Ninett

I reserved this online at the library and was so surprised when I received it - it's TINY! I read it in 16 minutes, with time included for perusing the beautiful illustrations. It isn't bad at all, but given that the book costs as much as a novel on amazon, I feel that the cost-benefit scale doesn't favour a higher rating for it. I may just not be in the know about the lore around Susanna Clarke's fantasy universe, but I found this to be only a very small story, without much content.

The entirety of the story can be summed up as: girl goes to the woods and adopts a bear cub selflessly, knowing she faces death. With fantastical elements.

My expectation was too high for what I actually got out. The illustrations saved it.

The categorisation at the back of the book is business, and a lot of the advice is about how to be successful in the business sphere. I'm not in danger of becoming a businesswoman any time soon, since I still have years left on my degree, so I did skim those parts. The personal development chapters at the start of the book taught me a few new things about self-actualisation and productivity, so I did enjoy those parts. My sister said she wishes Steven Bartlett wasn't such an ass, and I think I echo this sentiment in general, but the ass-ness doesn't come across in this book :)

Nothing brings it down, really, I just didn't have an application for the advice in half the book. I think I'm the wrong audience.

PS I am aware I chose a business book and then found fault in it being a business book. Bite me.

An incredibly emotive collection of personal accounts from the Chernobyl disaster. There are testimonies from people of all walks of life: scientists, rural grandmothers, wives of first responders, communist loyalists, doctors, resettlers, politicians, and those who came in to do damage control (risking their lives in the process).

The story unfolds piece by piece, and each voice adds to the rich tapestry. The author does not shy away from including perspectives that are distasteful to us in the west and in the 21st century, and I think this is necessary and good. This tragedy was the result of human tensions - to brush tensions under the rug and write a single sided story would do it a disservice.

Quite rarely does a book affect me on such a deep level emotionally. I cried while reading some parts. But maybe not the parts you would imagine. Certainly, this is a sad story, but for me the sharp portrayal of what eastern european culture is like was the catalyst for the tears. It's very rare for me to think well of my homeland, but repeatedly throughout the book there were little snippets of scenes of life that gave me a sense of loss at having left. I will never move back, but this is the first sliver of homesickness I've felt in a long time.

The writing was utterly beautiful to me. Novic's prose glides smoothly. The events are portrayed with sensitivity, but without compromising the unflinching realism that this gruesome topic calls for. My only criticism is that the ending leaves so many threads unfinished that I had to check another copy to see if mine was truncated somehow on my kindle... I feel that at least the storylines with Brian and Marina should have been tied off properly.

At first I thought this would end up as a DNF, mainly because of a tight library deadline on it. The more I read, though, the more I realised that this is almost a kind of emotional education on others, as well as being (of course) about negotiation. It's often hard for me to understand and deal with the emotional lives of others if they're directed at me, and this book gives you some of the tools to be able to do that. I found myself having little revelations about human behaviour throughout, and the book has given me a lot to think about, both in terms of how I approach emotional conversations, and in terms of business and work. The stories did not get repetitive, and I'd venture to say that I'd even read a full hostage negotiation stories memoir by Chris Voss.

The reason it is dragged down a little is that for me it was a battle to get through this book for some reason. I was avoidant of it. Not really the book's fault, since the writing was engaging.

Not bad, just very slow. The finale is not what I expected, but I guess it is what the main characters deserved. I really thought that at least Asta Sollilja would end up with a brighter future, but her fate is bleak and broke my heart. Bjartur - nothing really could redeem this man who puts his silly pride before the lives of others. I disliked him from the start. Putting his selfish and rude demeanor down to an intense desire to be independent just did not cut it for me. Humans are made to be social and to survive together - no man is an island. I suppose the point of the novel is to prove this, and it does that well. It is very difficult to write a loathesome character and still elicit some shred of empathy for him by the reader, but when his house was taken away I felt a twang of pity.

The depth and the complexity of the writing kept me reading, the emotional lives of the characters often striking a chord within me that made me feel seen by the author, even as someone from a vastly different place and time than the characters. There is something universal about the human experience that was captured by Laxness in the lives of these miserable sheep farmers.

This was a good book, just not aimed at me, someone who has already implemented a lot of the suggestions outlined within. Some of the internal triggers solutions we too vague to be put into practice, and I'm not sold on scheduling every moment (waking AND sleeping) of my day. I did put some of the advice to use though, especially the distraction tracker and the scheduling of the work day. 

