Luis Ramos
Added to listOwnedwith 48 books.
One-Sentence book review
I read someone on Reddit compare the feeling of reading this book to seeing a car crash you can't look away from, and I think it's a pretty accurate description, in a good way, if you can imagine that.
Summary, thoughts and notesYellowface is the first book I read from R. F. Kuang, which is interesting given I mostly read fantasy, and this is the only novel she's published that's not a fantasy book (as far as I know as of the writing of this review), and I do have some thoughts.The book revolves around two central characters, Juniper (June), our incredibly unlikeable protagonist, and Athena. Both are authors, however, Athena has substantially more success, having Netflix deals and being an international best seller, while Juniper struggles to barely make ends meet with her earnings. Despite that, they're "friends" (more on that later), a series of unfortunate events happen, and Athena dies, while having just (very conveniently) shown June the manuscripts for her latest novel, which no one knows about, not even her publisher. So what does June do in such a dire situation? Steal the manuscript and publish it as her own, obviously, but not without first editing it enough to where she feels comfortable telling herself it's just as much hers as it is Athena's.The rest of the book very much reads as a sort of "monster of the week" show, where June is presented with a difficult situation which she must face head on (why write a book where one of the main focuses is Asian history and struggle if you're white? being the main question that keeps popping up), and she just handles every single situation in just the worst way possible. June is definitely the type of character you love to hate, her racism is so apparent, even though she tries her hardest to convince herself she's not.Like I said, most of the book follows the same path, and, well, it ends on that same note, which I really liked, it was a very human ending, narcissistic people don't tend to change when shown the error of their ways, rather, they double down and keep going on whatever path they had already decided was the best, which I thought was a very clever way to end the book.I liked the book, but didn't love it. It's certainly well written, and it's very fast paced, each chapter just leaves you with enough of that cliffhanger feeling that you just want to keep reading the next one. This is all great, but I do feel like some of the themes that are explored in the book aren't actually explored that deeply, and which I think could have been fleshed out more. For instance, June's relationship with her family presented an interesting family dynamic, where she's (now) super successful after publishing Athena's work, but they are completely oblivious to it and their interactions are just a loop of June trying to make them understand her struggles and them just diminishing her feelings. I would have loved to have these relationships fleshed out since some of these characters just felt very one-dimensional.Something I think works both in favor and against the book is how modern it is, by that I mean that the protagonist is someone who is chronically online, and the book constantly references and makes emphasis on her struggles with reading about herself on social media like Twitter and Goodreads. I think this was more of a stylistic choice, which I liked.On the other hand, I feel like those same references might make the book feel a bit dated, even now (Twitter is called X now, for example), and I do think that this reduces the potential audience for the book, older generations might not understand or just not care about why June is so obsessed with strangers' opinions on the internet, and I also feel like even younger generations might not care, since they are also online all the time, but the concept of book publishing might be seen as some archaic, old-school thing that's no longer relevant when you can just self publish on the internet nowadays without much trouble.The author mentioned in an interview that she wanted the book to feel like an anxiety attack, while I'm not sure I feel that way, I can see where she's coming from, with June just constantly doing the opposite of what a decent person would do. I also can't help but wonder how much of what is portrayed in the book is the author personally inserting certain aspects of her life (albeit in an exaggerated way, maybe?) in the story, which is fine, but it did make it feel a little to meta at times to me.The best thing about the book is hands down the relationship between Athena and June, since Athena dies so early in the book, it makes their relationship extremely ambiguous, and we are left feeling that they weren't friends so much as tools they each were using for their own benefit. Athena preyed on other peoples' life stories (including June) to create her own narratives, while June pined for the life Athena had so she would let her invite her for drinks and food. It's clear neither of the two were what we would describe as good people, but since June is herself an unreliable narrator, everything is up for grabs regarding how we choose to interpret their relationship.I would recommend this book as a quick, easy, palate cleanser type book. While not everything the author did landed with me, it has its merits, it is well written, and does offer an interesting view into the modern publishing world which I don't think many books dive into, even if in a fictional/exaggerated context. I wouldn't recommend this book to anyone who needs to have a morally good protagonist to enjoy a story, or anyone who wants the "bad guy" to get what's coming to them. If you can live with that, I do think that it's worth giving it a shot, even if some of the things the author did didn't land with me, that's more of a "me" problem.Overall, I think the book is good, but I personally didn't love it, it did leave me wanting to read the other books the author has written, just to see if I like her fantasy work better.
One-Sentence book review
I read someone on Reddit compare the feeling of reading this book to seeing a car crash you can't look away from, and I think it's a pretty accurate description, in a good way, if you can imagine that.
