Crystallinegirl

Christie Golden has written several World of Warcraft novels by now, including my favorite, Tides of War, about my lady Jaina Proudmoore. (I should mention my main is a human mage, so I am obviously biased toward the Alliance, and Jaina is my girl.) So when I heard she was writing the newest one, I was quite excited. Before the Storm was released in June, as part of the lead-up to the newest expansion of World of Warcraft, which drops in mid-August. It covers events that happen after the storyline of the current expansion, but before the storyline picks up in the next. There is not, however, much of an introduction, so if you're not familiar with the video game, this book will lose you pretty much immediately.

Anduin became the King of Stormwind in the beginning of the last expansion, when his father died fighting the Legion. (RIP, Varian, you were pretty awesome.) As prince, Anduin often advocated for peace, often sneaking around and finding backchannels to communicate with like-minded people among The Horde, most notably Baine Bloodhoof, the high chieftain of the Tauren. As King, he's continued to advocate for peace, but a bit more openly. Unfortunately, the leader of the Horde doesn't necessarily feel the same way.

I loved Anduin's scheme to foster understanding between the Forsaken and humans. I especially loved that it included Old Emma, who has been wandering around Stormwind in game for years. That's actually something I love about the novels in general; often they'll take those small, flavorful NPCs and actually give us the backstory, or use them in some new manner.

I also really loved the Goblin/Gnome pair who were tinkering with the Azerite, and I'm a little upset at the cliffhanger we left on in regards to them! Hopefully that will be resolved in the game itself.

I thought it interesting that the book still showed the priests working together as one, and the shamans and druids doing similarly. The shamans and druids have always done that to a point; not every shaman was part of the Earthen Ring, but the druids have always worked together regardless of faction. But if the classes are still being cohesive, why are the factions fighting? That's 3 out of 12 classes still working cross-faction. Mages, also, have a strong cross-faction tradition. If a quarter to a third of the populace are working together, why are we still fighting? I suppose it's probably technically smaller than a quarter; civilians and NPC soldiers don't have classes, so they probably outnumber those with them. So perhaps it's still a small minority, despite what we see as players. Sylvanus goading her own people doesn't exactly help.

Anyway. I loved this book, I thought it set us up for Battle For Azeroth quite nicely, I'm eager to see what a certain surprising character from the book ultimately does, and I'm looking forward to release day!

You can find all my reviews at Goddess in the Stacks.

So, as a general rule, I don't read zombie stories. Zombies are the one monster that will almost invariably give me nightmares. This book, however, had such hype built up around it that I decided to bend my rule.

I should not have.

Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of “civilizing” them) as “well-meaning.” The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.

There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.

I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.

I guess it's okay. I didn't care for it. I found it really hard to get past the author's “well-meaning” comment about the Native American boarding schools. And the plot of “as soon as they're old enough, black children get sent to combat schools.” Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.

One good point was the oh-so-casual mention of bisexuality (a female friend taught her “everything she knows about kissing”) but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.

You can find all my reviews at Goddess in the Stacks.

First off, once again this is an older book that uses the term Asperger's throughout. The book was originally published in 1999, but a few more chapters were added and it was republished in 2014. (I read the updated version.)

Honestly I found it a little hard to get through. Unlike Nerdy, Shy, and Socially Inappropriate, (which I reviewed here) it was pretty much entirely memoir, and didn't really speak to the reader as if trying to have a conversation at all. It just told Willey's story. Which is fine, it just wasn't what I was expecting after reading Nerdy. The appendices are the only place that have tips and tricks for dealing with the neurotypical world as an autistic person, but there wasn't really anything new or unique there.

I also just don't think I like her writing style as much as I did the writing style in Nerdy, but that's such a personal thing. It's hard to make a recommendation based on that. Autistic people vary so widely in where their strengths and weaknesses are that it's difficult to say which books will be useful to which people, in general.

So - it's worth reading for yet another viewpoint on being autistic, and there are several parts on parenting as an autistic woman, so autistic parents might get more use out of the book than I did, as a childless spouse of an autistic man. But I personally did not like it nearly as much as Nerdy or The Journal of Best Practices (Reviewed here).

You can find all my reviews at Goddess in the Stacks.

I've been reading a lot of fiction lately, so it's about time to sprinkle in a nonfiction volume! As soon as I learned this book existed, I knew I needed to get my hands on it. I've been living with two autoimmune disease most of my adult life, and in the past three or four years their impact on my life has grown quite a lot. I struggle with fatigue, with my weight, with muscle pain, with migraines, with intestinal issues if I eat the wrong thing. Some days it's just hard to function like a normal person when my brain is full of fog and every movement hurts. So this book? This is my life.

The author of this book did a LOT of research. She's not only disabled herself, but she interviewed SO MANY PEOPLE, with all kinds of different disabilities, diseases, and experiences. Mostly patients, but she also interviewed a few doctors.