I learned quite a bit from this book. It was informative and digestable, not to mention easily actionable, and I can definitely begin to see certain elements of my body in a new light now that I have been shown the tools to do so. What brings the score down is that I found the narrative stories a bit contrived and I got completely lost in all the metaphors (monitor, flock, garden, one ring, and so on). As a STEM girl myself I appreciate clarity over metaphorising everything, but I also understand some audiences may need the illustrative style. 

A good tour of some of the ways fungi are shaping us, whether those avenues are medical, culinary, or even social. The writing is entirely accessible and the personal narrative weaving its way through gives it life and brings the sometimes disparate topics together into a cohesive book. 
I have learned and thought a lot because of this book. The author seems like an intriguing personality. 
In spite of these favourable views, I did still find myself thinking about whether certain things were repeated too often, and I did miss the presence of some kind of mycological scientific primer.

A collection of short stories set in the universe of the original trilogy, featuring side characters from the original. It includes an origin story for Goddard. I'd say well worth reading to eke out a few more drops from the world built by Shusterman, and some of the short stories are really great in their own right, though some did fall a bit flat for me. I was comfortably able to read it in two train journeys and return to the library within a few days.

Good, simple fun.

Not bad. At first I was annoyed because I thought the plot was just going to be a repeat of the first book, and it kind of still is, but at least there is a twist in the appearance of an AI bad guy . I did find myself annoyed that at times I was just essentially reading a tldr of a twitch stream rather than an actual story. 
Still entertaining, but also it's hard to write a continuation story about an underdog character who is no longer an underdog. 

Excellent writing for a science book. Lots of evidence-backed information and an engaging narrative throughout. I found myself adding unprecedented quantities of new words to my vocabulary bin, and really enjoyed the shake-up of traditional exercise advice and the evolutionary perspective. As a sedentary person in a job best described as a complete sinecure, I have certainly been inspired to exercise, but can I keep it going and turn it into a habit? 

Hard to rate the middle book of a series separately from the others. This instalment was just as fast-paced and complex as the first. The story does not skip ahead much, and is a direct continuation of where the previous one left off, seamless. I love the intricacies of the political system and economy in Scalzi's universe. They leave a lot of room for plotting and scheming, lots of differing perspectives and motivations to emerge.

I really enjoyed the clever ending for this series. I think Grayland becoming an AI in the end was a masterstroke, and I loved to see her enemies shamed and outdone. I am glad that the relationship that she had with Marce did not stop the author giving her a ruthless death.

The writing can be a bit filthy in more ways than one, which I don't always enjoy, but at least there is a realism there that reminds us that Scalzi writes about humans and not just about concepts and plot points.

Quite good. I don't even mind the swearing, but the liberal application of sex kind of bothers me, although I am not averse to reading it when it furthers the plot. The world-building is great, and there are lots of unique elements to this story which make it fresh. Scalzi's writing style is engaging and does not bear around the bush, making this a fast-paced story that does not assume the reader is an idiot.

I've read a lot of books recently that have not been up to par. This one lands squarely in that category. I don't even know where to begin. The premise drew me in instantly - so much could have been done with such a strong premise! Instead, what I read was a janky story about an idiot at the end of days. Allow me to elaborate, I spent a long time brewing this review.

The main character, Artyom, is a complete automaton. A slave to the plot in every way, he exists only to serve the storyline and never to drive it. He is entirely characterless and entirely pointless. Devoid of a single characteristic whatsoever, excrutiatingly boring, I cannot stress enough how poorly written he is, and this becomes a pattern with every other character.

It's hard to rank the awful things about this book, because at varying points they all bothered me equally in turn, but the lack of female characters in the book is bizarre enough to merit second place. Are you telling me that this man has schelpped through the entire metro system and failed to encounter a SINGLE woman other than a (1) prostitute that he then considers paying for? The only three lines of dialogue spoken by a woman in the entire 450 page sinkhole of a book are spoken by a comrade's wife chiding her child and then by one trying to hock her child. Absolute piss, Dmitry. Get a grip.

Sexism aside, we also have some abhorrent descriptions of some races in this book as well - hardly a surprise given the track record.

The structure is true to Russian style - enormous walls of text, even the rare dialogue threatens to turn into a chapter-long philosophical monologue and you are lucky when it doesn't. Some of the chapters are used as a thinly veiled opportunity for the author to proselytise to the reader.

Every single side character is a plot device contrived to deliver our passive idiot of a main character to his next destination safely, and then to die immediately after while the moron lives. Each one of these characters would have been a better candidate for the mission our hero is on than he is.

Now for the plot.