Summary, thoughts and notesYellowface is the first book I read from R. F. Kuang, which is interesting given I mostly read fantasy, and this is the only novel she's published that's not a fantasy book (as far as I know as of the writing of this review), and I do have some thoughts.The book revolves around two central characters, Juniper (June), our incredibly unlikeable protagonist, and Athena. Both are authors, however, Athena has substantially more success, having Netflix deals and being an international best seller, while Juniper struggles to barely make ends meet with her earnings. Despite that, they're "friends" (more on that later), a series of unfortunate events happen, and Athena dies, while having just (very conveniently) shown June the manuscripts for her latest novel, which no one knows about, not even her publisher. So what does June do in such a dire situation? Steal the manuscript and publish it as her own, obviously, but not without first editing it enough to where she feels comfortable telling herself it's just as much hers as it is Athena's.The rest of the book very much reads as a sort of "monster of the week" show, where June is presented with a difficult situation which she must face head on (why write a book where one of the main focuses is Asian history and struggle if you're white? being the main question that keeps popping up), and she just handles every single situation in just the worst way possible. June is definitely the type of character you love to hate, her racism is so apparent, even though she tries her hardest to convince herself she's not.Like I said, most of the book follows the same path, and, well, it ends on that same note, which I really liked, it was a very human ending, narcissistic people don't tend to change when shown the error of their ways, rather, they double down and keep going on whatever path they had already decided was the best, which I thought was a very clever way to end the book.I liked the book, but didn't love it. It's certainly well written, and it's very fast paced, each chapter just leaves you with enough of that cliffhanger feeling that you just want to keep reading the next one. This is all great, but I do feel like some of the themes that are explored in the book aren't actually explored that deeply, and which I think could have been fleshed out more. For instance, June's relationship with her family presented an interesting family dynamic, where she's (now) super successful after publishing Athena's work, but they are completely oblivious to it and their interactions are just a loop of June trying to make them understand her struggles and them just diminishing her feelings. I would have loved to have these relationships fleshed out since some of these characters just felt very one-dimensional.Something I think works both in favor and against the book is how modern it is, by that I mean that the protagonist is someone who is chronically online, and the book constantly references and makes emphasis on her struggles with reading about herself on social media like Twitter and Goodreads. I think this was more of a stylistic choice, which I liked.On the other hand, I feel like those same references might make the book feel a bit dated, even now (Twitter is called X now, for example), and I do think that this reduces the potential audience for the book, older generations might not understand or just not care about why June is so obsessed with strangers' opinions on the internet, and I also feel like even younger generations might not care, since they are also online all the time, but the concept of book publishing might be seen as some archaic, old-school thing that's no longer relevant when you can just self publish on the internet nowadays without much trouble.The author mentioned in an interview that she wanted the book to feel like an anxiety attack, while I'm not sure I feel that way, I can see where she's coming from, with June just constantly doing the opposite of what a decent person would do. I also can't help but wonder how much of what is portrayed in the book is the author personally inserting certain aspects of her life (albeit in an exaggerated way, maybe?) in the story, which is fine, but it did make it feel a little to meta at times to me.The best thing about the book is hands down the relationship between Athena and June, since Athena dies so early in the book, it makes their relationship extremely ambiguous, and we are left feeling that they weren't friends so much as tools they each were using for their own benefit. Athena preyed on other peoples' life stories (including June) to create her own narratives, while June pined for the life Athena had so she would let her invite her for drinks and food. It's clear neither of the two were what we would describe as good people, but since June is herself an unreliable narrator, everything is up for grabs regarding how we choose to interpret their relationship.I would recommend this book as a quick, easy, palate cleanser type book. While not everything the author did landed with me, it has its merits, it is well written, and does offer an interesting view into the modern publishing world which I don't think many books dive into, even if in a fictional/exaggerated context. I wouldn't recommend this book to anyone who needs to have a morally good protagonist to enjoy a story, or anyone who wants the "bad guy" to get what's coming to them. If you can live with that, I do think that it's worth giving it a shot, even if some of the things the author did didn't land with me, that's more of a "me" problem.Overall, I think the book is good, but I personally didn't love it, it did leave me wanting to read the other books the author has written, just to see if I like her fantasy work better.
One-Sentence Book Review
A classic for a reason, a fantastic look into how generational trauma can have devastating consequences, along with a revenge-and-obsession-heavy plot.
Summary, Thoughts and NotesWuthering Heights is a book that mainly revolves around the lives of two families, the Lintons and Earnshaws, and the complex relationships between them after Mr. Earnshaw adopts Heathcliff and raises him as one of his children. We accompany these children throughout most of the book, starting from when they're children, all the way to adulthood and even follow the lives of their children up to a certain point. The main plot of the book revolves around Heathcliff and Catherine, who fall in love with each other, but won't have their love materialize with each other for reasons their own. This unfulfilled love turns into obsession, combined with the complex relationships between most of these characters mixed with some physical and emotional abuse makes for a very intriguing and intricate story that is both impactful and interesting.
Themes and Character NotesI've read many people describe this book as a romance novel, which I very much disagree with, this is a fantastic view into how generational trauma can be deeply ingrained into the personality of people and how difficult it can be to overcome said trauma and try to be the change you want. The characters Heathcliff and Catherine are very complex characters who are most affected by these kinds of trauma, they love each other, then torture each other for not being able to be together. Even after Catherine's death, Heathcliff constantly suffers and blames Catherine for making him suffer so, and this trauma is reflected in how poorly he treats others in turn. In addition to all of this, Heathcliff's main motivation in most of his actions is that of revenge. Revenge on Catherine's brother for making Heathcliff's life miserable when they were children, and revenge on Edgar Linton (Mr. Linton's son), who's the one that actually ended up marrying Catherine, and who Catherine chose over Heathcliff simply for his money and status, despite her admitting she actually loves Heathcliff.The main themes of obsession (not love!) and revenge are present all throughout the book, and different ways they affected even Heathcliff's and Catherine's children are made very apparent very early on. It is these children, who at first are victims of said generational trauma, and who are also seen as abusive to begin with, who break the cycle of abuse, at least from the Earnshaw and Linton side, Heathcliff's only son, unfortunately, ends up being a victim of his father's obsession, but it does make for a very powerful moment when we see that these behaviors can be broken and that each person is the owner of their own destiny and have the free will to decide how to act for themselves.
