hc.newton
This originally appeared at The Irresponsible Reader.
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What’s Winter Lost About?
Mercy’s brother Gary shows up at their front door late one night in a royal mess—he’s almost unidentifiable. More than that, he’s having a hard time understanding what’s going on around him and is having a worse time communicating it. No one has any idea why he’s there, where he came from, or what happened.
A quick consultation with a couple of Fae sends Adam and Mercy to Montana—the type of magic that zapped Gary is characteristic of a particular Fae. Along the way, an epic winter storm engulfs Western Montana, Idaho, Eastern Washington—and perhaps more.
Adam and Mercy meet the one responsible for Gary’s state—to free him, they have to complete a task (the guy’s not being a jerk by this, it’s literally a condition of the spell). They have just a couple of days to find something, free Gary, save a wedding, and…I kid you not…save the world.
Everything Else
While the main story is plenty to talk about, there are a couple of other things to note. There’s some good development with Mary Jo, Honey is making some interesting choices, Tad and Jesse are up to something fun, Zee and Adam are involved in a project, and plenty of other things are afoot.
We continue the whole jockeying-for-dominance thing under Adam with Warren, Darryl, and Sherwood—but it seems to be going better than it was in the last book—but it feels like there’s some sort of slow-burn story going there and I’m not sure I’m going to enjoy where it ends up.
There’s more action on the building conflict with various witch groups and the conflict with Bonarata. I want to be super-vague about both of these, but want to mention them. They both took very little space in the novel as a whole and part of me wonders if we really needed them now—we could’ve come back to them in book 15 and spent more time on both (while assuming things were ongoing with both). But…I really liked the way that Briggs wrote both of them.
Bonarata is conducting some psychological warfare on Mercy, which seems to be pretty effective. As part of that, he’s hurting other people. The best example the readers get in this book is a certain kind of horrific. I don’t know if Briggs has shown something so depraved since Iron Kissed—but this time the victim is someone we don’t even know the name of. Part of me is really impressed with how Briggs wrote this, most of me wishes she hadn’t.
So, what did I think about Winter Lost?
There are a couple of things to say—first: I had a whole lot of fun with this one. Yeah, the stakes are higher than they sometimes are. But this felt more fun than the last couple of books, things have felt very weighty since Silence Fallen. This was closer to River Marked, it seems.
But more than that, Briggs was trying some new things narratively, both in the order and way she was telling the story—and in the way the cast of characters were spread out in this book. And everything she tried worked really well. At the moment, I can’t think of a way to talk about this with any level of detail and not spoil some big things—so let’s just leave it with Briggs trying some new things for the series and succeeding. I don’t know if she’ll want to try to tell another story like this anytime soon (and I’m not sure she should), but I like to see her experimenting—and hope she continues.
There’s not much more to say—there’s some great action, some solid character moments, a nice bit of new mythology, and Briggs has planted all sorts of seeds for a couple (or more) future installments in the series. This is just what Mercy fans needed, and I hope we get more of it soon.
Originally posted at irresponsiblereader.com.
This originally appeared at The Irresponsible Reader.
---
What’s Winter Lost About?
Mercy’s brother Gary shows up at their front door late one night in a royal mess—he’s almost unidentifiable. More than that, he’s having a hard time understanding what’s going on around him and is having a worse time communicating it. No one has any idea why he’s there, where he came from, or what happened.
A quick consultation with a couple of Fae sends Adam and Mercy to Montana—the type of magic that zapped Gary is characteristic of a particular Fae. Along the way, an epic winter storm engulfs Western Montana, Idaho, Eastern Washington—and perhaps more.
Adam and Mercy meet the one responsible for Gary’s state—to free him, they have to complete a task (the guy’s not being a jerk by this, it’s literally a condition of the spell). They have just a couple of days to find something, free Gary, save a wedding, and…I kid you not…save the world.
Everything Else
While the main story is plenty to talk about, there are a couple of other things to note. There’s some good development with Mary Jo, Honey is making some interesting choices, Tad and Jesse are up to something fun, Zee and Adam are involved in a project, and plenty of other things are afoot.
We continue the whole jockeying-for-dominance thing under Adam with Warren, Darryl, and Sherwood—but it seems to be going better than it was in the last book—but it feels like there’s some sort of slow-burn story going there and I’m not sure I’m going to enjoy where it ends up.
There’s more action on the building conflict with various witch groups and the conflict with Bonarata. I want to be super-vague about both of these, but want to mention them. They both took very little space in the novel as a whole and part of me wonders if we really needed them now—we could’ve come back to them in book 15 and spent more time on both (while assuming things were ongoing with both). But…I really liked the way that Briggs wrote both of them.
Bonarata is conducting some psychological warfare on Mercy, which seems to be pretty effective. As part of that, he’s hurting other people. The best example the readers get in this book is a certain kind of horrific. I don’t know if Briggs has shown something so depraved since Iron Kissed—but this time the victim is someone we don’t even know the name of. Part of me is really impressed with how Briggs wrote this, most of me wishes she hadn’t.
So, what did I think about Winter Lost?
There are a couple of things to say—first: I had a whole lot of fun with this one. Yeah, the stakes are higher than they sometimes are. But this felt more fun than the last couple of books, things have felt very weighty since Silence Fallen. This was closer to River Marked, it seems.
But more than that, Briggs was trying some new things narratively, both in the order and way she was telling the story—and in the way the cast of characters were spread out in this book. And everything she tried worked really well. At the moment, I can’t think of a way to talk about this with any level of detail and not spoil some big things—so let’s just leave it with Briggs trying some new things for the series and succeeding. I don’t know if she’ll want to try to tell another story like this anytime soon (and I’m not sure she should), but I like to see her experimenting—and hope she continues.
There’s not much more to say—there’s some great action, some solid character moments, a nice bit of new mythology, and Briggs has planted all sorts of seeds for a couple (or more) future installments in the series. This is just what Mercy fans needed, and I hope we get more of it soon.
Originally posted at irresponsiblereader.com.