Crystallinegirl

This is the fifth book from my summer TBR - I'm slowly working through them! I mused on the TBR list that this might remind me of high school, and so it did. Megan is much bolder than I ever was, and dated a lot more, but her underlying feelings of being passed over for other girls - oh, I felt those. I wasn't very socially adept in high school, unlike Megan.

The premise of the story is that every guy Megan dates falls madly in love with the girl he dates after Megan. This has happened enough that she's come to expect it, so when her last boyfriend broke up with her to date her best friend, she wasn't even very upset with them. She understood. That's what her boyfriends DO. Which means she approaches relationships as temporary, and doesn't bother to fight for them when they end.

The book is really about learning what's worth fighting for. A family that seems to be moving on without her? A role in a play that her understudy fills better than she does? A boy who will go on to find his true love after her? A best friend who stole her boyfriend? Megan struggles with feeling imminently replaceable and misunderstood, and her vulnerability grabbed my heartstrings and yanked. I wasn't expecting to, but I LOVED this book.

Megan's worries are so very real, and her friends are such quintessential high schoolers. Every look, every word, every relationship has so much more intense meaning at that age because EVERYTHING is so important and felt so deeply. I loved how supportive Megan is of her friends, even if she doesn't always realize that she comes across a little strong. I liked the side plot of Megan's gay friend Anthony, and the closeted boy he has a crush on.

As a Shakespeare lover, I enjoyed that each chapter started with a line from Romeo and Juliet, the play that Megan's school Drama department is performing her senior year. I also enjoyed seeing the comparisons between Megan and Rosaline, and characters in the book saying how interesting Rosaline is as a character, even though we don't actually see her in the play! It reminded me of Bright Smoke, Cold Fire, which is a VERY different book, but another one that delves further into the character of Rosaline. And now I'm wondering if there are any other books that do the same....

I loved this book. It made me cry but then laugh through my sniffles. Books that can do that are special things.

You can find all my reviews at Goddess in the Stacks.

This incredibly cute queer romance was the YA_Pride Book Club pick this month on Twitter. What I didn't expect when I picked it up was just HOW GOOD the representation is in this book. First, Ollie, the main love interest, is deaf, and communicates via ASL or written word. This isn't a huge deal; people just work around it, which is really lovely. There's a lot of passing phones around with things typed out on them, plus lip-reading and some limited use of signs, many of them described on the page for the reader.

The other amazing representation is how the book treats bisexuality. Both Nate and his best friend Flo are bi; they dated each other before the beginning of the book, but Flo is dating a woman when the book opens, and Nate has a huge crush on Ollie. This is not treated as weird, or even remarkable enough to be noted. They just are interested in more than one gender and it's completely normal. I love it.

The story itself is really cute; Ollie was a childhood best friend that Nate had a crush on, and he's come back to town several years later. Turns out Nate's crush still exists, and the boys start an awkward romance. Nate is the kind of overthinker that constantly sabotages his own happiness, and we see that play out in more than just his relationship with Ollie.

I also really liked that the book didn't play into the “the first time with the right person is magical and perfect” trope when it comes to sex. No, first times are awkward and sometimes not all that pleasurable, even with the right person. But with the right person, you can get past the awkwardness and try again. It was a much more realistic first sexual experience, I think.

This book was a quick read, with great minority rep, from racial to sexual to disability rep. The story was great. I liked also that the romance wasn't the only focus of the story; Nate's relationships with his friends were also important to the plot. Great book.

You can find all my reviews at Goddess in the Stacks.

Regular readers of my blog know that I'm not a big fan of Contemporary Fiction. This, however, blew me away. Goodbye, Paris, is one of August's Books of the Month, and as usual, it is outstanding. I don't know how they consistently pick amazing books, but month after month they bring a bit of magic.

I started this book thinking “oh, she's a musician, I can get into that,” but I didn't know how much the author was going to explore that facet of her life. But right away, on page 14, our main character did something that made me gasp aloud and stop and actually write in my book. Which is a thing I don't do. Grace plays cello the way I play piano. She's far more skilled than I am, but - well just read:

“My knees poke out, bony and white, cushioning the pointed lower bouts of the cello, and the scroll rests, where it belongs, against my ear. The cello takes up its rightful place and I become nothing more than a mechanical part of it.

This is what I have always done, how I have always found myself when I've been lost. When I first went to music college, eighteen years old and paralyzingly shy, when ringing my parents from the pay phone in the corridor just made me miss them even more, I would feel the strength in the neck of my cello, flatten the prints of my fingers into the strings, and forget.

I play and play; through thirst, past hunger, making tiredness just a dent in my soul. I play beyond David's marriage, his holiday, even how frightened I was when he disappeared below the platform.

I play on until the world is flat again and the spaces between my heartbeats are as even as the rhythm on the stave in front of me.”

This is how and why I play piano! To see it so gorgeously described on the page was breathtaking. I am not a concert-level pianist by any means, but I'm decent, and playing piano brings me back to myself. When I'm angry or frustrated or hurt or simply feeling down, the music centers me and makes me focus until everything else falls away. From this point on, I was enthralled with this book and with Grace.