What Worked, What Didn'tI came into this book without knowing anything about it and with a very open mind, it turned out to be better than I could have anticipated. I felt the characters very real, and their torment and suffering was just as emotional for me at times as it was for them, the book is filled with some very powerful moments which only makes the book more impressive as the whole story takes place in the two houses each family lives in and the road that connects them, we see nothing outside of this small bubble, and that just helps create this feeling that these relationships are all that these characters have.On the other hand, I did find the book a bit too dreary at times, which could turn some readers off the novel, make no mistake, this is a dark and emotional journey. A lot of times, the book focuses too much on what the characters, Heathcliff and Catherine, mostly, would do to take their revenge, and seeing a lot of those plans come to fruition makes the novel take on a darker tone.On the topic of Catherine, she has a daughter, also called Catherine/Cathy, which makes an already complicated family tree more confusing. It's normal for parents to name their children after themselves, but in this case, I think it does make the plot and understanding who's who more complicated than it needed to be.The whole story is told from one of two perspectives - Mr. Lockwood and Nelly. Mr. Lockwood is a complete stranger to both families who comes to Wuthering Heights (originally the Earnshaw's house) to rent Thrushcross Grange (originally the Linton's house) from Heathcliff, who, as part of his plan for revenge, ended up owning both houses at the end of the story. Mr. Lockwood is, in reality, a minor and fairly forgettable character, throughout the story, which makes using him as one of the voices we learn about these families an interesting decision. The other voice we hear this story from, Nelly, is originally one of the housekeepers for the Earnshaws, and hers is the main voice we learn everything from. The issue that might arise with Nelly, is that given her role as a housekeeper, it's hard to imagine she had as clear an idea of everyone's intentions and what they were thinking as she believes she has. In this sense, she might be seen as an unreliable narrator for some readers. In my opinion, that just adds to the intricacies of the story and makes it that much more interesting, to allow us, as readers, to form our own judgements towards each of the characters, since we're learning everything from someone who would have their own biases as well.
Personal Recommendation
Given the impactful story, complex characters and relationships, this is definitely a story worth diving into, I wouldn't recommend this book for people who are sensitive to dark themes or if abuse and trauma are triggers. If, on the other hand, you can handle these things and are looking for an intense read that really looks at generational trauma and how it can stop with one's own choices, this is a definitive recommendation from me.
One-Sentence Book Review
A classic for a reason, a fantastic look into how generational trauma can have devastating consequences, along with a revenge-and-obsession-heavy plot.
Summary, Thoughts and NotesWuthering Heights is a book that mainly revolves around the lives of two families, the Lintons and Earnshaws, and the complex relationships between them after Mr. Earnshaw adopts Heathcliff and raises him as one of his children. We accompany these children throughout most of the book, starting from when they're children, all the way to adulthood and even follow the lives of their children up to a certain point. The main plot of the book revolves around Heathcliff and Catherine, who fall in love with each other, but won't have their love materialize with each other for reasons their own. This unfulfilled love turns into obsession, combined with the complex relationships between most of these characters mixed with some physical and emotional abuse makes for a very intriguing and intricate story that is both impactful and interesting.
Themes and Character NotesI've read many people describe this book as a romance novel, which I very much disagree with, this is a fantastic view into how generational trauma can be deeply ingrained into the personality of people and how difficult it can be to overcome said trauma and try to be the change you want. The characters Heathcliff and Catherine are very complex characters who are most affected by these kinds of trauma, they love each other, then torture each other for not being able to be together. Even after Catherine's death, Heathcliff constantly suffers and blames Catherine for making him suffer so, and this trauma is reflected in how poorly he treats others in turn. In addition to all of this, Heathcliff's main motivation in most of his actions is that of revenge. Revenge on Catherine's brother for making Heathcliff's life miserable when they were children, and revenge on Edgar Linton (Mr. Linton's son), who's the one that actually ended up marrying Catherine, and who Catherine chose over Heathcliff simply for his money and status, despite her admitting she actually loves Heathcliff.The main themes of obsession (not love!) and revenge are present all throughout the book, and different ways they affected even Heathcliff's and Catherine's children are made very apparent very early on. It is these children, who at first are victims of said generational trauma, and who are also seen as abusive to begin with, who break the cycle of abuse, at least from the Earnshaw and Linton side, Heathcliff's only son, unfortunately, ends up being a victim of his father's obsession, but it does make for a very powerful moment when we see that these behaviors can be broken and that each person is the owner of their own destiny and have the free will to decide how to act for themselves.
What Worked, What Didn'tI came into this book without knowing anything about it and with a very open mind, it turned out to be better than I could have anticipated. I felt the characters very real, and their torment and suffering was just as emotional for me at times as it was for them, the book is filled with some very powerful moments which only makes the book more impressive as the whole story takes place in the two houses each family lives in and the road that connects them, we see nothing outside of this small bubble, and that just helps create this feeling that these relationships are all that these characters have.On the other hand, I did find the book a bit too dreary at times, which could turn some readers off the novel, make no mistake, this is a dark and emotional journey. A lot of times, the book focuses too much on what the characters, Heathcliff and Catherine, mostly, would do to take their revenge, and seeing a lot of those plans come to fruition makes the novel take on a darker tone.On the topic of Catherine, she has a daughter, also called Catherine/Cathy, which makes an already complicated family tree more confusing. It's normal for parents to name their children after themselves, but in this case, I think it does make the plot and understanding who's who more complicated than it needed to be.The whole story is told from one of two perspectives - Mr. Lockwood and Nelly. Mr. Lockwood is a complete stranger to both families who comes to Wuthering Heights (originally the Earnshaw's house) to rent Thrushcross Grange (originally the Linton's house) from Heathcliff, who, as part of his plan for revenge, ended up owning both houses at the end of the story. Mr. Lockwood is, in reality, a minor and fairly forgettable character, throughout the story, which makes using him as one of the voices we learn about these families an interesting decision. The other voice we hear this story from, Nelly, is originally one of the housekeepers for the Earnshaws, and hers is the main voice we learn everything from. The issue that might arise with Nelly, is that given her role as a housekeeper, it's hard to imagine she had as clear an idea of everyone's intentions and what they were thinking as she believes she has. In this sense, she might be seen as an unreliable narrator for some readers. In my opinion, that just adds to the intricacies of the story and makes it that much more interesting, to allow us, as readers, to form our own judgements towards each of the characters, since we're learning everything from someone who would have their own biases as well.