The book is divided into six chapters: “Could Someone Love This Body of Mine,” “The (Foggy) Glass Ceiling and the Wall,” “It's Cool Guys I'm Totally Fine,” “Why Don't They Believe Me? or the Case of the Lady Lab Rat,” “To Raise Small Humans - Or Not,” and “Sick Like Miss America.” I really enjoyed her divisions here. The first chapter is about romantic relationships, the second about work, the third about friendships. “Why Don't They Believe Me” covers women's relationships with their doctors, the next chapter is obviously about fertility and parenting, and the last chapter is about society's expectations of beauty and how to be sick.

“Could Someone Love This Body of Mine” touched on some of my personal insecurities, as one of my autoimmune diseases leaves pretty ugly scar tissue on my skin. It talks about how men tend to leave women with disabilities or chronic illness, but women don't. (The book has extensive footnotes detailing sources and studies to back up claims like this one.)

I think the only chapter in this book that I didn't really directly relate to was about raising children. I was child-free before being diagnosed, and it hasn't changed my mind. We don't want kids.

If you or someone you know has a chronic illness, I'd recommend reading this book. There's valuable information and insight here, even if all you get out of it is “I'm not alone in this!”

Now I'm off to take a nap.

You can find all my reviews at Goddess in the Stacks.

I'd seen several glowing reviews of this book, but I was always put off by descriptions of events that happened millennia apart from each other “intersecting” and affecting each other. Like, no. The past can affect the future, but the future can't change the past. That appears, however, to just be a problem in the synopsis of the book and not the book itself. At least in this, the opening volume of the trilogy, the future does not change the past. The book alternates between the two women, Rielle in the past and Eliana in the future. Each chapter flips back and forth. I was much more intrigued by Rielle's chapters, but that could be because there was a lot more magic in Rielle's time.

The magic system is really interesting! I love that through Rielle's trials we learn so much about the magic system, each school and guiding saint and prayers. It's really fleshed out and I enjoyed that.

The “shocking connections” aren't shocking, they're predictable. But the book was no less fantastic for it. I really think the synopsis is where the problems lie. The first couple chapters pretty much reveal all the surprises the description hints at, and the book details how we got to that point. (Mostly, anyway!) It was great, don't get me wrong, but the description of the book feels a little misleading.

The GLBT content in the book is only about two sentences, but it was a surprise and made me grin.

I really enjoyed this book. I'm looking forward to the rest of the trilogy to discover the rest of Rielle's story and what Eliana is going to do about it.

You can find all my reviews at Goddess in the Stacks.

This book was great! This is the concluding volume of the Rebel of the Sands trilogy, and it wrapped things up perfectly. I especially liked how she handled character deaths; each one got a short little chapter told in a legendary story kind of way, switching to a third person narrator instead of the first person viewpoint of Amani. The last chapter, telling us what came after the events of the book, was told in the same manner, and I really liked how it tied the book together.

There's so little I can say about this book without spoiling the previous two! We learn even more about the Djinni in this book, and some of the creation myths of Amani's people. We get a little more into the politics of other countries, and even a bit of their magic. And ohhhh there are stories to be told there, if Hamilton wants to continue in this world. I'd love to see a prequel based on Sam, and his country could do an entire sequel trilogy!

I think one of my favorite scenes was Amani using her control of sand to sail their ship across the desert. It's just an amazing visual.

This was one of the best concluding books to a trilogy that I have read in a long time. Fantastic book.

You can find all my reviews at Goddess in the Stacks.

I received The Bride Test on Saturday, a few days before today's release date, through Book of the Month. I've been really excited about this one, because it's another adult romance with an autistic main character, like the first book, The Kiss Quotient. (The author is also autistic.) There's actually a lot of #ownvoices representation here; Hoang has an author's note at the end talking about how much of Esme's personality and struggles are based on her own mother, who immigrated from Vietnam as a refugee at the end of the Vietnam war. I love that in writing the book, Hoang grew closer to her mother as she learned about her history. Definitely don't miss the author's note at the end of this book, if you read it!

I have mixed feelings about this one, but unfortunately the part I really have mixed feelings about is very spoilery, so I can't talk about it without ruining major plot points! Overall, I did really like the book, and Khai showed a lot of the same traits my husband does. The first book's autistic character is female, so it was nice to see a character so similar to my husband this time. The characters from The Kiss Quotient do make a token appearance in The Bride Test, and I'm hoping Hoang will finally write Quan's story next! There is an untitled third book in the series due out in 2020, so I'm crossing fingers for Quan!

I absolutely adored Esme in this book. She is hardworking and strong-willed, and knows what she's worth. I wish she'd been a little more honest with Khai, but I can understand being too afraid to be fully honest with someone who could have such control over your future. I did really enjoy this sequel, and I can't wait to hear what the plot will be for the third book.

You can find all my reviews at Goddess in the Stacks.

Let's head into Christmas with something out of the ordinary, shall we? This was one heck of a dark fairytale, set in West Virginia, in a town where everyone knows everyone and the head of police is in cahoots with the local crime lord.

The story opens on Christmas Eve with Jesse Walker, failed husband and father, depressed, alone, and contemplating suicide, until he sees Santa Claus attacked and fleeing into the sky, leaving behind his magic sack. What he doesn't know is that Santa's attackers are mostly after the magic sack, and what he thinks is his salvation turns out to be what traps him into everything that follows.