Grace's partner, however, I was not so enthralled with. Grace and David have been together for eight years when the book opens. David has been married for all of those years, which Grace knew the night they met. (Though after they fell in love - it was one of those lightning-bolt-from-above things) He had two children with his wife, though, and a third on the way, and because of the crappy way he grew up, he was absolutely unwilling to divorce and mess up his children's lives. Which, okay. Noble. (Though honestly, most children know when their parents are unhappy and wish they'd just divorce already, as Nadia, one of Grace's friends, illustrates.) He and his wife both know their marriage is only for the children at this point, and are totally okay with relationships outside the marriage. Grace, however, is unaware of this arrangement, and THAT'S where my irritation at David comes in.

I don't talk about it much on my blog, (though I have mentioned it) but my husband and I are polyamorous. He's had another partner for almost five years now, plus other occasional dalliances. But everyone knows this. His other partner and occasional flirtations all know about each other and about me. David, on the other hand - his wife appears to know about everything, but Grace only knows about his wife. We're never told what his other girlfriends know about. This isn't ethical non-monogamy. He lies to everyone about his intentions and relationships. I think he's probably incapable of monogamy - some people are - but he needs to be truthful about it. There are ways to make that work without ruining peoples' lives and breaking hearts!

So David is not a character I like.

Mr. Williams and Nadia, however, are amazing. So besides playing the cello, Grace also makes cellos. And violins, and double-basses. Nadia is her shopgirl, and Mr. Williams is an old man who brings her a violin to repair. These three become such an incredible little trio! Nadia and Mr. Williams are the ones who put Grace back together when her life gets turned upside down, and are saved themselves in turn. Nadia is a little prickly, but I think it was her way of protecting herself. Mr. Williams is too old for games - at eighty-six, he doesn't fool around anymore.

I loved this book. Book of the Month has once more made an outstanding pick. The characters and emotions are beautiful and heart-rending and magical. I think this is one of my favorites of the year!

You can find all my reviews at Goddess in the Stacks.

I don't like unreliable narrators. I didn't realize, at first, that Peggy was one. Even though she mentions at the start of the book that a doctor said she had Korsakoff's syndrome - meaning malnutrition has messed with her memories - I assumed that it was just because her experiences were so unbelievable that the doctor thought she'd made things up. I also don't like unreliable narrators because the author obviously knows what truly happened. Leaving the reader in the dark about it seems rude.

Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.

In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.

I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.

This book is odd.

You can find all my reviews at Goddess in the Stacks.

Clock Dance was the second pick for Barnes & Noble's  nation-wide Book Club. (The first was Meg Wolitzer's The Female Persuasion, back in May.) Like the first one, it was contemporary fiction, which I'm pretty meh about. When I learned it was set mostly in Baltimore, and written by a local author, I became more interested. I'm originally from Oregon, but Baltimore has become my home, and I enjoy reading about it. We had a slightly larger group than last time, but I was the only returning attendee besides the store employee, Sam, who led the discussion.

Sam opened the discussion with the same question that she started the last one with - “Did you like the main character?” It's an interesting question because most people ask “Did you like the book?��� which can have a different answer. I don't usually read books in which I don't like the main character, but that's usually because I choose my books. I'm not choosing my Book Club books, so it's a good question. Unlike last time, I did like Willa. I disagreed with her judgment when it came to husbands, but I still sympathized with her. I mentioned that I didn't like that she just floated through most of her life without any real ambition, but to be honest, I've done that too. I'm not a very ambitious person - or my ambitions are quite low. I think that, perhaps, is the difference. I find a lot of fulfillment in being, effectively, my husband's personal assistant. It's fun. Willa did not seem to find it fulfilling, she just - didn't want to rock the boat.

I like how we saw each of Willa's “defining moments” - the book opens on her as a child, her volatile mother having stormed out of the house during an argument. Her mother really does a number on her as a child. I think it's why she hates to rock the boat so much. From here, we fast forward to college, and Willa's boyfriend proposing to her after gaslighting her about an event that happened on the plane. Willa's mother disapproves. Vehemently. I think that's part of why Willa accepts. Our next view of Willa's life is the accident that takes her husband's life, and its aftermath.

Then we finally start into the real meat of the book, twenty years after the death of her first husband. Her sons have grown and moved away, she has remarried, and both of her parents have passed. Her husband is a little distant, and she seems rather untethered. Then she gets the strangest phone call. It turns out her eldest son lived with a woman (Denise) and her daughter for a little while in Baltimore; he has since moved on, but “Sean's mother” is still a phone number on Denise's emergency contact list. So when Denise is shot in the leg and put in the hospital, a neighbor lady sees it, assumes Willa is the grandmother of the child, and calls her to come take care of her. It's a little convoluted, and Willa can't even adequately explain to her husband why she's decided to fly to Baltimore to take care of a child she has no relation to, but she does so anyway.

This is where we get to Baltimore, and, in Anne Tyler's own words, “when her story changes to Technicolor.”