Personal Recommendation
Given the impactful story, complex characters and relationships, this is definitely a story worth diving into, I wouldn't recommend this book for people who are sensitive to dark themes or if abuse and trauma are triggers. If, on the other hand, you can handle these things and are looking for an intense read that really looks at generational trauma and how it can stop with one's own choices, this is a definitive recommendation from me.
One-Sentence book review
A fun, interesting murder-mystery spearheaded by a bunch of retired septuagenarians and their quirky personalities.
Summary, thoughts and notesLike any murder-mystery, the plot revolves around a murder and trying to figure out who did it. What sets this book apart from the rest is the fact that our main group of crime-solving protagonists are all in their 70s and live in a retirement village. They gather every Thursday to discuss and to try to solve unsolved murders from one of the members' past work as a detective (hence the name of the group and the book). This is all fun and games until an actual murder occurs, and then a couple more, all around or relating to the retirement village. The members of the Thursday Murder Club all have their eccentricities and quirks that both set them apart from each other, but also highlight what each one bring to the table when it comes to solving crimes. Along with our elder protagonists, we also have the help of two of the city's finest detectives, who mostly dismiss the Thursday Murder Club as a quirky group of grandparents, but who also provide some interesting moments throughout the book.As for the mystery itself, it's not anything out of this world, but does provide some interesting moments. I will mention that I did expect a bit more from the way the murders were presented, in the end none of them were really connected, and I feel like it was a lost opportunity to just have a more interesting plot with more impactful discoveries. The way the book is written made me feel like I was almost reading the screenplay for a movie or a TV show, the chapters are so short, and they jump from one perspective to the next, it felt like the different cuts to different scenes we constantly see in TV shows. I do have to wonder if the this was intentional on part of the author to make easier adaptations for movies or TV shows.
Themes and Character NotesI feel that as a murder-mystery, this is pretty cookie cutter, run-of-the-mill, normal, which is not a bad thing at all. The twist here is obviously that the main crime solving group we follow are older people who combine the adorableness of grandparents with the cunning of a crime solving squad, and that does help set this book apart from others. The characters also have very distinct personalities, Elizabeth, the leader of the Thursday Murder Club, is a very cunning, straight to the point, woman. Joyce is the newest member of the group, an ex-nurse, who is more casual about the whole murder solving thing in the beginning, but grows to take it more seriously. Ibrahim, an ex-psychiatrist, whose people skills and introspection abilities also help out a lot. Finally, Ron rounds out the club as a former union leader, headstrong and belligerent. This mix of personalities make for some very interesting interactions and moments throughout the book.
What Worked, What Didn'tThere is a definite focus in the various interactions between the characters throughout the book, while the murder itself is the main driving force behind the plot, it sometimes feels like it takes a backseat to character interactions. I personally didn't mind this, but I can also see how some might be turned off from this if they are more interested in the murder itself.The super short chapters and constant, quick perspective changes can also be a jarring at times, it really clicked for me when I started viewing it as a TV show with many cuts between different scenes, but it did take me some time to get used to.
Personal Recommendation
If you want an easy read about a murder mystery, with interesting and quirky characters, and don't mind short chapters that don't dwell too much on one subject and constant changes in point of view and perspective, I'd definitely say to give this book a try, otherwise, this might not be for you. Additionally, if you want a very complex mystery with intricate connections and red herrings between many characters that keeps you on your feet guessing what might come next, you might want to avoid this book as it might fall short of those expectations. For me, personally, I like this book and will probably continue to read the rest of the series, just maybe not immediately.
One-Sentence book review
A fun, interesting murder-mystery spearheaded by a bunch of retired septuagenarians and their quirky personalities.
Summary, thoughts and notesLike any murder-mystery, the plot revolves around a murder and trying to figure out who did it. What sets this book apart from the rest is the fact that our main group of crime-solving protagonists are all in their 70s and live in a retirement village. They gather every Thursday to discuss and to try to solve unsolved murders from one of the members' past work as a detective (hence the name of the group and the book). This is all fun and games until an actual murder occurs, and then a couple more, all around or relating to the retirement village. The members of the Thursday Murder Club all have their eccentricities and quirks that both set them apart from each other, but also highlight what each one bring to the table when it comes to solving crimes. Along with our elder protagonists, we also have the help of two of the city's finest detectives, who mostly dismiss the Thursday Murder Club as a quirky group of grandparents, but who also provide some interesting moments throughout the book.As for the mystery itself, it's not anything out of this world, but does provide some interesting moments. I will mention that I did expect a bit more from the way the murders were presented, in the end none of them were really connected, and I feel like it was a lost opportunity to just have a more interesting plot with more impactful discoveries. The way the book is written made me feel like I was almost reading the screenplay for a movie or a TV show, the chapters are so short, and they jump from one perspective to the next, it felt like the different cuts to different scenes we constantly see in TV shows. I do have to wonder if the this was intentional on part of the author to make easier adaptations for movies or TV shows.