And what follows is a thrillride! Jesse is roped into being one of Krampus' servants, along with his belsnickels, people Krampus has lent a portion of his magic to. The magic twists them into fur-covered monsters, but also grants them healing and near-immortality.

Between trying to rekindle the lost traditions of Yule and hunting down Santa Claus to end him for good, Jesse also struggles to save his wife and daughter from the possibly-murderous cop they're living with.

By the end of the book I wasn't sure who to cheer for, other than Jesse and one of the belsnickels, Isabel. But Krampus? He might be right, but is he good? I'm not sure. Similarly, except for his millennia-past misdeeds, Santa is good NOW. But I'm not sure he's right. In an ideal world, the two of them could come to some compromise and apologize to each other, but this is a dark fairytale, so of course that's not the case!

I enjoyed this book, even if there wasn't a lot of happiness in it. It definitely embodies the Appalachia Gothic idea.

You can find all my reviews at Goddess in the Stacks.

This was one of three books I got through Book of the Month this month - the other two were The Book of Essie (Review here) and When Katie Met Cassidy. (Review posted soon!) I'm reviewing this today instead of another Pride Month read because today, June 18th, is Autistic Pride Day! The Kiss Quotient both stars and is written by a woman on the autistic spectrum, so I thought today would be a fitting day to tell you about it!

So The Kiss Quotient is basically a gender-swapped Pretty Woman, as Hoang mentions in the Author's Note. Our heroine, Stella Lane, books an escort to teach her about sex. Stella is thirty years old, has only had sex a couple of times, never enjoyed it, and is worried about not being good at it and therefore not being able to get or keep a boyfriend. She's an incredibly successful econometrician, or someone who uses data and statistics to model and predict economic trends, in her case predicting what people will want to buy from clients. (She's the kind of person responsible for those “Amazon started marketing baby products to me before I even knew I was pregnant!” incidents.) So she has more money than she knows what to do with, and offers Michael, an escort, $50,000 a month to teach her about sex and relationships.

Because this is a romance, we know what's going to happen here. They fall in love with each other, but are sure that for the other one it's just a business arrangement.

I was NOT expecting this book to be as explicit as it is! I think because it is a Book of the Month, I wasn't expecting the standard trope of romance book with hot sex scenes. But that's what I got! I can't say I'm unhappy with that - god knows I like my guilty pleasure romance smut - but it was definitely unexpected. I'm not sure why it surprised me. The book's premise is all about Stella wanting to learn about sex; if that wasn't conducted on screen we'd lose a third of the book!

A sequel has already been announced, and it's about the other autistic character in the book, the hero's best friend's little brother, Khai, who we only see in one scene. Who I'd also like to know more about is the best friend, Quan! So I'm holding out hope for a third book.

One last thing that I found important - in the Author's Note, Hoang mentions her daughter was diagnosed with AS, and in reading about Autism, she realized she is also on the spectrum. This is something I've seen in three different books now. It's so common for women, especially, to go undiagnosed. They might be better at modelling allistic (non-autistic) behavior, or their special interests might be more “acceptable” to allistics, or sometimes they just get looked at as introverts when they're young instead of getting the help they might need. This is starting to change, as researchers and doctors are realizing Autism presents differently in women. But it seems autistic adult women are often discovering they're autistic through a diagnosis of their children. I found that interesting.

I did really enjoy this book. I think it's a great debut novel, and a great romance. I really like the recent trend of more diversity in lead characters in romance novels. Bring on the people of color! More disabled main characters! There's got to be a romance somewhere with a deaf heroine, right? More alternative sexualities and relationship structures! Everyone, everywhere, wants to be loved, and I want to read about it. The thing is, I'm sure these books exist, but they don't get the kind of publicity they need for people to know about them. We have to actually go looking for them. I feel like I've been better about that recently, but it's definitely a place where the publication industry could improve.

You can find all my reviews at Goddess in the Stacks.

This was one of my Book of the Month picks this month, so I got it a little early. It's a very quick read, and a sweet story. Basically, it's lesbian romance fluff. We need more fluff with non-heterosexual romances, so this is great stuff!

The book touches on gender issues - Cassidy is a woman, and seems happy to be so, but abhors feminine clothing and instead dresses solely in men's suits. (The scene with her fabulously gay tailor was an absolute delight!) She flashes back a little onto her childhood when she wasn't allowed to wear the clothing she felt best in. She also has a few conversations with Katie about gender roles. Katie is much more traditionally feminine, wearing dresses and heels and long hair.

I'm a little torn on whether I dislike the use of the trope “straight woman turned gay after breakup” or like the point that Katie isn't sure she likes women, but she knows she likes Cassidy. Cassidy's gender is secondary to her personality. And it's not like Katie decided to go hit on women after her fiance cheated on her; she got practically dragged to the lesbian bar by Cassidy, who saw how much she was hurting and decided to help her.

I enjoyed seeing that Cassidy has casual sex partners, many of them former sex partners, who are still good friends with her. Granted, she has lots of one-night stands who are upset with her since she's quite the player, but there are several women who she's been involved with before the book opens, who are close friends of hers and care about her future. I wish we saw more relationships like this in heterosexual romantic fiction instead of only in GLBT fiction! These kinds of relationships do exist in heterosexual groups, but it seems like romantic fiction is always divided between “heterosexual monogamy” and “everything else.” I did read an exception in Next Year, For Sure, but I greatly disliked the ending.

