actual diary entry date. I found the voice acting to be good and I enjoyed the novelty but I could not abide by the ads and content warnings so I eventually dropped off in mid September and I only picked it up again with the audible version several months later. This turned out to be a much better way of listening.
Content wise Dracula is something of an oddity. Its first third is excellent with the parallel stories pushing the story along at a satisfying pace. It starts to slow down as everyone eventually converges on London, at times it feels like we are reading through pages of meeting notes as our heros deliberate endlessly. The final third is so drawn out that I started to suspect that the novel was serialised (it's not).
Another irritation is that the novel is very much a 'male-fantasy'. The women are sidelined except as either recipients of the men's noble blood sacrifices, articles of the men's demeaningly progressive compliments (Mina being told she has a "man's brain") or by parroting just how brave and bold said men are.
This is not to say that the novel is bad, just flawed, and I did enjoy listening to it, especially the first half. It's cultural reach is also undeniable and you can feel it's influence well over a century on.