hc.newton
Takeout Sushi
This originally appeared at The Irresponsible Reader.
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What’s Takeout Sushi About?
This is a collection of 17 stories—13 taking place in contemporary Japan, and 4 in other parts of the world and other times.
It’s difficult to describe a common theme or anything with this collection—you’ve got one crime story, one thing that straddles Science Fiction and Contemporary Fiction, and then a few that fall under slice-of-life kind of things. I’d compare them to the shorter works of Raymond Carver, John Cheever, or John Updike—at least in the kind of stories he’s telling, I’m not equipped to talk about literary quality. I will say that I liked most of these better than almost everything I read by those guys.
Characters in the Stories
Speaking generally, these stories focus on one person, with 1-3 other characters. I guess that’s frequently the case for short stories in general, but as I read it, this collection felt more focused on an individual or two rather than the outside world.
With several of these, I have the impression I got to know the protagonist as well as I do some characters in 400-page novels—Green has a real gift for getting us up close and personal to his characters. And, I guess, we really don’t get to know these people all that well—but in the moment, you’ll be convinced you know them better than their own mothers or psychiatrists.*
* That’s a joke, I can’t imagine any of these people seeing a psychiatrist. Most should, however.
Mawage
There’s probably an entire post to be written about the marriages depicted in the book—and, on the whole, the institution doesn’t come out looking to good. There are a couple of exceptions—and one promises to be better soon after the story’s events (thanks to an oddly sympathetic police officer). But, particularly early on, my notes are full of comments about the strange and (often) strained relationships between husband and wife depicted here.
I will say this—Green is fairly even-handed in what partner is “the problem.” Too many collections like this would tend to paint the wife negatively—or the husband—but Green bounced back and forth between the two.
Basically, don’t give this as a Valentine’s Day gift.
So, what did I think about Takeout Sushi?
Almost every time I talk about a short-story collection, I end up saying something like, “there were some real winners, and some that didn’t do much for me, I expect you’ll find the same (just with a different list of stories in each category).” I hate to repeat myself, buuuuuut…
Now, those that were real winners were just amazingly good. “Laugh out loud from surprise because you didn’t expect to read something that skillfully done and imaginative” good (and occasionally laugh out loud because of the conclusion). Those that didn’t rise to that level (in my estimation, I stress), did absolutely nothing for me. I even re-read a couple of them to see if I could figure out what I missed—I just didn’t understand the point of them. There was one exception to that—the penultimate story, “The Pool.” It was effective and affective—and completely not for me—but at least I got it.
A few years ago, I read a short story by Russell Day called “Not Talking Italics.” It blew me away and started a years-long obsession with Day and his shorter and longer pieces. Green’s “Crimes for Dummies” hit me in almost the same way. My note at the end was just one word: Fantastic. A few others were almost as good (“The Choice”)—or better (“Spinning Wheels”).
I’m not going to say any more about them because it would rid those stories of their punch. But those three more than justify the purchase price of the book—whatever you end up spending on it.
As usual, I’m more than prepared for people to come along and tell me that “The Pool” was brilliant (and explain why), or that “Spinning Wheels” was silly or derivative of something. Because tastes differ—as they should.
In any case, I expect that whoever picks up this collection are going to frequently have a real blast with it—and a couple of things to shrug at before diving into the next one that will get them giddy with excitement.
Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.
Originally posted at irresponsiblereader.com.
This originally appeared at The Irresponsible Reader.
---
What’s Takeout Sushi About?
This is a collection of 17 stories—13 taking place in contemporary Japan, and 4 in other parts of the world and other times.
It’s difficult to describe a common theme or anything with this collection—you’ve got one crime story, one thing that straddles Science Fiction and Contemporary Fiction, and then a few that fall under slice-of-life kind of things. I’d compare them to the shorter works of Raymond Carver, John Cheever, or John Updike—at least in the kind of stories he’s telling, I’m not equipped to talk about literary quality. I will say that I liked most of these better than almost everything I read by those guys.
Characters in the Stories
Speaking generally, these stories focus on one person, with 1-3 other characters. I guess that’s frequently the case for short stories in general, but as I read it, this collection felt more focused on an individual or two rather than the outside world.
With several of these, I have the impression I got to know the protagonist as well as I do some characters in 400-page novels—Green has a real gift for getting us up close and personal to his characters. And, I guess, we really don’t get to know these people all that well—but in the moment, you’ll be convinced you know them better than their own mothers or psychiatrists.*
* That’s a joke, I can’t imagine any of these people seeing a psychiatrist. Most should, however.
Mawage
There’s probably an entire post to be written about the marriages depicted in the book—and, on the whole, the institution doesn’t come out looking to good. There are a couple of exceptions—and one promises to be better soon after the story’s events (thanks to an oddly sympathetic police officer). But, particularly early on, my notes are full of comments about the strange and (often) strained relationships between husband and wife depicted here.
I will say this—Green is fairly even-handed in what partner is “the problem.” Too many collections like this would tend to paint the wife negatively—or the husband—but Green bounced back and forth between the two.
Basically, don’t give this as a Valentine’s Day gift.
So, what did I think about Takeout Sushi?
Almost every time I talk about a short-story collection, I end up saying something like, “there were some real winners, and some that didn’t do much for me, I expect you’ll find the same (just with a different list of stories in each category).” I hate to repeat myself, buuuuuut…
Now, those that were real winners were just amazingly good. “Laugh out loud from surprise because you didn’t expect to read something that skillfully done and imaginative” good (and occasionally laugh out loud because of the conclusion). Those that didn’t rise to that level (in my estimation, I stress), did absolutely nothing for me. I even re-read a couple of them to see if I could figure out what I missed—I just didn’t understand the point of them. There was one exception to that—the penultimate story, “The Pool.” It was effective and affective—and completely not for me—but at least I got it.
A few years ago, I read a short story by Russell Day called “Not Talking Italics.” It blew me away and started a years-long obsession with Day and his shorter and longer pieces. Green’s “Crimes for Dummies” hit me in almost the same way. My note at the end was just one word: Fantastic. A few others were almost as good (“The Choice”)—or better (“Spinning Wheels”).
I’m not going to say any more about them because it would rid those stories of their punch. But those three more than justify the purchase price of the book—whatever you end up spending on it.
As usual, I’m more than prepared for people to come along and tell me that “The Pool” was brilliant (and explain why), or that “Spinning Wheels” was silly or derivative of something. Because tastes differ—as they should.
In any case, I expect that whoever picks up this collection are going to frequently have a real blast with it—and a couple of things to shrug at before diving into the next one that will get them giddy with excitement.
Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.
Originally posted at irresponsiblereader.com.