I really loved this book. It was sweet, and light-hearted, and a pleasant breath of fresh air from a lot of what I've been reading recently!

You can find all my reviews at Goddess in the Stacks.

It's so hard to decide where to start with this book. First: it's amazing. Second: Content Warning. For a number of reasons. Rape. Incest. Gay Conversion Therapy. Suicide. Nothing extremely graphic; the most graphic concerns the conversion therapy, which is where the suicide occurs. That section was hard to read. A lot of sections were hard to read. But the book was SO GOOD. It's about Essie and Roarke's escape from all that, so ultimately it focuses on the future, and it's a hopeful, light-at-the-end-of-the-tunnel kind of book. But daaaaang these topics.

I loved so many of the characters here. Essie and Roarke, Roarke's best friend Blake, Liberty, the reporter, her boyfriend and her camerawoman. They're all amazing. Essie's determination, Roarke's courage, Blake's understanding - every character has something to offer in this book. The way Liberty's history entwines with Essie's, so she knows where she's coming from and can offer advice from experience, and how Liberty flashes back to her childhood so the reader understands her conflicts - it's all just so amazing.

I identify pretty closely with a lot of this book myself; I was raised very conservative Christian, though at least not in a crazy cult like Liberty was. But the way Liberty talks about her boyfriend challenging her beliefs and waking her up from them hit very close to home. It was weird to see it on the page.

“I had been home as well, a painful few months during which I began to see my parents, our family, and our church as Mike might see them, as anyone who was not us would see them. I still loved my parents, very much, but I was also deeply ashamed. I began to wonder what would have happened if I'd seen it earlier....I decided that I would not go home again.”

I was cheering for Essie as she broke free of her bigoted family. Every step of the way. And Roarke - oh, Roarke, who my heart broke for, who stepped up to the plate and loved Essie in his own way, and gave Essie what she needed. It helped that Essie offered him precisely what he needed too, but I didn't expect how their relationship evolved.

I loved this book, start to finish. This is definitely one of my favorites of 2018.

You can find all my reviews at Goddess in the Stacks.

I hadn't actually intended this to be one of my Pride Month reads, but Mel, the main character's best friend and business partner, is lesbian, so it turns out that it counts! I read this book as part of Litsy's “Buddy Reads” program, where everyone participating reads the same section of the book and discusses it before moving on to the next section. So I've been slowly reading this one over the past month. I'm not sure I would have read this if not for the Buddy Read.

This book surprised me! I enjoyed it, and I wasn't sure I would. Mel and Sharon have been friends since college, spurring each other to greater artistry in their chosen field of adult cartooning. (Not porn, just not childish themes.) They work well together, with Mel coming up with most of the beginning ideas and Sharon hammering them into a shape that will work and keeping them on track through projects. But Mel has a drug and alcohol problem, and Sharon has a stroke, and working through all of those things are really what the book deals with.

The two go back to visit Sharon's hometown in Kentucky at one point, and the way Sharon describes the town, and how surreal it is and how she never felt like she belonged, even when she lived there - that was a really hard-hitting passage for me. I went back to my own hometown last Christmas, and I felt the same feelings Sharon has in the book. Seeing those feelings actually put into words was....strange.

I honestly didn't like either Mel or Sharon for the first few chapters, but as the story unfolds, they begin to open up. The book is about growing up in some ways; the two of them, though advancing in their careers, haven't had to do a lot of maturing emotionally until the events of the book. I thought they both become much more likable as that happened.

The writing was excellent in this book, the character development outstanding, and the plot heartbreaking in places. Even though it's not my typical reading fare, I really liked it.

You can find all my reviews at Goddess in the Stacks.

Claire's an obsessed jerk. Let me just get that out ahead of everything else. Claire is one of two viewpoints in this book, and I won't even call her a protagonist, because Forest, the male viewpoint character, is FAR more sympathetic. Yeah, he's a touch homophobic at the beginning of the book, but he learns. Claire, on the other hand, has one goal that she's obsessed with and Will. Not. Let. It. Go. Single-minded determination can be a great thing, but Claire doesn't see or understand the harm she's doing in pursuing her goal. The few times she does see, she doesn't seem to care. Sure, she's sixteen, but holy crap, girl. Maybe, when people tell you a thing can't happen, you should stop and ask them why instead of stubbornly insisting it CAN happen if only they'll let it.

Let me back up slightly. Claire is a superfan of a show called Demon Heart. In the show, a demon hunter and a demon-with-a-heart play off each other in what the fans see as a romantic manner. This comes as a huge surprise to at least one of the stars of the show, Forest Reed, who plays the demon hunter. Forest has a rather disastrous interaction with Claire at a Q&A (he's an asshole about her question, which is about the two characters being gay) and the show decides, in order to salvage things, to have Claire travel with them to the next few public appearances, since she's a big name in the fandom. Forest sees this as a job he has to put up with for a paycheck. Claire sees this as a chance to make her ship real, and goes to - well - ridiculous lengths to convince the showrunners and stars.

