C. J. Daley

This is a debut epic fantasy from a new voice in the indie community. I saw the cover and was intrigued, and the author offered me a copy to give it a read.

This novel has the tone and scope of a classic fantasy. The reader can feel the world is large, rich in history, and that each place fits into the world for a different reason. There is culture, intrigue, and mystery, as well as one hell of an epic opening.

Lorian, an inquisitor and servant of the aristoi, travels the world seeking out those who break the rules and use forbidden magics. He is a formidable character who, while not entirely likable, sees his way into multiple situations where he is outnumbered our out-powered just to ensure others are safe.

There is definitely some notes of Martin within the story, where the undead, especially in the winter cold, bring to mind the whitewalkers, however there are some fouler beasts at play here too. And just like with Martin, I do wish the undead being included would have come to more of a head. Especially because I was so interested in them.

While the opening is huge, the climax of the story is much more about the culmination of threads from earlier and the alleviation of the mystery, than any set of action beats. With that there is additional mystery, as well as room for so much more. This reads like a story spanning weeks/months within a series that could span even years.

In intriguing debut with an awesome cover, and so much lore that you’re going to need book two immediately.

Cassandra Campbell did a great job with the audio, giving life to each character and the horrors that follow.

A lottery pick they never thought they’d win, Ana and Reid just won a spot at the Deptford. The affordable apartment seems too good to be true, and even after the birth of their first child left Ana paralyzed from the waist down, they decide to accept, regardless of the single elevator and high floor. Moving isn’t easy on anyone, but harbored resentments, a nearly one year old, and perhaps some evilness, all culminate into one wicked transition.

For me, with the old building, the famous, richer inhabitants, and the down-on-their-luck newbies, this had reminiscent notes of Sager’s Lock Every Door. And while I have not read Salem’s Lot or Rosemary’s Baby (yet), I can tell that those comparison titles are where Cassidy imbues his horror elements over Sager’s thriller feels. And I really enjoyed how the author bleeds anxiety and paranoia into his characters differently. Ana takes on the more literal approach, with her suspecting something is wrong and trying to get away. And then Reid is the slower, irritability that permeates over time. His job, his wife, his friends, the littlest things start to tip him over, and I feel like the author handles that very well.

This sort of slow burn infestation of fear works really well for this novel. Reid just wants to provide and do what’s best for his family. A few things going terrible wrong? Well that can just be chalked up to the moving stress, can’t it?

While trying to stay as spoiler free as possible, the twist in the end with how each parent differed, did surprise me in the best way and I’m glad I rooted for who I did. I enjoyed this take on the Jewish ‘vampire’ and the inclusion definitely made it something unique.

Old buildings and history are the heart of NYC, just make sure the ones you move to don’t have a literal heart…

Received this one from NetGalley, so thanks to them and Tordotcom! The narration done by Helen McAlpine was awesome. Good accents, differing tones and variations. Nice and quick.

This has all the feel of an old school classic fantasy, without any of the additional background world building or lore. As a novella, it gets to the point awfully quick, while some of the additional bits that the author dropped did make the world feel whole to me, like maybe they knew it much deeper than they wrote it out. For me, that works quite well. There’s certainly a line where a lack of information can feel like it’s genuinely missing, but this toed that line just enough with its epitaph-esque interlude chapters, bringing a historical background to why they are on the hunt. IE., a complete and somewhat linear story that doesn’t stray from the plot, while appearing to take place in a whole, fleshed out world/universe.

This novella feels like it spawned from the single line of, “I am no man” and went on from there to become its own thing. A feminist, sapphic dragon hunting novella that packs a punch against toxic masculinity and gender roles. And Knight Maddileh is knocking down those barriers and putting mouthy squires in their places.

This was quick, enjoyable, and features quite a twist that I was not ready for. I do wish the actual situation with the dragon was longer, as it appeared like it would be the focal point, and with such a beautiful cover, I was imagining Smaug or GoT level battles in my mind, but there is certainly room for more…and an already announced sequel.

I received an audible code from the author for review, John Pirhalla does a good job with the narration, offering up a nice southern drawl and differing, distinct voices for each character.

I was interesting in this one and it was on my radar for the cover alone. I actually only read the blurb after starting it! This is an alt history novel that mixes fantasy, action, and humor into its gunslinging antics. Elias Faust is the marshal of Blackpeak, and while he may only believe in shooting people that deserve it, he does seem to do so an awful lot. A fist fight here, some disagreements there, larceny. The first couple of parts of the book start off with typical, mostly time period correct, tomfoolery. The fantasy element is quite toned down, and I found that it worked well with its slower buildup (the fantasy buildup is slow, the novel is not). And within this groove I found myself really enjoying it.