Themes and Character NotesI feel that as a murder-mystery, this is pretty cookie cutter, run-of-the-mill, normal, which is not a bad thing at all. The twist here is obviously that the main crime solving group we follow are older people who combine the adorableness of grandparents with the cunning of a crime solving squad, and that does help set this book apart from others. The characters also have very distinct personalities, Elizabeth, the leader of the Thursday Murder Club, is a very cunning, straight to the point, woman. Joyce is the newest member of the group, an ex-nurse, who is more casual about the whole murder solving thing in the beginning, but grows to take it more seriously. Ibrahim, an ex-psychiatrist, whose people skills and introspection abilities also help out a lot. Finally, Ron rounds out the club as a former union leader, headstrong and belligerent. This mix of personalities make for some very interesting interactions and moments throughout the book.
What Worked, What Didn'tThere is a definite focus in the various interactions between the characters throughout the book, while the murder itself is the main driving force behind the plot, it sometimes feels like it takes a backseat to character interactions. I personally didn't mind this, but I can also see how some might be turned off from this if they are more interested in the murder itself.The super short chapters and constant, quick perspective changes can also be a jarring at times, it really clicked for me when I started viewing it as a TV show with many cuts between different scenes, but it did take me some time to get used to.
Personal Recommendation
If you want an easy read about a murder mystery, with interesting and quirky characters, and don't mind short chapters that don't dwell too much on one subject and constant changes in point of view and perspective, I'd definitely say to give this book a try, otherwise, this might not be for you. Additionally, if you want a very complex mystery with intricate connections and red herrings between many characters that keeps you on your feet guessing what might come next, you might want to avoid this book as it might fall short of those expectations. For me, personally, I like this book and will probably continue to read the rest of the series, just maybe not immediately.
One-Sentence book review
A surprisingly philosophical book with many good quotes, but a bit superficial in how deep it dives into its core themes.
Summary, thoughts and notes
How to Stop Time is about Tom Hazard, a man in his 400's but that physically looks 40. The book moves back and forth between specific events in Tom's past that marked special events in his life, such as meeting and saying goodbye to loved ones, or how he met certain famous historical figures, and then going forward to the present. The "present" chapters many times serve as a sort of prelude or introduction to what the next "past" chapter will be about. The plot is very basic, Tom is trying to find his long-lost daughter, Marion, who has the same slow-aging condition he has. All while he's been changing identities and traveling all over the world with the help of Hendrichs, another long-living human, who heads a society called "The Albatross Society" (whose members are called "albas"), which serves to help anyone "afflicted" with slow aging. There is a little bit of romance sprinkled in but honestly it just felt like a quick side-note overall.
As the story progresses, Tom comes to terms with what he wants in life and what it even means to be alive, and must face the consequences of taking charge of his own life again.
Themes and Character Notes
The book's central theme is that of identity, Tom is continually made to start a new life every 8 years, since the society deems that is the maximum amount of years an alba can stay in one place before starting to draw unwanted attention, putting them at risk to be found and putting themselves in danger. The book also tends towards the philosophical, it has many good quotes and passages that would resonate with many people regarding life, identity, and how to live in the present. That being said, I also felt that the book served more as a device to present these philosophical ideas instead of them being a result of the plot. This also lead to the plot feeling very thin and sometimes as a secondary priority, while the philosophical musings took center stage.
What Worked, What Didn't
I know that it will sound like I didn't like the book, but I really did, it was entertaining and found the premise interesting. It's also a pretty quick and easy read, despite the philosophical leanings. I would have really loved the plot to be more fleshed out, the climax at the end had an outcome that felt very convenient, and everything just happened so, so fast, I didn't really have time to even feel any real tension about what was going on. This is one of those cases where the ending is satisfying, but the way we got to that ending left me wanting more, but I'd still take that over a bad ending any day of the week.
The romance in the "present" timeline also didn't really land for me, in reality all we get is 2 or 3 interactions between the couple, which includes them meeting and making up, and then fast forward to their happy ending. It's just not enough for me to care about their relationship, especially when one of them is over 400 years old and those interactions are not even blimps in his lifetime.
The book overall feels like a palate cleanser, it's ok, but nothing to write home about, and none of my issues with it are so big that I would say the book fails in what it's trying to achieve, or even to say it's not worth reading or that it's bad, but I expected something deeper, more fleshed out, hence my rating of 3/5, I liked it, I enjoyed it, but didn't love it. I also acknowledge that some of my criticisms are entirely subjective and anyone reading this review is most definitely welcome to disagree with me.
Personal Recommendation
If philosophical musings about memory, time, and life, with some romance sprinkled throughout, is something that might peak your interest, definitely pick this up, with the caveat that it only touches on those themes at a superficial level, it doesn't really dive all that deep into any of them.
One-Sentence book review
A surprisingly philosophical book with many good quotes, but a bit superficial in how deep it dives into its core themes.
Summary, thoughts and notes
How to Stop Time is about Tom Hazard, a man in his 400's but that physically looks 40. The book moves back and forth between specific events in Tom's past that marked special events in his life, such as meeting and saying goodbye to loved ones, or how he met certain famous historical figures, and then going forward to the present. The "present" chapters many times serve as a sort of prelude or introduction to what the next "past" chapter will be about. The plot is very basic, Tom is trying to find his long-lost daughter, Marion, who has the same slow-aging condition he has. All while he's been changing identities and traveling all over the world with the help of Hendrichs, another long-living human, who heads a society called "The Albatross Society" (whose members are called "albas"), which serves to help anyone "afflicted" with slow aging. There is a little bit of romance sprinkled in but honestly it just felt like a quick side-note overall.
As the story progresses, Tom comes to terms with what he wants in life and what it even means to be alive, and must face the consequences of taking charge of his own life again.