Ultimately, Claire is right that representation is incredibly important. And she's probably even right that showrunners and stars should take risks with their careers to bring that representation to screen. But she's such an asshole about it that I can't even cheer her on. She's even kind of a jerk to Tess, the cute fanartist she meets at the first convention (and keeps running into at the ensuing cons).

Claire aside, I actually enjoyed the book. There were a couple of twists at the end that I very much enjoyed.

One bit I did NOT enjoy was Tess identifying as pan “because bi means two.” That definition of bisexual - that it's binary, only attracted to men and women - is biphobic and has NEVER been true. Bisexual means attracted to your own gender and others. That first definition tries to make bisexuals seem transphobic, and I'm frustrated that it persists. So it's disappointing to see the statement made in the book go unchallenged.

There's also an anxiety-inducing scene late in the book that I can't say much about because it's a major plot twist, but if you have issues with intimidating men, maayyyybe skip this one.

There is quite a bit of representation in the book, between Tess, the pansexual black girl, Claire, a questioning/queer white girl, and Forest, who is definitely questioning his sexuality, and learning about gender and sexuality representation issues from Claire. Oh, also Caty, a studio assistant, who is bisexual. (But who clarifies, unnecessarily, that she's attracted to boys and girls.)

So I'm quite torn on this book. I liked it, but it has issues.

You can find all my reviews and more at Goddess in the Stacks.

As I mentioned on Friday, this book is the prequel to Of Fire and Stars, so I read it first, even though it was published second. I prefer to read in chronological order when I can.

Inkmistress follows Asra, a demigod of unknown parentage, as she first follows and then is chased by her lover-turned-dragon who is intent on vengeance for the destruction of her village. Her lover, Ina, is convinced it is the King's fault that the village was destroyed, as he's been letting bandits roam over the outer reaches of his kingdom unchecked. So after taking on the form of a dragon, she's off to kill him to avenge her family. Asra is trying to talk Ina out of it, and chases her across the country, from their remote mountain to the inner forests and cities.

I really love Asra. Ina's kind of a bitch, but Asra is loving and funny and just an awesome person, fighting to protect herself and those she loves, even as those she loves evolve and change past what she can hold onto. Her magic takes a terrible price if she uses it, both on her and on the rest of the world. She has to wrestle with so many unknowns - her parentage, her magic, the world off her mountain, politics, other demigods - and somehow she manages to land on her feet. (Though not without help!)

The romance is sweet, and I love the emphasis on chosen families. Both Asra and Ina appear to be bisexual, which also doesn't appear to be unusual in this world. Reviews of Of Fire and Stars complain about the lack of worldbuilding, which is NOT a problem in this book. Perhaps I'll have an easier time having read this book first; which is a bit of a problem - you shouldn't have to read a prequel to understand the setting of the first book in a series! It does make me glad I'm reading them in this order, though.

I really loved this book. The urgency of the chase really came through in the story - Asra had to get to certain places and get certain things done before certain times, and obstacles thrown in her way made you worry she wouldn't get things done in time. It was well-written, with good character development of Asra, at least, and great world-building.

You can find all my reviews at Goddess in the Stacks.

This is the sequel to The Girl with the Red Balloon - though chronologically, it actually takes place first. Since it mostly deals with different characters in related but different events, though, it doesn't really read like a prequel. Really the only bad thing I have to say is that it didn't answer the question of what happened at the end of Girl with the Red Balloon, and to be honest, I don't actually mind. Spy could be read as a completely standalone book and be just as satisfying. There's very little overlap between the two books, even though they deal with similar themes, in the same world.

I personally think SPY is better than GIRL, but I find that a lot with second books. I think authors tend to have a little more confidence by the second book; they know a little more about their world. They've gotten feedback from readers about what worked and what didn't in the first book, and can somewhat adjust course based on that if they're good. And Locke is excellent. I really liked GIRL, don't get me wrong, but I LOVED SPY. The characters were fantastic, and the way she addressed Wolf's demisexuality was perfect.

The book is set in a time when being gay was straight-up illegal, and one of Wolf's fellow spies asks him about it because it was apparently in his file. He tells her there's no evidence of that because he doesn't feel that way about ANYONE. (He's lying, but we'll get to that.) He can appreciate when people are attractive, but he doesn't feel desire that way - except for one person. One person, who he'd known for years and been best friends with before those feelings showed themselves. They'd never acted on it, which is why there's no evidence of it. Demisexual is on the asexual spectrum, and as such it varies wildly in terms of how sexual a person is, but Wolf's demisexuality is the closest I've seen in fiction to my own, so it's really special to me.

Veering away from representation specific to me, SPY, like GIRL, stars Jewish people at its heart. This time we have a pair of Jewish siblings from America, each fighting in WW II in their own way. Ilse with her brain, helping develop magic for the US, and Wolf more directly, sneaking around Germany and disrupting their forces. GIRL dealt more with the oppressed German Jews, while SPY shows us the other side - the Jews who are fighting back for their kin, even though they could stay in the US and be safe.