Hunter comes to Artyom's home station and asks him to risk his safety and life to get a message to a far flung station. Our main immediately agrees and sets off because he is an automaton. Then, in a long series of episodes that are not linked in any way save by coming one after the other chronologically, the main character goes through lots of trials and tribulations that do not lead to any personal development. By the time we reach the end of the book (a mere few weeks in book time), the trip that took him days in the outset now takes him an hour or so going back the way, and the dangers along that same path are conveniently gone.

The reason I gave it that half star is that the premise is great, and the ending was actually surprisingly good. The rant is over but I could throttle the author.

I wasn't sure what to expect going in, and I read the copy in which China Mieville wrote an introduction as a prelude to the introduction written by the author herself. I think for me, I couldn't find the feminism in the story, which was promised in Mieville's introduction. Maybe it is because I am reading this in 2024, which Mieville hints at when he says we may not perceive it as ground-breaking in light of what came after its publication, and I think this must be the case with me. The use of male pronouns also made it challenging to view the characters as anything other than male, despite the author???s intentions . 
Aside from that, it's creative and innovative in its storyline, and I understand entirely why it is such a pillar of this genre. It is hard to write a believable, realistic sci-fi, and I think the focus being on the characters rather than worldbuilding (not that it lacks that, either) is what lends the whole thing so much credence. 

This is an interesting piece of writing. In some bizarre way, it reminds me of a meticulously curated pen and pencil library I made when I was a child. Each writing utensil had a serial number, and there was a ledger in which I kept detailed records about each item in the library. 
The story was good, the illustrations were beautifully drawn and the typesetting around them was lovely. 

Maybe this rating is unfair because I did just read two Ken Follett tomes almost back-to-back, and I was able to predict the outcomes of the story from extrapolation based on what ‘usually' happens in a Ken Follett book. Regardless, an enjoyable read, and would certainly be perceived as more complex and frustrating (in a good way) if I hadn't just read a very similar story from the same author. 
I haven't read another book set in this specific time period, so by that token I am pleased, as I have managed to understand a lot about the age (hopefully true things) - especially the everyday lives of those who lived through the first industrial revolution. Some of the themes in this novel have a lot of bearing on us today as well, with the advent of AI and its ability to replace a lot of ‘clicking' type tasks.

A very average Ken Follett book. Good, with some tense bits, and some loathe-worthy characters and heros to root for. The writing is quite formulaic if you read more than one book from Follett in a row, so I would advise waiting a few months between books. I enjoyed the 10th century setting, it's not often that fiction goes back that far.

Science and action : excellent
Religious dogma and gender cliches: pass??

I kind of hated it. I don't mean to be a pearl clutcher here, but I did feel it was in bad taste to make the suffering and subsequent death of a little boy (albeit a boy looooong dead) into such a weirdly perverse story. It's grotesque to me. I nearly gave up on it at page 30 because I had no clue still what was going on and the narrative style never grew on me. I get that the afflictions of the bardo dwellers are symbolic of the personal limbos they faced, but I still just didn't connect with it. 

An alright instalment. Entertaining, as usual, but the usual gripe with believability within the world itself - our main guy surely is undergoing the most rapid advancement of anyone, ever, in this universe.

I am pleased that we are no longer outside of civilisation, and I enjoyed the city from dragon bones idea and setting. I love Orthos. One thing I will say though, which is still a longstanding grievance I have with this series, is that Lindon is a bit insufferable because he succeeds ceaselessly. I understand that this is like a microcosm and we are following this guy because he is the chosen one, and I know this is kinda like some kind of book version of the anthropic principle - you'd never write a book about someone who just isn't a main character. BUT it's maddening. Best iron body, fastest progression, most prepared, wins against higher ranks who should demolish him, most creative, inventor of techniques, charming, tall, handsome, smart.... endless list of stand-out qualities and not a single flaw other than being unsouled (quickly overcome in the first book). Anyway, the read at least is enjoyable and if you don't mind the above mentioned, which I myself have grown used to, then it will certainly be fun to read.

I really liked the book! The magic system is fresh because it has infinite variety - something that I suspect is more realistic in our analogue world as compared to the strict binary/tertiary/etc. magic systems in other books.  The worldbuilding isn't as extensive as other fantasy novels, though, and a downside is that every trick our main character attempts, he wins! He defeats everyone he fights and always succeeds in all his plans. This makes a lot of the outcomes predictable. Regardless, the book is immersive enough to have kept me reading. There is a largely unexplored aspect of the book that I suspect will open up more in later installments. The book cannot be read as a complete story - there is no real ending and it was written with sequels in mind.