Paul
D.O.D.O is one of my all-time favourite books, and one of the funniest and most charming books I read. I remember being sad when it ended (despite it being 800 pages) because there was SO much more room for this story to grow, and when I found out Galland was writing a sequel, I thought there was no way it could go wrong.
But long story short, the story went stale. The humour had almost completely disappeared, the formatting that was so unique in the first book had fallen into a boring pattern, the exciting technology was almost forgotten about, so that it became a standard time-travel story, and what bugged me most (though others might find this a perk) is that it got comfortable telling tales surrounding Shakespeare and DaVinci.
The last book was packed with super-interesting but under-represented historical stories, while not directly involving any critical historical figures. So for it to lean so hard into Shakespeare, it felt like the story had lost its way. When it hinted that DaVinci might make an appearance, I realized that this was not the story I was hoping to read, and put the book down.
While the last book was a smorgasbord of quirky history, crazy tech, snarky witches and hilarious situations, this book felt more like a lesson in classical Renaissance history. I was so disappointed, I still look at this book on my shelf and feel betrayed.
But if you want a time travel story where people hang with Shakespeare and romp around Renaissance Europe, go for it.
D.O.D.O is one of my all-time favourite books, and one of the funniest and most charming books I read. I remember being sad when it ended (despite it being 800 pages) because there was SO much more room for this story to grow, and when I found out Galland was writing a sequel, I thought there was no way it could go wrong.
But long story short, the story went stale. The humour had almost completely disappeared, the formatting that was so unique in the first book had fallen into a boring pattern, the exciting technology was almost forgotten about, so that it became a standard time-travel story, and what bugged me most (though others might find this a perk) is that it got comfortable telling tales surrounding Shakespeare and DaVinci.
The last book was packed with super-interesting but under-represented historical stories, while not directly involving any critical historical figures. So for it to lean so hard into Shakespeare, it felt like the story had lost its way. When it hinted that DaVinci might make an appearance, I realized that this was not the story I was hoping to read, and put the book down.
While the last book was a smorgasbord of quirky history, crazy tech, snarky witches and hilarious situations, this book felt more like a lesson in classical Renaissance history. I was so disappointed, I still look at this book on my shelf and feel betrayed.
But if you want a time travel story where people hang with Shakespeare and romp around Renaissance Europe, go for it.