Themes and Character Notes
The book's central theme is that of identity, Tom is continually made to start a new life every 8 years, since the society deems that is the maximum amount of years an alba can stay in one place before starting to draw unwanted attention, putting them at risk to be found and putting themselves in danger. The book also tends towards the philosophical, it has many good quotes and passages that would resonate with many people regarding life, identity, and how to live in the present. That being said, I also felt that the book served more as a device to present these philosophical ideas instead of them being a result of the plot. This also lead to the plot feeling very thin and sometimes as a secondary priority, while the philosophical musings took center stage.
What Worked, What Didn't
I know that it will sound like I didn't like the book, but I really did, it was entertaining and found the premise interesting. It's also a pretty quick and easy read, despite the philosophical leanings. I would have really loved the plot to be more fleshed out, the climax at the end had an outcome that felt very convenient, and everything just happened so, so fast, I didn't really have time to even feel any real tension about what was going on. This is one of those cases where the ending is satisfying, but the way we got to that ending left me wanting more, but I'd still take that over a bad ending any day of the week.
The romance in the "present" timeline also didn't really land for me, in reality all we get is 2 or 3 interactions between the couple, which includes them meeting and making up, and then fast forward to their happy ending. It's just not enough for me to care about their relationship, especially when one of them is over 400 years old and those interactions are not even blimps in his lifetime.
The book overall feels like a palate cleanser, it's ok, but nothing to write home about, and none of my issues with it are so big that I would say the book fails in what it's trying to achieve, or even to say it's not worth reading or that it's bad, but I expected something deeper, more fleshed out, hence my rating of 3/5, I liked it, I enjoyed it, but didn't love it. I also acknowledge that some of my criticisms are entirely subjective and anyone reading this review is most definitely welcome to disagree with me.
Personal Recommendation
If philosophical musings about memory, time, and life, with some romance sprinkled throughout, is something that might peak your interest, definitely pick this up, with the caveat that it only touches on those themes at a superficial level, it doesn't really dive all that deep into any of them.
Added to listOwnedwith 26 books.
One-Sentence book review
A surprisingly philosophical book with many good quotes, but a bit superficial in how deep it dives into its core themes.
Summary, thoughts and notes
How to Stop Time is about Tom Hazard, a man in his 400's but that physically looks 40. The book moves back and forth between specific events in Tom's past that marked special events in his life, such as meeting and saying goodbye to loved ones, or how he met certain famous historical figures, and then going forward to the present. The "present" chapters many times serve as a sort of prelude or introduction to what the next "past" chapter will be about. The plot is very basic, Tom is trying to find his long-lost daughter, Marion, who has the same slow-aging condition he has. All while he's been changing identities and traveling all over the world with the help of Hendrichs, another long-living human, who heads a society called "The Albatross Society" (whose members are called "albas"), which serves to help anyone "afflicted" with slow aging. There is a little bit of romance sprinkled in but honestly it just felt like a quick side-note overall.
As the story progresses, Tom comes to terms with what he wants in life and what it even means to be alive, and must face the consequences of taking charge of his own life again.
Themes and Character Notes
The book's central theme is that of identity, Tom is continually made to start a new life every 8 years, since the society deems that is the maximum amount of years an alba can stay in one place before starting to draw unwanted attention, putting them at risk to be found and putting themselves in danger. The book also tends towards the philosophical, it has many good quotes and passages that would resonate with many people regarding life, identity, and how to live in the present. That being said, I also felt that the book served more as a device to present these philosophical ideas instead of them being a result of the plot. This also lead to the plot feeling very thin and sometimes as a secondary priority, while the philosophical musings took center stage.
What Worked, What Didn't
I know that it will sound like I didn't like the book, but I really did, it was entertaining and found the premise interesting. It's also a pretty quick and easy read, despite the philosophical leanings. I would have really loved the plot to be more fleshed out, the climax at the end had an outcome that felt very convenient, and everything just happened so, so fast, I didn't really have time to even feel any real tension about what was going on. This is one of those cases where the ending is satisfying, but the way we got to that ending left me wanting more, but I'd still take that over a bad ending any day of the week.
The romance in the "present" timeline also didn't really land for me, in reality all we get is 2 or 3 interactions between the couple, which includes them meeting and making up, and then fast forward to their happy ending. It's just not enough for me to care about their relationship, especially when one of them is over 400 years old and those interactions are not even blimps in his lifetime.
The book overall feels like a palate cleanser, it's ok, but nothing to write home about, and none of my issues with it are so big that I would say the book fails in what it's trying to achieve, or even to say it's not worth reading or that it's bad, but I expected something deeper, more fleshed out, hence my rating of 3/5, I liked it, I enjoyed it, but didn't love it. I also acknowledge that some of my criticisms are entirely subjective and anyone reading this review is most definitely welcome to disagree with me.
Personal Recommendation
If philosophical musings about memory, time, and life, with some romance sprinkled throughout, is something that might peak your interest, definitely pick this up, with the caveat that it only touches on those themes at a superficial level, it doesn't really dive all that deep into any of them.
One-Sentence book review
A surprisingly philosophical book with many good quotes, but a bit superficial in how deep it dives into its core themes.
Summary, thoughts and notes
How to Stop Time is about Tom Hazard, a man in his 400's but that physically looks 40. The book moves back and forth between specific events in Tom's past that marked special events in his life, such as meeting and saying goodbye to loved ones, or how he met certain famous historical figures, and then going forward to the present. The "present" chapters many times serve as a sort of prelude or introduction to what the next "past" chapter will be about. The plot is very basic, Tom is trying to find his long-lost daughter, Marion, who has the same slow-aging condition he has. All while he's been changing identities and traveling all over the world with the help of Hendrichs, another long-living human, who heads a society called "The Albatross Society" (whose members are called "albas"), which serves to help anyone "afflicted" with slow aging. There is a little bit of romance sprinkled in but honestly it just felt like a quick side-note overall.
