Tiniest short story ever, but feels like a Homeric epic. I wish to know everything about this world. There is what at first blush appears to be some vile (era-syntonic) anti-semitism in the first paragraph, but then it seems wholly rebuked. I am choosing to believe that it is a problem of translation.
3.5 stars. Quick and enjoyable. Minor annoyance of decidedly contemporary language repeatedly snapping you out of the mood. ‘Meditation', ‘paranoid', ‘parse', ‘well, excuse me' (sarcastically). Every time it happened, I would find myself annoyed all over again. It was like the words were put in for a first draft and then a sloppy editor never went back to help bring the language into line. That said, an enjoyable woman-focused historical/magical story with some LGBT representation. Overall, recommend.
Probably a 4.5. Fluffy, but satisfying.
Life (and love):
“The ending doesn't matter. What matters is how we get there. To face what's ahead with as much dignity as we can muster and make the most of the time we have left.”
Every mother ever:
“My heart is so much more than it once was, even if it now beats outside my chest.”
While I was engaged with the story pretty quickly. I was not really moved much until almost ½-way through. Then I was. Extremely compelling. People are flawed. They are broken. But love them anyway. Give people you love the benefit of the doubt. And tell them you love them. And hold tight to that love.
Really, really, really good. So good. So personal and raw and real. But also, so much of it is universal and resonant. Absolutely everyone should read it. Everyone.
“I was a mess and then I grew up and away from that terrible day and became a different kind of mess—a woman doing the best she can to love well and be loved well, to live well and be human and good. I am as healed as I am ever going to be. I have accepted that I will never be the girl I could have been if, if, if. I am still haunted. I still have flashbacks that are triggered by the most unexpected things.”
Very extremely meta. This is classified as a novel, but it is hard to believe that it is not highly autobiographical. Writer, NYC, COVID. Some of it reads like a copy paste exercise of all the cutesy quotes and musings that just couldn't be worked in any other way. Many nuggets of truth, just not very organically interwoven. That said, feels like bits will definitely stick with me. Fast read. Also, Vetch makes me sad.
These little essays stared into my soul. Now adding to my to-read list: everything ever written by [a:Zadie Smith 2522 Zadie Smith https://images.gr-assets.com/authors/1478188567p2/2522.jpg] and [b:Meditations 1168191 Meditations Marcus Aurelius https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1383681793l/1168191.SY75.jpg 31010].
What a world. Very enjoyable fantasy. Definitely will read prequel.
My only complaint is that while it was quite long and built a massive, massive world with a thousand years of history, religion and mythology, it suffered significantly with pacing issues. It probably should have been two or three books.
The narration of the audiobook is pretty good, but some of the voices were distracting. The narrator does not do a good job with male voices, deep = evil a lot of times, and an emperor of what is described as a vaguely eastern land talks like Colonel Sanders. Very, very distracting.
Would not recommend, but also just couldn't put it down. Voice and writing was great. Plot actually ended up with a couple of decent twists, but was pretty slow. But boy was this book just so, so cringe. If I start giving examples, this review might end up as long as the book. I wish I could make someone else read it just so we could rip it to shreds together. Shared that thought with Gabber by text, and she introduced me to the perfectly-coined term ‘hate-reading'.
Will probably try another book by this author because I really enjoyed reading this one, but if the cringe is still there, I am not sure if I can take it again.