The later part of the book, when things started heating up, the fantasy element is heightened as well, and within that I struggled a bit. The magnate is out for revenge, trying his hardest to wrangle up Faust and stop him from turning his entire plot topsy-turvy. There are celestial beings(?), as well as semi-conscious reanimated corpses, and then a strange somewhat Trueblood-esque coyote situation that confused me a bit. A bunch of which kind of felt like possible eldritch town-lore, but lacked a bit of the horror and darkness to solidify it for me. Faust’s ability to survive and be guided felt kind of fantasy dream sequence-y to me, which is something I always struggle with.

Regardless, for a unique blend of western and fantasy, this gunslinging marshal does have a lot of fun to offer. And with the audio, it was an effortlessly fun thing to listen to. The dream sequence part, which I avoided details because [spoilers] is a known personal issue for me, and I’m sure others will not feel the same whatsoever. So grab your colts, load em, and saddle up.

I won the special edition hardcover during a Twitter giveaway and decided to bump it up my TBR to add another read in for May. The hardcover has this great cover art, and the chapter pages had a nice fox image to match the story.

This is a grief horror that mixes backwoods magic with a story of revenge. Our main character is seeking vengeance for wrongs done to her family, but she doesn’t want to do so alone. Therefore she uses her herbal magic and an undead fox to bring back part of the soul of her father. I enjoyed as the story unpeeled how the magic was done, using water from behind the family home, and herbs from where he was buried to link the ceremony together.

But how much he remembers, and how well he will take this resurrection into the body of an animal, are up in the air. And will he be an accessory to the vengeance, or the unwanted voice of reason?

In a short number of pages, the author does a great job of creating such a bleak world and atmosphere. In that way, it reminded me of one of my favorite zombie reads, Worse Than Dying by Brett Van Valkenburg. While Undead Folk is post apocalyptic, there hasn’t been an entire eradication of the human race, though humanity can be awfully dark. Our main has to face this darkness, while trying to manage her own grief, and certainly some darkness of her own, all in the name of survival.

While this does take the reader through different phases of the main’s grief, I was surprised that it was a bit less sad than I was expecting, but then again, it did have a big focus on revenge. Either way, it certainly sits on the shelf of grief horror with the likes of Clay McLeod Chapman’s latest, Stay on the Line.

Wow. Dumbrell offers up his best novel yet, taking everything he learned while crafting the Pillars of Peace trilogy, and improving on every level.

The novel begins with the author crafting up another signature world that feels both fantasy, and historical. The Cadraelian Kingdom has been expanding its borders for years, the men are weary, and some call for an end to the war. However, that has left the unconquered lands at the kingdom’s borders that much more uneasy. This new world is filled with more than names, there are hints of backstory, battle name drops, historical references, and old wounds. The author’s ability to create more than one world that feels full and lush and real is immensely impressive to me. And his ability to name things that just sound right is uncanny.

Inside this world, the author has crafted another unbelievable cast of characters, and this time, there’s an awful lot of them. A royal family, the king’s ministry of six, love interests, bordering leaders, and so much more. They’re dynamic, multilayered with heart, pride, fear, anger, and corruption. This is a very dialogue forward novel, as you will find with many mystery elements, and the author handles it all with a deft hand that will keep you turning pages long after you were supposed to go to sleep.

The character of Prince Leander, while certainly less than faultless, is crafted in such a way as to rival even that of Cyrus from the Pillars of Peace. While Cyrus is memorable in his purity and goodness, Leander is built from the ground up with the thought of an overbearing, quick-to-anger, and quick to drink, King of a father in mind. Therefore his imperfections ring as real, fleshed out character traits. Heavy is the head that’ll wear the crown, and this heir just might meet his fair share of pitfalls.

As readers will see from the acknowledgments, the author sought to create a fantasy world and then mesh it with the murder mystery genre most commonly dominated by the queen of mystery herself, Agatha Christie. And while I’m no expert, I certainly have quite a bit of experience with both fantasy worlds, and the works of Christie. Having just finished now, one of the most impressive things to me is that while the book was starting out, I thought the author was spending time to grow his vision for his world. And while it’s true he was, he was also already sowing the seeds for what was to come, dropping hints and clues along the way, from the very beginning. It takes a particular set of skills to know where you’re heading while still building the basis for your characters’ existence, and Dumbrell smashed it.

One thing that tends to worry me about the fantasy/mystery blend is that when it includes certain types of action, the deaths can kind of just feel like an addition to the body count, whereas in a mystery, death is not a common occurrence, and therefore it’s jarring and startles the reader. While the author references war and violence, it does not actually take place within this story, therefore subverting the typical issue, and making the murder mystery gruesome and out of place even in a royal palace.

And while there are hints of a more graphic nature, the deaths that follow certainly earn a stamp of approval in the arena of Christie mystery writing. And without spoiling, the author also does a fantastic job of injecting Christie into a powerful twist with a very surprising turnaround. And much like a Christie ending, no one leaves the novel unscathed.