I actually live just outside Baltimore myself, but one of my best friends lives in Charles Village, and I could SO EASILY envision Willa's neighborhood as a street of rowhomes. (Turns out it's probably based on a neighborhood in Hamilton, according to the Baltimore Sun.) I was even mapping locations in Willa's house to my friend's rowhome! Anne Tyler really captures the spirit of Baltimore, and now I want to read more of her books, even if they are contemporary fiction!

Overall I enjoyed Clock Dance; Anne Tyler is very good at subtle character growth, which is quite realistic. People don't often change all at once. Sometimes it takes a lifetime of being told what to do before finally waking up to what you WANT to do.

You can find all my reviews at Goddess in the Stacks.

This is the first book Book Riot chose for Persist, their Feminist Book Club. I only just learned about the book club, so I'm reading the first two books before diving into the third. (Second book is Eloquent Rage by Brittney Cooper, and the third book is Headscarves and Hymens by Mona Eltahawy.) I really wish I could have read this book with their book club, as it definitely would benefit from being able to discuss each chapter with other readers.

The book is divided into chapters focusing on individual women and what they are guilty of being too much of. So Too Strong - Serena Williams, or Too Shrill - Hillary Clinton, or Too Slutty - Nicki Minaj. Then it dives deeply into why people think the woman embodies that negative, and often, what the woman herself thinks of it. We get cultural background on the adjective; in Too Pregnant, Petersen examines how celebrity pregnancies have changed how we treat pregnant women - how pregnancy has changed from something to be hidden to something to be valued and publicized and adored. But when someone isn't pregnant in the right way - Kim Kardashian, for instance, suffered from swollen feet and preeclampsia and general misery and “poor” fashion choices - we judge them for it.

Too Loud delves into the world of publishing and book reviewing, profiling Jennifer Weiner's fight against sexism in publishing. The chapter educates us on how the genre of “chick lit” started, and how women authors and readers are too often relegated to “chick lit” when if the same story had been written by a man, about a man instead of a woman, it would just be “literature” and eligible for review by things like the The New York Times Book Review.

Too Fat, Too Slutty, Too Loud was a highly educational look at pop culture and how women are judged much harsher than men are for showing the same traits. It is imminently readable - I only started to fall asleep once, and I think that's more because I only slept four hours last night! I had a fiction book on the table beside me, ready to dive into when I needed a break from the nonfiction - it's still there, untouched. This is a great book, but I'd definitely read it as part of a book club or a buddy read if you can. Get a friend to read it so you can discuss it!

You can find all my reviews at Goddess in the Stacks.

So much happens in this book. Actually, too much happens in this book. Eden Conquered falls victim to something a lot of fantasies fall victim to - too many events in too short of a time, with hand-waving to explain the timing. Princess Carys is supposedly “wandering the wilderness” after faking her death in the previous book, Dividing Eden. She's also supposed to be recovering from the withdrawal effects of the drug she was taking to cover the pain of being semi-regularly beaten while at home. (I'm not even going to get into why she, a Princess, was regularly beaten...it's weird.) And yet, beyond a few pages in the beginning, she doesn't seem to have any issues with the withdrawal, and the “wilderness” is never more than two day's horseback ride from anywhere she seems to need to get to. The “War” that we keep hearing about we never see in either book. The battlefield is...somewhere else. There's no real sense of time or distance, when it really feels as if there SHOULD be.

That aside, it's a pretty good sequel to Dividing Eden. I think it would have been more satisfying to have been a trilogy, with the second book about Carys wandering in exile and Andreus dealing with the treachery in his kingdom, and the third book about Carys coming back to Garden City and reuniting with her brother. Perhaps we could have delved more into what the Xhelozi monsters are, and why the city is based on “Virtues.” That's another problem I had, actually - they say, more than once, that the Xhelozi are strong because the Virtue of the city is weak, but never explain that. We don't really get into the mythology much. Had the duology been a trilogy, perhaps we could have explored their religion more as well. There's so much interesting world-building dangled just out of sight! As is, with only 300 pages, a secret is barely dangled in front of us before it's revealed, and tension doesn't have a chance to build properly.

It's a great story. It needed more space to be fleshed out.

You can find all my reviews at Goddess in the Stacks.

Period consists of twelve essays about periods. The authors are wonderfully diverse, covering intersex, disabled, POC, and trans individuals. There are stories about fibroids, about wishing to have periods, wishing not to have periods, pads vs tampons, having periods at work, dealing with a period while being homeless, running a marathon while menstruating - just an amazing variety of experiences with periods. Some of the essays talk about how menstruation is treated in pop culture, from the famous “blue liquid” of pad commercials to the sitcom trope of “angry woman is irrational because she's on her period.”

I think this is a book that every parent of a young daughter should read. I say that because it's a little advanced, so perhaps not a book to hand to every pre-pubescent girl, but there's a lot in it about what we teach our girls about their periods. Any person who has ever wondered if their period is normal should also read this book. There is SO. MUCH. VARIETY. when it comes to menstruation. But while there is plenty of variety that is normal, there is some that isn't. The essay about the fibroids is an example of this. That level of bleeding is NOT normal, and it's dangerous to tell people that it is. But because we don't TALK about periods, people unfortunately assume things are normal that aren't.

