This had me for the first half. But I find literary dramas revolving around an “investigation/court cases/court rooms” tough on my enjoyment. It gets too close to real life in how evil and cruelty, hidden motives, nearly always outweighs the truth and results in little and laughable justice. But I'm a government hater through and through. Romance in this felt a tad awkward for me as well.
Wanted to love this one but unfortunately it did not turn out for me. For my horror books I do tend to find the suspense or scary parts only worthwhile if the character development is there. If this book was zero horror (which, for my tastes it's nearly there), but great characters (no, not likable - but human and have depth) - then I can still finding myself loving a novel like this. I enjoy both outright gore and more quiet horror aspects but this book missed the mark in both regards. Would be interested in reading more from this author in the future as I feel their writing is nearly there for me.
I think there's a quantifiable struggle amongst readers to pinpoint / express what makes us love a certain novel.
I'm finding that struggle here. Slewfoot completely transported me to a different time, different world, and every character was filled with emotional range and complexity. A joy of a gothic novel.
Merged review:
I think there's a quantifiable struggle amongst readers to pinpoint / express what makes us love a certain novel.
I'm finding that struggle here. Slewfoot completely transported me to a different time, different world, and every character was filled with emotional range and complexity. A joy of a gothic novel.
If you look at the page count of this book you know it's short, can be classified as a novella in length - but then you get into it and you realize that there's next to nothing written on the pages for the majority of this. Rather disappointing as I'd love to have seen this exploration for memory/life fattened up to be a jucier read. Because such little was touched upon, I can't recommend it.