…There is also a man with a mustache and cane…how could there not be???

Another smash hit release to tell your moms, dads, daddies, and even unborn nephews about. Really feels like a natural evolution for the author, almost as if the small snippet of the King’s poisoning from The Look of a King was expanded into its own story. Very well done.

“Inaction is action’s more dangerous sibling.”

Another of her Amazon original short stories, I honestly love seeing these pop up randomly.

Years ago, one of the friends made an enemy of an up and coming writer by not including him in their anthology. The scorned writer then launched a campaign of hate that spanned an entire friend group and multiple years.

Now, much older, and some of them even grandmothers, they tend to reminisce over drinks and cheeses…oh and discuss murder. The short story that follows is one of revenge, nostalgia, and grudges held. Atwood continues her craft with lightning quick prose and witty writing.

They might never get all the way up to murder, but laxative filled hash brownies is awfully funny.

Thank you to the author for the audio code for my enjoyment!

If the cover art and title haven’t signified enough for you yet, this is cozy fantasy. A newly popular genre, with releases like Legends and Lattes and Can’t Spell Treason Without Tea, however I had yet to dip my toes into it. So Quaint Creatures was a first, and I went in knowing next to nothing other than what the word ‘cozy’ meant. I was pleasantly surprised, and I greatly enjoyed it.

Norrik Softstep is a magical animal veterinarian, oh and a giant…but he’s awfully gentle! With visits from the likes of drakes, chimeras, and gryphons, and a slew of creatures I can only imagine came from the mind of the author, this felt like a much better managed concept of Fantastic Beasts and Where to Find Them. And yet I loved how it differentiated itself with a world full of different creatures and beings too. Like Minotaurs, frost fairies, orcs and elves, to even the unlikely with skeletons, zombies and ghosts. It was refreshing and unique, and the author is one hell of a narrator.

I also really liked that the novel features an undertone of a mystery as well. It opens up with the main character being asked to inspect a mysterious and magical crate that was confiscated. Norrik and his wife are also still investigating their home, as the halls and tunnels seem never ending. It’s not without tension, nor is it lacking action, it just has this laidback, friendly approach to its writing that makes it as smooth sailing as it is page turning.

I would highly recommend bumping this up your TBR regardless of if you are new like me, or already a fan of the sub genre.

So this is a reread for me. I recall listening to it and reviewing it, and as I just finished season two the other day I remembered this and looked for it and it was entirely gone. No review on audible, Goodreads, or my instagram. So maybe I dreamed it. Oddly fitting.

Tangle in the Dark is a prequel to the Amazon Original show. It features Tourmaline Larou (whose actor, Karla Crome, does the narration for this...quite well too) as the main character, her time as a student at university, and the beginnings of her relationship with Vignette. It serves to further deepen the characters, especially as this deals with some of the world's classism between even the same races, before the show itself starts to show the darker side of the world's feelings between the races. As a student, budding poet, and nighttime partygoer, Tourmaline has to learn to overcome some of her preconceived notions about those that maybe are outside of her own social class. It makes their relationship seem more real, as their attraction to each other also teaches them about themselves. It's also interesting to see simply because the world they are in, and the lives they are living, in the show are so drastically different from what we read here. It gives off possible ideas for what the show could have looked like during peace times (if we can even believe those are possible).

Enjoyable, a bit refreshing in how different it is, and quick.

Thanks to Shortwave Media for the physical arc!

Read this in a single sitting, which as a novelette might not be that crazy, but I’ve been having trouble focusing for periods of time. So this one really grasped me and I ran with it.

A hurricane hits a small coastal town, taking the lives of multiple loved ones, and yet not damaging the long-dead payphone. When folks start looking for a way to grieve, to move on, to speak to them one more time, they may just find what they need in the phone booth, but will it be enough…Or even too much?

As much as this is a drama and a story of loss, this really fits into what I’ve come to think of as grief horror (which I may or may not have picked up from author Katherine Silva?). Beats of the unthinkable, perhaps supernatural, tinged with people dealing with horrible loss. It could all be taken as in the heads of those grieving, but what if it’s not? Not to mention the crazy black and white illustrations throughout by Trevor Henderson definitely add an additional layer of darkness to the story.

And big shout out to Shortwave for the quality of this one. For the art it has these nice thick pages and the book itself felt solid. Just like an old school Scholastic Goosebumps book.

Thanks again to the authors for the audible code! The narration by Jennifer Pratt, who took over with book 2, really sells the story and her voice work is great.

This is the third and final book in The Prophecies of Ragnarok trilogy. The first, Hotel Fen, is almost like a fantasy/romance mixed with hotel horror. The second, Monster Ridge, amps up the fantasy content, really bringing out the Norse Mythology, and getting more into the characters’ pasts. And this third one, really takes off from there. The consequences of book two have started The Great Winter, bringing all of earth to survival basics, and Ragnarok has begun.