The book also makes me want to put together some hygiene kits for the homeless women I see in Baltimore. I'd never really thought about how difficult it is to deal with your period while homeless. Some pads/tampons, some hand sanitizer, and some cleaning wipes in a ziploc would go a long way towards making their lives a lot easier. The essay about having periods while homeless includes some ideas for kits to give out.

Overall, this is a very educating (and entertaining!) read. For those with periods AND those without. Menstruation should stop being a shameful topic. It's a health issue.

You can find all my reviews at Goddess in the Stacks.

I've watched my fair share of Space Opera (Firefly, Dark Matter, Farscape, Star Trek, Star Wars - don't try to tell me those last two aren't Space Opera, THEY TOTALLY ARE) - but I haven't read much of it. I picked up The Wrong Stars mostly because reviews said it had a demisexual main character, rather than because it's a Space Opera. Regardless, I am SO GLAD I DID. The book is excellent.

First off, the diversity! Over the course of the story, we meet people who are, in no particular order, gay, bisexual, demisexual, asexual, transgender, and non-binary. The story is set 500 years after Earth sends out its first colony ships, and in that time, culture has evolved. Marriage is not common, but contractually-bound relationships exist. Promiscuity and non-monogamy aren't viewed any different than monogamy, and in the same way, the distinctions between gay, straight, and bi don't carry any negative connotations. It's not a complete utopia - it's still a capitalist society, and there is still scarcity - but socially, at least, it has definitely evolved a lot from the present!

Elena, one of our main characters, was a biologist sent out on one of the first colony ships. Stocked with seeds, crude replicators, and cryo-sleep pods, a small crew was sent out, in stasis, on a five-hundred year journey to a system with probable life-supporting planets. They were called Goldilocks ships, in the hope they'd find a planet that was “just right.” What humanity didn't expect was that in the intervening five hundred years, they would make contact with an alien species and be given the means for true space travel via wormholes. Some of the ships arrived at their destinations to find human colonies already thriving on their target planets! Elena, however, found something quite different, and it's a very disconcerting difference. She is rescued by the motley crew of the White Raven, and they quickly get drawn into the mystery.

I really enjoyed the world-building and characterization in The Wrong Stars. The science of it made sense to me, but I'm not very versed in science, so I can't really say how realistic it is. It was at least pretty internally consistent. I'd like to learn more about how the AIs are created, though. Luckily, there is a sequel coming! The Dreaming Stars should be coming out this September, and I'm DEFINITELY going to read it.

If you like Dark Matter, Firefly, or Farscape, you should definitely read The Wrong Stars. There's a little bit of light romance threaded into the larger plot, and one fade-to-black sex scene. It's definitely not the focus of the book. There is some violence, but nothing incredibly graphic. I would put it at about the same maturity level as Star Trek.

You can find all my reviews at Goddess in the Stacks.

I don't typically read thrillers, and I haven't read Jurassic Park because the movie gave young me nightmares for YEARS. (I haven't seen ANY of the sequels, it was that bad!) But this was billed as Jurassic Park but with DRAGONS. And dragon-themed ANYTHING gets my attention, so in the queue it went! And I am glad for it, because this book was awesome. From the first glimpse of dragons flying above the tourist area, to the moment when everything starts to go wrong, to racing through the pages to find out how our hero manages to survive, this book had me entranced. The action just careens through the swamps and mountains of the park, almost as out of control as the dragons CJ is running from. And while we know CJ has to survive, because she's the main character, she has a brother, a little girl she's taken under her protection, old colleagues, and countrymen that she could lose at any moment.

And the dragons. Oh my, the dragons. They come in three sizes - Princes, about the size of a small car, Kings, about city bus size, and Emperors. Emperors are the size of passenger jets. With creatures this size, the action is supersized, too! Picture dragons picking up garbage trucks and flinging them at buildings, and you've got the idea! These dragons are intelligent, too. They have a language, and can plan and set traps together. They are devious and DEADLY.

If the dragons weren't enough, the story is also set in China. China is known for squashing dissent, and it's no different with the zoo. No one outside the zoo knows about the dragons, and until they have things under control, and the zoo up and running, they can't let anyone know about it. Which means any witnesses to this dragon rebellion need to die, whether to the claws of the dragons or the bullets of the Chinese military.

The Great (Dragon) Zoo of China is one heck of a ride, and the action is amazing. I think this is one of my favorites of the year. It's also the fourth book on my Summer reading list.

You can find all my reviews at Goddess in the Stacks.

I have been eagerly awaiting this sequel to The Gentleman's Guide to Vice and Virtue, and it did not disappoint! In The Lady's Guide we continue the story of the Montague siblings, with the book opening on Felicity showing up at her brother's flat in London while she figures out how to get into medical school. I love the sibling relationship between these two, and Felicity's friendship with Monty's partner Percy. The three of them just make an amazing little group, so supportive and understanding of each other.

Felicity strongly hinted at being asexual in The Gentleman's Guide, and through the course of this book, that is cemented. Even when she comes to care for someone, sex just...isn't her thing. Romance isn't really either, making her both asexual and aromantic. It's fantastic representation for an identity we don't see very often in books. Or, perhaps, an identity we don't see explicitly mentioned in fiction. Many books don't have romantic plots and just don't investigate that aspect of their characters, but to investigate that aspect of a character and say NO, they are NOT interested in that is unique.