As the story progresses, Tom comes to terms with what he wants in life and what it even means to be alive, and must face the consequences of taking charge of his own life again.
Themes and Character Notes
The book's central theme is that of identity, Tom is continually made to start a new life every 8 years, since the society deems that is the maximum amount of years an alba can stay in one place before starting to draw unwanted attention, putting them at risk to be found and putting themselves in danger. The book also tends towards the philosophical, it has many good quotes and passages that would resonate with many people regarding life, identity, and how to live in the present. That being said, I also felt that the book served more as a device to present these philosophical ideas instead of them being a result of the plot. This also lead to the plot feeling very thin and sometimes as a secondary priority, while the philosophical musings took center stage.
What Worked, What Didn't
I know that it will sound like I didn't like the book, but I really did, it was entertaining and found the premise interesting. It's also a pretty quick and easy read, despite the philosophical leanings. I would have really loved the plot to be more fleshed out, the climax at the end had an outcome that felt very convenient, and everything just happened so, so fast, I didn't really have time to even feel any real tension about what was going on. This is one of those cases where the ending is satisfying, but the way we got to that ending left me wanting more, but I'd still take that over a bad ending any day of the week.
The romance in the "present" timeline also didn't really land for me, in reality all we get is 2 or 3 interactions between the couple, which includes them meeting and making up, and then fast forward to their happy ending. It's just not enough for me to care about their relationship, especially when one of them is over 400 years old and those interactions are not even blimps in his lifetime.
The book overall feels like a palate cleanser, it's ok, but nothing to write home about, and none of my issues with it are so big that I would say the book fails in what it's trying to achieve, or even to say it's not worth reading or that it's bad, but I expected something deeper, more fleshed out, hence my rating of 3/5, I liked it, I enjoyed it, but didn't love it. I also acknowledge that some of my criticisms are entirely subjective and anyone reading this review is most definitely welcome to disagree with me.
Personal Recommendation
If philosophical musings about memory, time, and life, with some romance sprinkled throughout, is something that might peak your interest, definitely pick this up, with the caveat that it only touches on those themes at a superficial level, it doesn't really dive all that deep into any of them.
One-Sentence Book Review
A classic for a reason, a fantastic look into how generational trauma can have devastating consequences, along with a revenge-and-obsession-heavy plot.
Summary, Thoughts and NotesWuthering Heights is a book that mainly revolves around the lives of two families, the Lintons and Earnshaws, and the complex relationships between them after Mr. Earnshaw adopts Heathcliff and raises him as one of his children. We accompany these children throughout most of the book, starting from when they're children, all the way to adulthood and even follow the lives of their children up to a certain point. The main plot of the book revolves around Heathcliff and Catherine, who fall in love with each other, but won't have their love materialize with each other for reasons their own. This unfulfilled love turns into obsession, combined with the complex relationships between most of these characters mixed with some physical and emotional abuse makes for a very intriguing and intricate story that is both impactful and interesting.
Themes and Character NotesI've read many people describe this book as a romance novel, which I very much disagree with, this is a fantastic view into how generational trauma can be deeply ingrained into the personality of people and how difficult it can be to overcome said trauma and try to be the change you want. The characters Heathcliff and Catherine are very complex characters who are most affected by these kinds of trauma, they love each other, then torture each other for not being able to be together. Even after Catherine's death, Heathcliff constantly suffers and blames Catherine for making him suffer so, and this trauma is reflected in how poorly he treats others in turn. In addition to all of this, Heathcliff's main motivation in most of his actions is that of revenge. Revenge on Catherine's brother for making Heathcliff's life miserable when they were children, and revenge on Edgar Linton (Mr. Linton's son), who's the one that actually ended up marrying Catherine, and who Catherine chose over Heathcliff simply for his money and status, despite her admitting she actually loves Heathcliff.The main themes of obsession (not love!) and revenge are present all throughout the book, and different ways they affected even Heathcliff's and Catherine's children are made very apparent very early on. It is these children, who at first are victims of said generational trauma, and who are also seen as abusive to begin with, who break the cycle of abuse, at least from the Earnshaw and Linton side, Heathcliff's only son, unfortunately, ends up being a victim of his father's obsession, but it does make for a very powerful moment when we see that these behaviors can be broken and that each person is the owner of their own destiny and have the free will to decide how to act for themselves.
What Worked, What Didn'tI came into this book without knowing anything about it and with a very open mind, it turned out to be better than I could have anticipated. I felt the characters very real, and their torment and suffering was just as emotional for me at times as it was for them, the book is filled with some very powerful moments which only makes the book more impressive as the whole story takes place in the two houses each family lives in and the road that connects them, we see nothing outside of this small bubble, and that just helps create this feeling that these relationships are all that these characters have.On the other hand, I did find the book a bit too dreary at times, which could turn some readers off the novel, make no mistake, this is a dark and emotional journey. A lot of times, the book focuses too much on what the characters, Heathcliff and Catherine, mostly, would do to take their revenge, and seeing a lot of those plans come to fruition makes the novel take on a darker tone.On the topic of Catherine, she has a daughter, also called Catherine/Cathy, which makes an already complicated family tree more confusing. It's normal for parents to name their children after themselves, but in this case, I think it does make the plot and understanding who's who more complicated than it needed to be.The whole story is told from one of two perspectives - Mr. Lockwood and Nelly. Mr. Lockwood is a complete stranger to both families who comes to Wuthering Heights (originally the Earnshaw's house) to rent Thrushcross Grange (originally the Linton's house) from Heathcliff, who, as part of his plan for revenge, ended up owning both houses at the end of the story. Mr. Lockwood is, in reality, a minor and fairly forgettable character, throughout the story, which makes using him as one of the voices we learn about these families an interesting decision. The other voice we hear this story from, Nelly, is originally one of the housekeepers for the Earnshaws, and hers is the main voice we learn everything from. The issue that might arise with Nelly, is that given her role as a housekeeper, it's hard to imagine she had as clear an idea of everyone's intentions and what they were thinking as she believes she has. In this sense, she might be seen as an unreliable narrator for some readers. In my opinion, that just adds to the intricacies of the story and makes it that much more interesting, to allow us, as readers, to form our own judgements towards each of the characters, since we're learning everything from someone who would have their own biases as well.