Both books are excellent reads. I've had the fortune to interact with Katherine Locke on Twitter quite a lot, and at this point I will pretty much read anything she publishes. I love her characters and her plotlines and the obvious care she takes with the representation. Fantastic book.

You can find all my reviews at Goddess in the Stacks.

I have no explanation for why young adult story anthologies are SO. GOOD. But they are. This particular one revolves around queer teens in historical times. That's about the only commonality; the genres vary from normal fiction to fantasy to magical realism. There are gay, lesbian, transgender, and asexual teens represented. I am a little annoyed that there don't seem to be any bisexual teens in the anthology; it could be argued that at least one if not more are bi simply because they had opposite-sex relationships before the same-sex romance in the story, but that's also common before realizing your sexuality/coming out. No one is explicitly bisexual in this book. There were also two transmen but no transwomen.

There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.

The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.

It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the “queer” label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.

You can find all my reviews at Goddess in the Stacks.

Red Clocks first caught my attention because it's set in a small fishing town in Oregon, my home state. After that, learning that it's a dystopia where abortion and in vitro fertilization have both been banned outright meant I HAD to read it. Of course, I got it from the library some weeks ago and had so many other books to read that I didn't get to it until the day it was due back to the library! Luckily, I read fast!

I think the cover description oversells the book a little. I wouldn't call Gin's trial “frenzied” nor the drama exactly “riveting” but it did keep my attention throughout the book. I really enjoyed the relationships between the characters, and the point that none of them really know what is going on in each other's personal lives. One moment I particularly liked is slightly spoilery, but I loved how Ro was able to put her personal feelings aside to help Mattie, her student. That was really, really hard for her, but she recognized how much damage it would do to Mattie to not help her.

I think I found Gin the most interesting - given all the reading I've been doing lately about autism, her entire personality screams autism to me, but she was never labeled as autistic. So I'm marking her as a possibly autistic character. (I'd love if any of my autistic readers could weigh in on that, if you've read the book!) Between preferring to live in the woods with animals and NOT around people, specifically, and the way she reacts to the textures and smells in the jail when she's arrested (shoving the bleach-scented blankets as far away in the cell as possible, and refusing to eat the food), and how she stumbles over her answers in the courtroom when she's interrogated - it seems likely.

My only actual complaint about this book had nothing to do with the writing or plot! But it refers to the ghost pepper as “the hottest pepper known to man” which the Carolina Reaper growing in my backyard would have an issue with!

Other than that very minor quibble, I thought this dystopia was pretty good. I'm always interested in Reproductive Rights-related dystopias. This isn't as good as The Handmaid's Tale, but it's MILES better than Future Home of the Living God. It's good at showing the lengths women will go to, to ensure their own reproductive freedom. Outlawing abortion doesn't eliminate abortion. It just makes it less safe.

You can find all my reviews at Goddess in the Stacks.

As part of Pride Month, I'm spotlighting books by or about GLBTQIA+ people. Ellen is one of the most prominent lesbians here in the US, between coming out on a sitcom, having her own daytime talk show, and her judging stint on American Idol. This is her third book, but the first one I've read. If the other two are like this one, I need to read them!

Seriously...I'm Kidding is a really funny book. It reads a little bit like an ADHD squirrel, but that's part of its charm. I read the print version, but this is one book I might have to get the audio version of, mostly because of the one chapter she wrote specifically for the audio version:

“Anyway, since you have the benefit of being able to hear this, I thought I would include some bonus material of me making strange noises. For those of you who are reading this the old-fashioned way and can't hear me, I've printed the noises below and I encourage you to use your imagination to think of what they might sound like coming out of my mouth.

Meeeeee
Faaaaaa
Cooooo
Gooooood Morning
Bowwwww
Babowwwww
Yelowwwww
(more strange noises listed)”

The book covers a lot of ground, from producing her show to judging on American Idol to coming out as lesbian to hosting dinner parties. It also varies wildly chapter to chapter, from brief short stories (less than a page) to haiku, to coloring book pages of odd things like toasters, to prose, wandering chapters that are an interesting look at Ellen's thought process.

I really enjoyed this book, and it's definitely worth reading because it's just FUN.

You can find all my reviews at Goddess in the Stacks.

This was a wonderfully surreal collection of short stories and comics in various styles. All of the stories revolve around relationships, though not all are of the romantic kind. Audrey Niffenegger is the author of The Time Traveler's Wife, which I read several years ago and really enjoyed. After reading the descriptions of her other books, and how much I enjoyed this one, I need to read those, too!

Bizarre Romance is hard to review partly because it is so weird. There are thirteen stories here - 7 comics and 6 short prose stories. Even the prose stories have illustrations scattered throughout them, mostly in slightly sketch-like style which lends itself well to the surreal nature of the subjects. I think my favorite is the guy who makes his fiance agree to leave him in the house alone, every Thursday night from 6pm to 8pm, before he'll marry her. She's okay with this at first, but eventually hires private investigators to find out what he's doing on Thursday nights because she can't stand not knowing. I won't spoil the surprise, but I loved it. I also enjoyed “The Composite Boyfriend” which is written about a woman's exes as if they were all the same person.