Similar to The Gentleman's Guide, this is an adventure story. Unexpectedly, we veered into magical realism in this book, with the existence of some fantastical creatures I wasn't expecting to see. Nothing about The Gentleman's Guide had implied that the world they inhabited was not exactly ours, but The Lady's Guide does deviate. So that was a big surprise, and I'm not sure I like it. It felt a little forced. I think the “secret” that someone was protecting could have been written as something real instead of a fantastic creature.

That minor quibble aside, I really loved this book, just like I did the first. These two are GREAT books, and the characters are outstanding.

You can find all my reviews at Goddess in the Stacks.

I'm starting to realize I might have a thing for lady necromancers. They're the right kind of dark, badass, I'm-going-to-do-the-right-thing-even-if-you-don't-understand-it amazing women that I love. From Tea in The Bone Witch trilogy to Odessa in Reign of the Fallen to Jetta in this book, these women are amazing. I have one more lady necromancer book out from the library right now, Give The Dark My Love, and I hope it lives up to the rest of these women!

So in For A Muse of Fire, we have Jetta, with amazing powers but also with what she refers to as her malheur - she's bipolar. She and her parents are traveling to another country to seek a cure for it, but in their journeys they wind up in the middle of a rebellion. Her powers let her see wandering spirits, bind them to physical objects, and command them. In this way, she's made shadow puppets that don't require strings or sticks, and her family has a small amount of fame as the best shadow puppeteers in the region.

We learn secrets about Jetta's family, ancestry, and just how far her powers can go, while she fights off army deserters, generals, smugglers, and ghosts. She imbues unexpected objects with unexpected spirits (one such instance being the best scene in the book, in my opinion).

I can't wait for the next book. Jetta is maturing into her powers and deciding what to do with them, and once she makes up her mind the world is going to shudder at her feet.

You can find all my reviews at Goddess in the Stacks.

This was a great little read. It only took me a couple of hours to read, and I identified with the main character SO HARD. Abby is also a plus size blogger, and while she blogs about fashion instead of books, and her hair is pink instead of purple, a lot of her insecurities about the way people see her (both online and off) are things I share. I even share her trepidation about learning to drive!

It's a clean romance; no one ever does more than make out. The book focuses far more on friendships than it does on sexual matters. The friendship between Abby and her female friends, between Abby and Jax, and between Abby and her girlfriend. I like that Abby had supportive female friends who didn't pull the “So are you attracted to me? You're not?! But why not?!” that so many people try to pull on their queer friends. I also loved how the author flipped the trope of “gay best friend” on its head, and gave us Jax, the straight boy/close friend.

The book is apparently pretty indicative of Amy Spalding's work, so I might have to look into more of her books. This was an absolute delight to read!

And I have to say how much I love this cover! From the stripey rainbow title font to the rainbow back cover, it's just gorgeous and summery and positive.

You can find all my reviews at Goddess in the Stacks.

I need to read more books about books, because the few that I've read, I've really enjoyed! Earlier this year I read Tolstoy and the Purple Chair: My Year of Magical Reading, and loved it. I have holds on [b:Voracious: A Hungry Reader Cooks Her Way through Great Books 23731856 Voracious A Hungry Reader Cooks Her Way through Great Books Cara Nicoletti https://images.gr-assets.com/books/1422811378s/23731856.jpg 43344004] and [b:The World Between Two Covers: Reading the Globe 23331535 The World Between Two Covers Reading the Globe Ann Morgan https://images.gr-assets.com/books/1413758451s/23331535.jpg 44200707]. (I also have a hold on [b:The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession 6251543 The Man Who Loved Books Too Much The True Story of a Thief, a Detective, and a World of Literary Obsession Allison Hoover Bartlett https://images.gr-assets.com/books/1326561008s/6251543.jpg 6434434], but I'm not sure that quite counts.) And, in looking up the links for those books, I just put holds on three more books about reading, since this is a genre I apparently enjoy!My Life with Bob is about the author's reading life. Bob is a notebook she uses to keep track of what she's read. Just title and author, and whether or not she's finished it. Very simple. But in looking back through what she's read, she recalls where she was, and what she was doing or going through at the time. So the real story is how her reading choices fit into her life, and how being a bookworm affected her life.I enjoyed the book, with the slight irritation (in the latter part of the book) of her insistence on calling Young Adult literature, Children's Lit. Children's books are picture books and books for young readers, not [b:The Fault in Our Stars 11870085 The Fault in Our Stars John Green https://images.gr-assets.com/books/1360206420s/11870085.jpg 16827462] and The Hunger Games. Those are Young Adult, and there's a pretty big difference in my opinion. Maybe not in the professional world; she is the editor of The New York Times Book Review. But it's frustrating to hear her talk about Kid Lit and lump Harry Potter in with a 36-page autobiography of a teddy bear written for kids under 10.I was also a little shocked to learn (in the book!) she wrote a book about how porn is destroying the American family, and testified before Congress about it, sponsored by Senators Orrin Hatch and Sam Brownback. I normally don't have a problem reading Republican authors - I often don't know the exact political leanings of authors - but I'm reading about her reading choices, and suddenly they are all suspect. (She disliked Ayn Rand, at least, so that's something.) The book was published in May of last year, so after the last presidential election. Anyone who acknowledges working with the GOP at this point, and isn't embarrassed by it, immediately gets a black mark in my book.So ultimately I'm torn on this book. I liked reading it. I dislike the author. (I will never even try to be non-political in my opinions. Sorry-not-sorry.)You can find all my reviews at Goddess in the Stacks.