Personal Recommendation
Given the impactful story, complex characters and relationships, this is definitely a story worth diving into, I wouldn't recommend this book for people who are sensitive to dark themes or if abuse and trauma are triggers. If, on the other hand, you can handle these things and are looking for an intense read that really looks at generational trauma and how it can stop with one's own choices, this is a definitive recommendation from me.
One-Sentence Book Review
A classic for a reason, a fantastic look into how generational trauma can have devastating consequences, along with a revenge-and-obsession-heavy plot.
Summary, Thoughts and NotesWuthering Heights is a book that mainly revolves around the lives of two families, the Lintons and Earnshaws, and the complex relationships between them after Mr. Earnshaw adopts Heathcliff and raises him as one of his children. We accompany these children throughout most of the book, starting from when they're children, all the way to adulthood and even follow the lives of their children up to a certain point. The main plot of the book revolves around Heathcliff and Catherine, who fall in love with each other, but won't have their love materialize with each other for reasons their own. This unfulfilled love turns into obsession, combined with the complex relationships between most of these characters mixed with some physical and emotional abuse makes for a very intriguing and intricate story that is both impactful and interesting.
Themes and Character NotesI've read many people describe this book as a romance novel, which I very much disagree with, this is a fantastic view into how generational trauma can be deeply ingrained into the personality of people and how difficult it can be to overcome said trauma and try to be the change you want. The characters Heathcliff and Catherine are very complex characters who are most affected by these kinds of trauma, they love each other, then torture each other for not being able to be together. Even after Catherine's death, Heathcliff constantly suffers and blames Catherine for making him suffer so, and this trauma is reflected in how poorly he treats others in turn. In addition to all of this, Heathcliff's main motivation in most of his actions is that of revenge. Revenge on Catherine's brother for making Heathcliff's life miserable when they were children, and revenge on Edgar Linton (Mr. Linton's son), who's the one that actually ended up marrying Catherine, and who Catherine chose over Heathcliff simply for his money and status, despite her admitting she actually loves Heathcliff.The main themes of obsession (not love!) and revenge are present all throughout the book, and different ways they affected even Heathcliff's and Catherine's children are made very apparent very early on. It is these children, who at first are victims of said generational trauma, and who are also seen as abusive to begin with, who break the cycle of abuse, at least from the Earnshaw and Linton side, Heathcliff's only son, unfortunately, ends up being a victim of his father's obsession, but it does make for a very powerful moment when we see that these behaviors can be broken and that each person is the owner of their own destiny and have the free will to decide how to act for themselves.
What Worked, What Didn'tI came into this book without knowing anything about it and with a very open mind, it turned out to be better than I could have anticipated. I felt the characters very real, and their torment and suffering was just as emotional for me at times as it was for them, the book is filled with some very powerful moments which only makes the book more impressive as the whole story takes place in the two houses each family lives in and the road that connects them, we see nothing outside of this small bubble, and that just helps create this feeling that these relationships are all that these characters have.On the other hand, I did find the book a bit too dreary at times, which could turn some readers off the novel, make no mistake, this is a dark and emotional journey. A lot of times, the book focuses too much on what the characters, Heathcliff and Catherine, mostly, would do to take their revenge, and seeing a lot of those plans come to fruition makes the novel take on a darker tone.On the topic of Catherine, she has a daughter, also called Catherine/Cathy, which makes an already complicated family tree more confusing. It's normal for parents to name their children after themselves, but in this case, I think it does make the plot and understanding who's who more complicated than it needed to be.The whole story is told from one of two perspectives - Mr. Lockwood and Nelly. Mr. Lockwood is a complete stranger to both families who comes to Wuthering Heights (originally the Earnshaw's house) to rent Thrushcross Grange (originally the Linton's house) from Heathcliff, who, as part of his plan for revenge, ended up owning both houses at the end of the story. Mr. Lockwood is, in reality, a minor and fairly forgettable character, throughout the story, which makes using him as one of the voices we learn about these families an interesting decision. The other voice we hear this story from, Nelly, is originally one of the housekeepers for the Earnshaws, and hers is the main voice we learn everything from. The issue that might arise with Nelly, is that given her role as a housekeeper, it's hard to imagine she had as clear an idea of everyone's intentions and what they were thinking as she believes she has. In this sense, she might be seen as an unreliable narrator for some readers. In my opinion, that just adds to the intricacies of the story and makes it that much more interesting, to allow us, as readers, to form our own judgements towards each of the characters, since we're learning everything from someone who would have their own biases as well.
Personal Recommendation
Given the impactful story, complex characters and relationships, this is definitely a story worth diving into, I wouldn't recommend this book for people who are sensitive to dark themes or if abuse and trauma are triggers. If, on the other hand, you can handle these things and are looking for an intense read that really looks at generational trauma and how it can stop with one's own choices, this is a definitive recommendation from me.
