Jason Paterson

I wasn't sure if Andy Weir could capture my imagination again like he did with The Martian. It turned out that tis second book, Artemis, wasn't up to the task - but Project Hail Mary? That's a different story. From its amnesia infused beginnings and all along its two-timeline narrative that eventually dovetails together, the book works brilliantly at unravelling a mystery. Similar to The Martian, the plotline here is driven by one person (or in the case of the second timeline, a small team of people) overcoming massive technical and science problems. I feel like this is a signature of Weir's best work, though time will tell. Project Hail Mary simply proves that Andy Weir is not a one hit wonder and that, in fact, his best work may be yet to come.

I guess I've grown cynical and dubious in my older age. I really wanted to enjoy Peter Wohlleben's tale of trees that communicate, feel, think, adapt, and more... but he tends to use really flowery language without providing any kind of scientific citations, and for lofty claims such as these, I feel a need for more citations.

By now the folks who follow me here likely know that I have a love for Mark Kurlansky's approach to writing about history - tracing a single object's impact on the world - as he did with “Salt” and “Milk”. In this book, the author turns his attention away from edibles and toward a seemingly more mundane subject - the history of paper! I suspected there would be some interesting historical tidbits about this fibrous stuff, but in this work Kurlansky explains that it's not the paper itself that is the focus of the examination, but the various methods of communication that humanity has employed through the use of the stuff. From writing on hides, to parchment and velum, to handcrafted art paper, to more modern printing, and even Japanese nori (seaweed paper)... Kurlansky weaves a story. I particularly liked the argument that he repeatedly makes about technology not changing society - but that technology is developed in response to changing societies. “Paper” is another fascinating trip through time, and while it may not be quite as engaging as the aforementioned books on Salt or Milk, it still holds a lot of interesting moments.

A beautifully rendered tale of Robin Hood pieced together from a variety of folk poems and ballads, updated from Olde English, and weaved into a single coherent narrative. Though there is no one “canonical” text for Robin Hood, I feel like this one does justice to the spirit of the story by utilizing these original sources and not (seemingly) straying too far from them. As a result, each chapter reads like a tiny adventure on its own, roughly tied together with the chapter in front and behind. This made it an easy book to read, as there was little fear you might lose a thread.

My experience with Robin Hood is almost entirely formed by Hollywood and Disney. Though there is no “canonical” text for the story, I walked away from Lancelyn Green's novel feeling as though I learned something new about the legend of Robin Hood. Is there any basis in truth for these tales? History.com writes “English legal records suggest that, as early as the 13th century, Robehod, Rabunhod and other variations had become common epithets for criminals. But what had inspired these nicknames: a fictional tale, an infamous bandit or an amalgam of both?”

We're unlikely to ever know, but this is part of the mystery that makes Robin Hood so enticing, and has allowed for so many interpretations (for good or for bad). Going back to something closer to the original tales, however, was a pleasant and enlightening escape.

A good, entertaining read. It was likely hard for Weir to follow up a success like The Martian, but Artemis does a good job. It's not as focused a story. Where The Martian was a singular plotline driving everything (ie. Get off this planet.) Artemis has more intrigue and subtlety. The main character is a smuggler (who happens to know a lot about engineering), and while she is engaging and interesting, the rest of the cast feel very one dimensional. Still, it's a quick read... with lots of tense moments driven by (as was The Martian) an understanding of science.