This was a super-cute Young Adult Romance. I really enjoyed the change in formatting for the online conversations between Mink and Alex, and the explanation for why Bailey hadn't shared any identifying information online at all. That was pretty well done.

The book is a Young Adult take on the enemies-to-lovers trope, but it mostly avoided the “he picks on you because he likes you” line. The initial conflict between our two characters is really just due to misunderstandings, and the boy quickly apologizes. (With cookies!) I really enjoyed both of these characters, and I was definitely cheering for them as they revealed more of their histories and insecurities to each other.

I REALLY enjoyed their date to Monterey, California - they visited the Natural History Museum and the aquarium, both of which I have been to personally! I lived in Monterey many years ago, so it was neat to see them in a place I have personal memories of.

Overall, I thought this was an excellent young adult romance. There was some mention of sex, but nothing too graphic. I loved the setting; it brought me back to the Pacific Ocean, even if it was California beaches instead of the cold, rocky Pacific Northwest.

You can find all my reviews at Goddess in the Stacks.

This is another book off my Wronged Women list - women who have been part of the #metoo movement. Specifically the ones that have come out against Junot Diaz and Sherman Alexie, but I hope to expand it to others as well. Her Body and Other Parties is a collection of eight surreal stories. Magical Realism is probably the best categorization for them, as they're not really fantasy. Real World stories with a touch of magic, or events that we're not sure whether they could be magic or are just in the narrator's head.

The Husband Stitch is the first story, and it's a retelling of an old children's story that I recently saw being discussed on Twitter - the one with the woman who had a green ribbon tied around her neck. Her husband always wanted to ask about it, but she refused to answer any questions about it, and wouldn't let him touch it until she was on her deathbed. In Machado's version, it isn't just the narrator that has one. Every woman does. It's different colors, in different places, but it's still never talked about. I think she means it as a metaphor for trauma. It works well.

Eight Bites is a particularly haunting piece about self-hate, body acceptance, and peer pressure. It's probably my second favorite story after The Husband Stitch.

The only one I didn't love was Especially Heinous. It was written as episode synopses of a television show, and it was interesting, but it just went on too long.

All of the stories are written well, though, and each one makes a different point. I think this would make an amazing Book Club book, because I'd love to discuss the meanings of the stories with other people. Other women, specifically. It would definitely be a great book for discussion.

You can find all my reviews at Goddess in the Stacks.

It's not often that I like a relationship more than I like the separate parts of it, but that's the case with The Brilliant Death. I love Teo and Cielo together. As a couple they are amazing. I like them individually, but together they are something unique and lovely. By the end of the book, they can both switch genders at will, and they love each other for who they are, not what bodies they happen to be wearing.

This book plays with the gender binary, giving us two characters who dance from boy to girl and back again when it's convenient for them. Teo uses this ability to masquerade as her brother, going to the capital city when summoned by the ruler of her country after the assassination of her father.

If Teo's name and the use of the word “strega” hadn't given it away, the book is very Italian-inspired. The family ties, the landscape, the names, the atmosphere is unmistakably Italian. While that's still a Western European culture, it's not one we actually see in fantasy that often, which makes this book more enthralling.

While Teo juggles loyalties to family, country, and friends, Cielo is on a mission to find out what happened to their mother. Falling in love isn't in the plan for either of them, but when is it, really?

I loved the magic, the characters, and the setting of this one, and I really hope there's going to be a sequel. The plot was definitely left open enough to allow for one, though I could be happy with this as a standalone, too.

You can find all my reviews at Goddess in the Stacks.

I had previously read Uprooted, and adored it, so I was eager to get my hands on this book as soon as it came out. I was very excited to see it as a Book of the Month choice for July, and quickly made it my pick!

I received the book while I was at Anthrocon, so I didn't get a chance to sit down with it until the day after it officially released. I proceeded to read straight through the entire book because it was SO. GOOD. Novik writes absolutely ENTHRALLING fairy tales. And in Spinning Silver, she has written fae as beautiful, alien, capricious, and as absolutely bound by rules as they should be. Doing a thing three times, even by normal means, gives one the power to ACTUALLY do the thing; in Miryem's case, turning the Staryk's silver into gold (by creative buying and selling) means she gains the power to LITERALLY turn silver into gold. Which then gets her into the trouble the rest of the book is built on.

One of my favorite lines was very near the end of the book, about the Staryk palace:

“The Staryk didn't know anything of keeping records: I suppose it was only to be expected from people who didn't take on debts and were used to entire chambers wandering off and having to be called back like cats.”