“I met him at the Isabella Stewart Gardner Museum in Boston, where he worked as a guard. I met him in a class I was taking. I met him at a school where we both taught. I met him at a party; we smiled at each other across a crowded room. We were introduced to each other by our mutual friend Paula, an Austrian immigrant who had escaped from the Nazis as a young girl.”

This is a really neat, beautiful little collection that explores different relationships, from father-daughter, to spouses, to exes, to female friendships. It's a quick read, and I really enjoyed it.

You can find all my reviews at Goddess in the Stacks.

Oh this was AWESOME. With the exception of the main character's name (Cole Brannigan) making me think of Zapp Brannigan from Futurama ALL THE TIME, this was a great read. The book is actually set in the near future of Earth - sometime after “E-Day” which they never actually said what the “E” stood for, but maybe Emergence Day? Because that was the day the dragons burrowed up from the earth and started destroying everything. (They referred to a song popular in the 80s as “ancient music”!) There's some new technology - androids are getting popular, robot dogs are common, and the Smoke Eaters have laser swords and laser cannons for taking down dragons. But firefighting is still mostly the same.

Not-Zapp Brannigan is about to retire when his (regular) fire fighting team unexpectedly encounters a dragon. Normally, normal fire fighters don't go in until the Smoke Eaters have taken out the dragon, but they didn't realize there was a dragon here until far too late. During the fight, Brannigan loses his oxygen mask and discovers he can breathe in the thick smoke and be fine. He's a literal Smoke Eater. When the actual Smoke Eaters arrive and discover him, he's shanghaied into joining up.

The book covers Brannigan's Smoke Eater training, what little of it he gets, and the trouble he gets into being on the Mayor's bad side. We get to see several different types of dragons, and also see how the experience of many years of fighting normal fires helps with dragon-fighting strategy. There's some theories on the dragons - where they came from, how they reproduce, how best to fight them.

Most of the book takes place in Ohio, but they take a jaunt to Canada and - well Canada's gone VERY WEIRD.

This book was great, and a fun ride start to finish. I hope he writes more in this world, though the book is a perfectly fine standalone.

You can find all my reviews at Goddess in the Stacks.

First off, once again this is an older book that uses the term Asperger's throughout. The book was originally published in 1999, but a few more chapters were added and it was republished in 2014. (I read the updated version.)

Honestly I found it a little hard to get through. Unlike Nerdy, Shy, and Socially Inappropriate, (which I reviewed here) it was pretty much entirely memoir, and didn't really speak to the reader as if trying to have a conversation at all. It just told Willey's story. Which is fine, it just wasn't what I was expecting after reading Nerdy. The appendices are the only place that have tips and tricks for dealing with the neurotypical world as an autistic person, but there wasn't really anything new or unique there.

I also just don't think I like her writing style as much as I did the writing style in Nerdy, but that's such a personal thing. It's hard to make a recommendation based on that. Autistic people vary so widely in where their strengths and weaknesses are that it's difficult to say which books will be useful to which people, in general.

So - it's worth reading for yet another viewpoint on being autistic, and there are several parts on parenting as an autistic woman, so autistic parents might get more use out of the book than I did, as a childless spouse of an autistic man. But I personally did not like it nearly as much as Nerdy or The Journal of Best Practices (Reviewed here).

You can find all my reviews at Goddess in the Stacks.

First, Caledonia Styx is an AMAZING name, and the Mors Navis is another fantastic name. I had to google it - it basically translates to Death Ship. Possibly Ship of the Dead. Something to that effect.

Seafire is the first book in a trilogy, and it's very well done. The main goal in the first book was achieved, but we can definitely see the story arc that they've set themselves on for the trilogy.

The world of Seafire is post-apocalyptic, though so far post-apocalypse that the old world has faded into myths and stories, and all that's left is a mish-mash of old technology, like solar power and electricity, used on more primitive objects, like boats and rope-and-pulley lifts. Most ships are equipped with sun sails - sails covered in tiny solar panel scales to provide energy to the ship's propulsion engines. If you're limited to wind power, you can't hope to escape or fight the powered ships. Instead of grappling hooks for latching onto an enemy ship, there are giant magnets. It's an interesting mix of old and new tech, but a believable one in this context.

The geography is also fascinating; there's a sea of constant storm bordering the known lands, and the known lands are mostly sea themselves. Caledonia and her crew are women and girls she's rescued from the grasp of Aric Athair, the warlord who controls pretty much all of the seas. He does this by forcing boys to serve him and getting them addicted to a substance called Silt, which encourages loyalty. The threat of going through withdrawals from Silt also encourages loyalty! We never actually see Aric on-page in this book, but I have no doubt he'll show up in the sequels, which I am anxiously awaiting. Aric is ruthless, killing those who defy him as Caledonia's parents did. She only survived because she was off-ship gathering food when the attack came.

I realize this review is a little disjointed, but the book is a bit hard to explain. The world-building is complex but makes perfect sense, and the plot is fast-moving. The blurb compares it to Mad Max: Fury Road, and I definitely get that vibe from it. I can't wait to see where the next two books take us, but they don't even have titles or publication dates yet!!

