LameAhhBard

Currently reading this.

EDIT 1: No fucking way. He sits on a wall? Then what?!

EDIT 2: Holy shit

Peak childlike wonder. Calvin manages to be bratty yet charming, and Hobbes is such a great representation of a child's imagination. The parents are realistic, with their off-moments but do their best for their kid. Also, every character manages to be funny and sweet.

It means something I think. It was a great read and the pages flew by with each overturn of what we readers can think & accept in society through the pain & wonder via these lost souls of a cast, but I could not tell you what I picked up. 4/5 but I don't think I can recommend it to just anyone.

Fun, exciting, & interesting but you have to turn your brain off to accept the very simplistic McGuffin and the cheesy ending.

It has a great background; with its insights on private healthcare & commodification of services leading to ruin. Wapol, who can eat anything, is a not-so-subtle representation of greed, being defeated by Luffy's freedom and replaced with a democratically-elected Dalton. However, the star of the show is Chopper, whose backstory is so heartbreaking it strained me. I nearly made it through, but those fucking cherry blossoms broke open the waterworks.

YUJI MY GOAT I NEVER DOUBTED YOU. The fight was 9/10 with a 7/10 ending. Nobara should've stayed dead if this is all she does. I also do not give a fuck about the New Shadow Style School. Gege please write an epilogue.

Megumi locked in with the sickest use of his technique. Higuruma stood on business with his domain expansion. Yuji never slowed down through it all and remained himself. Hype moments & aura done right.

Inside you are two insects: the Ant & the Grasshopper. They're making out.

Tense, fun, but disappointing ending; that was all Yagami was for all his hype? I was already tired of mystery when Tsubaki introduced Ishigami at the end.

Would be a fun little volume if I didn't want to smack the author for making Kushida & that one boring class A girl harem bait.

The best parts of Year 2. Great subversions & interactions in this volume.

Actually a really good mystery-detective book with wonderful revelations, tense action, horrifying yet realistic villain, and an interesting way of keeping the pace that the previous books of the trilogy lack. Minus points because its held back by a confusing and unneeded section where J.K. Rowling is trying too hard to be transphobic in a sideways manner. The ending is also a bit open with Robin & Strike's relationship but I don't mind.

Incredibly boring and you realize it's J.K. Rowling when she gets racist pretty early on.

Chilling. Mysterious. Perfectly convoluted yet satisfying. Simply, fucks.

Kei Karuizawa hard carried year 1 and I will never forgive Kinugasa for sidelining her in year 2.

It means something I think. It was a great read and the pages flew by with each overturn of what we readers can think & accept in society through the pain & wonder via these lost souls of a cast, but I could not tell you what I picked up. 4/5.

The OG. The GOAT. It takes the reader on a cab through Victorian Britain in the simple yet loveable character of Dr. Watson. Thus, it reads like a true memoir of an his friend; an eccentric detective, who we experience as a man full of quirks & flaws yet knows his niche. With its' stories of crime & mystery, we see the brilliance of Detective Holmes unravel the patterns that seem so simple once revealed. Of course, some sections are better than others, yet the peculiarity of their work on 221B Baker Street is continuously felt.