altlovesbooks
Hey, did you like Pachinko (more than me)? Are you keen on multigenerational Asian historical fiction? Like great writing? This one's for you, then.
Meilin is newly married in 1938, but with war headed their way her future is uncertain. With only her son Renshu, a beautiful hand painted scroll, and what little they can throw together, they're forced to flee an oncoming Japanese army. Renshu is raised on tales Meilin tells from the scroll, as together they make new lives for themselves over and over again as they're forced to flee again and again from places they try and start fresh in. As Meilin's story in Taiwan gives way to Renshu's story in America, and finally Renshu's daughter Lily trying to figure out who she is, we get to know this family's struggle, and how events of the past can shape a person in the future.
This one took me a bit to get into, but once I got into it (about when Meilin flees with Renshu the first time), it really sucked me in. The writing is exceptional, and really painted a picture of Meilin, her family, and what China looked like in her time. It's a multigenerational tale in the same way Pachinko is, but I thought this one was written a bit better and didn't overstay its welcome as much, so I enjoyed it more. I will say I think I was more invested in Meilin's story in the beginning, and Lily's story at the end, than I was with Renshu's story in the middle. Maybe his story would resonate with me more if I were more familiar with Chinese politics in America at the time, as it felt like I was missing context in the story for Renshu's paranoia. I really felt for Lily trying to figure out who she is, sandwiched between America and China and wanting to understand where she came from.
I really enjoyed this one though, despite my mild hangups with Renshu's point of view. Great writing and a sad story.
Hey, did you like Pachinko (more than me)? Are you keen on multigenerational Asian historical fiction? Like great writing? This one's for you, then.
Meilin is newly married in 1938, but with war headed their way her future is uncertain. With only her son Renshu, a beautiful hand painted scroll, and what little they can throw together, they're forced to flee an oncoming Japanese army. Renshu is raised on tales Meilin tells from the scroll, as together they make new lives for themselves over and over again as they're forced to flee again and again from places they try and start fresh in. As Meilin's story in Taiwan gives way to Renshu's story in America, and finally Renshu's daughter Lily trying to figure out who she is, we get to know this family's struggle, and how events of the past can shape a person in the future.
This one took me a bit to get into, but once I got into it (about when Meilin flees with Renshu the first time), it really sucked me in. The writing is exceptional, and really painted a picture of Meilin, her family, and what China looked like in her time. It's a multigenerational tale in the same way Pachinko is, but I thought this one was written a bit better and didn't overstay its welcome as much, so I enjoyed it more. I will say I think I was more invested in Meilin's story in the beginning, and Lily's story at the end, than I was with Renshu's story in the middle. Maybe his story would resonate with me more if I were more familiar with Chinese politics in America at the time, as it felt like I was missing context in the story for Renshu's paranoia. I really felt for Lily trying to figure out who she is, sandwiched between America and China and wanting to understand where she came from.
I really enjoyed this one though, despite my mild hangups with Renshu's point of view. Great writing and a sad story.