There is a little bit of LGBT content in the book as well, with relationships forming between girls in Caledonia's crew.

You can find all my reviews at Goddess in the Stacks.

This is a great read for Pride Month! Khya's society has three genders - male, female, and ebet. They're all equal, though ebet aren't capable of having children. The ebets' pronouns are ey/eir/em. No one cares what gender anyone else is, and soul bonds, which seem to be the only form of long term bonding, can be made between any two people who love and trust each other enough, whether that's romantic or not. Siblings can form a soul bond if they wish, it doesn't imply a sexual relationship. The main plot line follows Khya, Tessen (the man who loves her), and Sanii, Khya's brother's ebet lover, as they try to rescue Khya's brother. In the process, they learn things about their society that only the ruling class knows, and have to make some hard decisions.

Khya's home, Itagami, is separated by castes: The Miriseh, ten immortal rulers, the Kaigo, the Council below them, the Nyshin, or warriors (anyone with strong magic), the Ahdo, or city guards (anyone with weak magic), and the Yonin, who don't have any magic and are little more than drudges. Yonin aren't really allowed to associate with the higher classes and are kept out of most places by magic. The only movement between castes is the few Nyshin who get elected to the Kaigo. I generally dislike societies that are so rigidly separated by castes, but that makes it all the more satisfying when people rebel, I suppose.

I enjoyed the world building and magic system - Khya, in particular, is a Warding Mage, and can shield people from things like projectiles, lightning strikes, and even from water, giving them air to breathe underwater. Khya's a little prickly for a main character, but she comes around eventually.

The book was a finalist in the Speculative Fiction category of the Bisexual Book Awards, but did not win. (Full list of finalists and winners in the link above, as well as previous years' lists - Fair Warning, my To-Read listed exploded.)

I thought this was a great book and will be looking up the sequel, Sea of Strangers.

You can find all my reviews at Goddess in the Stacks.

So in trying to read more inclusively, I had been looking at some prominent minority writers like Junot Diaz or Sherman Alexie (I actually had one of Alexie's books out from the library when I realized where I'd heard his name). When the news broke about Junot Diaz, and I remembered that Sherman Alexie also had sexual harassment accusations against him, I decided instead of reading their books, I'd look up the books of the women calling them out! The Dirty Girls Social Club is the first book of what I'm calling my “Wronged Women” list. Alisa Valdes-Rodriguez wrote an article titled “I tried to warn you about Junot Diaz” about her experience with him. Others on the list include Erika Wurth, Elissa Washuta, Zinzi Clemmons, Carmen Maria Machado, and Monica Byrne. I've built a shelf on Goodreads for my list, and I'm sure more names will wind up on it. (Unfortunately.)

The Dirty Girls Social Club is the story of six college friends who decide to meet every six months for the rest of their lives, no matter what. The book covers one six month period, from one meeting to the next. It took me a few chapters to sort out who was who, and throughout the book I occasionally had to flip back to the first chapter, where Lauren gives a rundown of names and professions. All six are Hispanic of some flavor, whether that's Dominican, Puerto Rican, Colombian, Spanish, or Southwestern Native American. That's why they banded together in college. Each one has her own storyline - dealing with an abusive marriage, leaving a loveless marriage, being forcibly outed as a lesbian and learning to adjust to her new visibility, or becoming a rock star. I enjoyed how each of the six had a very individual story; they have interesting jobs and complicated love lives and unique problems.

Each of the women reflects on her Hispanic heritage in some form, whether that's taking lessons in how to love from their parents, or fighting for recognition for their minority, or writing columns about their lives for the local newspaper. The book both shows and tells us about the differences in various Hispanic cultures.

I especially enjoyed Amber/Cuicatl (the rock star) and Elizabeth (the lesbian). The rest of the book was a little slow going at times, but I think that's largely because I'm not a fan of contemporary fiction. I did enjoy it, though, and I'll probably check out more of the author's books.

You can find all my reviews at Goddess in the Stacks.

You know, sometimes you just need some escapist fantasy. McKinley's lyrical prose was just the ticket for me last night. There were a few times where I thought “I'd like to know what happens next, quit with the digression already” but then I got caught up in the digression itself! I've read several of McKinley's books - The Hero and the Crown, Pegasus, a few others. She is a master of her craft, weaving magical tales that make you really SEE the world of the book.

Lissar/Deerskin survives some intense trauma in the beginning of this tale - it was hard to read, but McKinley hit the middle ground of being just graphic enough to really impress the horror of the assault on you, without being overly graphic. I think it could definitely be triggering, though, so be warned. Lissar survives, and escapes, and spends time healing before going among people again and learning to heal emotionally as well as physically.

The book is predictable - I knew where she was going and who she'd fall in love with from the moment she left home - but no less absorbing for that. I did like that for once, an author dealt with trauma recovery in a realistic manner, instead of just “oh well she loves him so the trauma won't bother her anymore!” because PTSD doesn't work that way.

Deerskin is another enchanting tale from McKinley, with parts that are genuinely hard to read. I wish the description had been more blatant that when Lissar is fleeing “her father's lust” they really meant his assault, not just his desire.

You can find all my reviews at Goddess in the Stacks.