My only real quibble with the book is that it shifts viewpoints between at least five characters, and doesn't start their sections with names or anything, so it takes a few sentences to figure out who's talking. It never takes too long, but it did occasionally make me go “Wait, who is this....ah, okay.”

The plotlines weave in and out of each other's way for most of the book before all colliding into each other at the end and showing how everything connects. I was definitely confused on occasion, but it was that enchanting Alice-in-Wonderland kind of confusion more than actual puzzlement. The book is, by turns, a mix of Rumpelstiltskin, Tam-Lin, Winter King vs Summer King, Snow Queen, and a little Hansel and Gretel. I love seeing elements of so many fairy tales woven together and yet still remaining recognizable.

And the ending! Oh, the ending was absolutely, marvelously perfect.

I loved this book, just as much as I loved Uprooted. I can't wait to see what fairy tales Novik spins next!

You can find all my reviews at Goddess in the Stacks.

Sky in the Deep came out in April to a LOT of hype. It's mostly deserved. The plot is a little odd; the two clans come together every five years to fight in a blood feud between their gods. But they only fight every five years in a designated place - if you really hated each other, why wouldn't you try to wipe out the other tribe all the time, instead of letting them rebuild their strength for five years? And then this third, mysterious tribe shows up and is enough for you to set aside all your anger at each other? I don't know. It's a little weird.

That oddness aside, I loved this story! I loved Eelyn's fierceness, and also her willingness to see the Riki as people too. Eventually, of course. In Eelyn we have the definition of a strong female character. (She's not the only one, either!) She is admired for her fierceness and strength, but not seen as any less female. Women are warriors in her culture too.

It's a pretty straightforward book, with a few graphic scenes of violence in the fights. Everything happened pretty much as I expected it to, but I still enjoyed seeing Eelyn grow and change throughout the book. It's also very atmospheric; I could almost hear the snow crunching beneath boots, the rushing roar of the mountain river, the quiet creaking of the frozen lake. Young's writing style pulls you right into the book and doesn't let you go.

Set aside your questions about the plot's logic and just enjoy this book. It's wonderful.

You can find all my reviews at Goddess in the Stacks.

I've seen the point brought up that so many fantasy protagonists have really neglectful parents. Who lets their kid be gone for an unknown amount of time doing something “important” that their kid refuses to tell them about because it's a “secret”? This book makes a point of how NOT neglectful Alice's mother is. The blurb calls her overprotective, but really it's just normal protective. Alice's mom just wants to know her daughter hasn't been shot by the police when she's gone for 24 hours and not answering her phone, that seems normal to me! I actually enjoyed how that was different than a lot of fantasy YA, even if it's really a small sideplot.

In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.

About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.

A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!

You can find all my reviews at Goddess in the Stacks.

The Empress is an excellent follow-up to The Diabolic; Tyrus and Nemesis have claimed the throne, but now they have to keep it. Due in part to ancient machines, that is harder than it sounds. Despite Nemesis' cold practicality, she is also somewhat idealistic. She picks freeing the servitors (slaves, basically) as her big goal for when she becomes Empress - with shocking results.

Tyrus' and Nemesis' combined goal is to bring science back to the people; in the first book we were introduced to the concept of ruined space - space that had been torn apart by hyperspace jumps and now consumes everything it touches. But since the Helionic religion had banned all science, no one knew how to do anything about it other than avoid it. Their solution is to go to the head of the religion itself and talk him into reversing that decree. In doing so, we learn a lot more about why the empire is floating out in space, and why the decree was given.

It's always hard to talk about middle books in trilogies without giving too much away about the first book, or the plot as a whole. So I'll just say that, like the first book, this kept me guessing, and the twists of the plot came as incredibly shocking surprises. S.J. Kincaid has an amazing ability with plot twists. And the end of this book - oh man. I do not want to believe that things truly are as bad as they seem. I want this to be a redemption story. But at the same time, things have been done that can't be undone.

If you read and liked The Diabolic, you should continue the trilogy with The Empress. However, while The Diabolic ends in a way that could leave it as a standalone, The Empress ends on a clear cliffhanger. The third book has neither a title nor a cover yet, but is supposed to release this fall? I'm guessing that will be delayed, which is bad, because I NEED IT.

You can find all my reviews at Goddess in the Stacks.

The Guns Above is what I'd call hard Steampunk. It's about the mechanics of the airship, and the strategies of war, far more than about the characters. There's little to no character development; Bernat, described as a “shameless flirt” in the cover blurb, really only flirts once, and that with Josette's mother.

I confess to being disappointed with this book. I was expecting something more character driven, and instead what I got was Steampunk military fiction. There was a LOT of violence, injury, and death, as you'd expect in a real war, especially a war fought with rifles and sabers and cavalry. With the exception of the airships, this is a close-combat kind of war. Rifles are a new-fangled innovation; most people are still using muskets and bayonets. Pistols are rare. Airships are the best technological advancement either side has made, and they're dependent on bladders of lighter-than-air gas and wooden frameworks. They're fragile enough a single cannon blast, if aimed right, can take out the entire contraption.

The cover blurb makes it sound as if there could be a romance between Josette and Bernat - nope. Not in the least. Bernat is conscripted by his uncle (the General) to find some dirt on Josette that will let the General demote her without incurring the wrath of the people who view her as a war hero. Bernat's entirely okay with doing this until some point in the  book where he changes his mind for no discernible reason. If he's decided that Josette is a worthy Captain, I wish that had made it onto the page as a motivation.

And WHY were they at war? Even the characters struggle to explain it. They're just perpetually at war for no good reason.

The action was good. The strategies were good. The characters and world-building fell very, very flat.

You can find all my reviews at Goddess in the Stacks.

This book was EXCELLENT. I read this last minute, because the author tweeted that it was free to read on an online platform through the end of the month. It is absolutely adorable.

Autoboyography is the the story of Sebastian and Tanner falling in love, told mostly from Tanner's point of view. He meets Sebastian in a class at school about writing a book, and the book we're reading is supposedly the result. Tanner is a half-Jewish, bisexual kid moved from California to Utah, because his mother got a job offer she couldn't refuse. He is surrounded by Mormons, whose religion doesn't allow homosexuality. And Sebastian is Mormon.

The book unpacks so much, from stereotypes of bisexuality (and I LOVED the recognition that there are bisexuals who won't be satisfied with one gender, and bisexuals who will, it's an individual thing just like sexuality) to religious upbringing and the constraints that brings when someone is different, to unrequited love from a best friend, to how you can inadvertently let your other relationships suffer when falling in love.

The adorably sweet romance was a wonderful escape from current events, even with the hostility aimed at LGBT people by some of the characters. It was wonderfully done; enough to affect the characters and the plot, but not enough to spoil the uplifting, otherwise sweet nature of the novel.

I was slightly disturbed by an incident between Tanner and his best friend, Autumn. While they both seemed to take it in stride and move past it, it was a pretty shitty move on Autumn's part, and could easily have gone very, VERY badly.

I really, really loved this book, and it's going on my Favorites of 2018 list. I might need to buy my own copy.

You can find all my reviews at Goddess in the Stacks.

This is the first book in a planned duology, and I NEED THE SECOND ONE RIGHT NOW. Zafira is a firecracker, and Nasir is a precious gumdrop, and Altair is a mystery, while I can't help but read Kifah as Valkyrie from Avengers. (Seriously, if this ever gets made into a movie and Tessa Thompson DOESN'T get cast as Kifah, I'll be upset.)

These characters, and this setting, and this worldbuilding, and this plot...Faizal has blown me away with this book. There are twists I saw coming, and some I did not, so I'm not going to go into much detail about the plot, but Zafira and a few other people are searching for a magical artifact to restore magic to their kingdom, after it was locked away many years ago. I don't remember exactly how long it's been; Zafira can't remember having magic, but she does mention at one point that her mother was a healer. So sometime during her mother's lifetime? The kingdom has been cursed in the absence of magic, different curses for the different districts, and the Arz is a magical forest encroaching on the borders. Almost no one who goes into the Arz ever comes out again, so it's incredibly dangerous for anyone who isn't Zafira. Zafira has the unique ability to always know which direction she needs to go to reach her goal, and it's this ability that brings her to the attention of the Silver Witch, who sets her on the path to find the artifact. The artifact is, of course, on the enchanted island that serves as a prison for all the magical objects and creatures, so Zafira and her companions face all kinds of unknown dangers.

I really enjoyed basically everything about this book. There was character development, a touch of romance, a team learning to work as a team, secrets, magic, ancient evils, trauma and emotional work...just a lot. (Also enemies-to-lovers, if you're into that.) It is a brilliant epic fantasy, and I cannot WAIT for the second book. I need to know what happens! (It doesn't end on a cliffhanger, exactly, but things are definitely NOT. RESOLVED.)

You can find all my reviews and more at Goddess in the Stacks.

I almost bailed on this book. It's not bad, exactly, it's just - mediocre. Mia discovers that she is the thing she's been taught to hate, discovers that maybe they're not all bad, that what she's been taught is probably wrong, but, y'know, maybe not entirely wrong - it's just one trope after another. It was rather predictable.

And there's this problem with the world. If every woman is suspected of being a witch, (sorry, Gwyrach) and they work their magic through touch - how is anyone having kids? Sure, women are required to wear gloves in public, but - the touch-magic doesn't keep men from abusing women. Not like in The Power, where men start getting actually scared to touch women for fear of what could happen.

The only character in this book that I actually LIKED was Prince Quin. And maybe Dom, the flirtatious gay boy. Mia was rather thoroughly unlikable. First she blindly accepts that she should hate and kill Gwyrach, then is appalled to find out she (and her mother) are/were Gwyrach, and refuses to accept that because of course she can't possibly be one of those reviled women. She refuses to take Quin into her confidence, despite him showing blind trust in her for most of the book. What does he have to do to prove himself to you, woman?

I've read much better feminist dystopias. This is oppressed-women-finding-their-hidden-powers-and-fighting-back clothed in a fantasy instead of a dystopia, and it's not nearly as good as it could be. Despite ending on a cliffhanger, I don't care enough about these characters to read the next book.

You can find all my reviews at Goddess in the Stacks.