Our star-crossed and forever-(ill)fated lovers, Victor and Silje, are still just trying to make it work. Why does that always seem to involve someone chasing them, attacking or kidnapping them, or them having to try to save the world/universe?

There is character growth in this one even though it’s pretty all-out action. Their past-selves bleed more and more into their present-selves, bringing with it strengths and abilities long forgotten. Angers too.

I was pleasantly surprised by the action in this one. While molded by Norse Mythology, the authors clearly weren’t afraid to write this as their own. I think it’s probably because of the recent Thor movies (naturally) but this feels like almost ‘superhero level’ action—and I mean that in a good way. And with that, there is of course sacrifice…to save everything, something or someone is gonna have to give. It felt worth it, it felt earned, and yes it hurt like hell (Hel). And I’m still so happy that it wrapped up with just a dash of hope.

These two authors have cooked up a well done trilogy, and I would love to see more people talking about it!

Revived my book club this month, and luckily enough my suggestion got picked!

This one was suggested for my Intro to Indie Horror + Representation post that I did in April under trans rep, and it has been on my radar since posting. Naturally I’m stoked it got to jump up my TBR with the book club selecting it.

With that being said, I actually didn’t read the blurb, just went straight in. I was pleasantly surprised to head right into a supernatural mystery. Emberly and Conner are tasked with investigating a rather atypical circumstance that befell their boss’ son. And I absolutely loved the fact that they kind of were forced to become their own type of detectives. When a trip to Cranberry Cove turns up more questions than answers, Emberly is sent on a journey to unravel what’s inside.

There’s something about the 2’s, and like room 217 at The Overlook, Cranberry Cove’s 2A is the latest haunted hotel room that will keep you up at night waiting for a knock. Why are only men attacked or disappearing? Where is the person or entity even coming from?

I really enjoyed how the author made a point to spell out how their boss had gone out of his way to take care of Emberly’s needs, and to ensure that everyone treated her as the woman she was. Meanwhile the novella itself is tackling themes of toxic masculinity and gender ideas. Conner feels a need to ensure Emberly’s safety, however he doesn’t seem to understand that that feeling can come from caring, and not because he’s the man. And clearly Emberly is prepared to care for herself!

A quick, spooky, and unique read. Worth checking out.

The author sent me a very nicely signed paperback, and I’m lucky to have received it! This is a novel set within the author’s A Relics of War world, but it is a standalone story.

The novel opens up to Owen, a knight of the five kingdoms, on the eve of battle. He is alone, with just the city guard to rally the defenses. The way this started made it compulsively readable, as I just had to know what was going to happen. The fact that the author then practically subverts the expectation with there being little to no opening action, was what I thought was a strange choice at first, but ended up being a hit. It leaves the reader on the edge of their seat for the remainder of the novel…a “when is the action finally happening” that was never far from the front of my mind.

The Murkor, the race that was attacking, then turned saviors, add a dynamic to the novel I wasn’t expecting. The author makes you like them several times, through Owen and Aj’ana’s relationship for one example, to just keep reeling us back in with reminders of the humans’ captivity. I thought it was a unique display of Stockholm syndrome and how back and forth the process can be. The Murkor are not so free themselves, yet they are often complicit, while at other times they stick their necks out for the humans. It’s just the right blend to make you wonder the entire time.

After a very unexpected left turn, that gives the novel its name of Serpentus, we finally have our fully built climax. The mental, physical, and emotional ties are all set perfectly, with Owen at the forefront of bearing them all. It adds a layer of humanity onto what may be considered a loss of it. And the action that follows certainly pays off as well. Gods, several races, and the righteousness of fighting for freedom, explode into a terrifying and personalized description of battle.

I recommend everyone check this one out. Whether you are already a fan of the Relics of War trilogy, or a newbie like me, this one is well written and well done.

I received an audible code to judge for the Indie Ink Awards, so thanks to the author and organizers. Richard Pendragon’s narration was great and added to the overall enjoyment for me.

The novel is a modern vampire urban fantasy. It starts with Ezra’s final boxing match before he’s ready to skip town again. Enter Killian, his last opponent, and so much more. From there, the novel spirals out of control, with estrangement and loss, deception and deceit. Oh, and vampires of course.

Through no fault of Ezra’s, naturally, some awful things happen to him, and therefore little choice is left when an injury threatens his life. Waking up a vampire certainly changes things, but I loved how grounded the novel read. The author does a great job of keeping the story going as it already was, only amping things up and adding in more supernatural elements over time. It made it read as a very personal story.

I also enjoyed the various bits that the author changed about what people think of vampires, especially as they were all done very underhandedly, which made them feel real to the story itself. Stakes to the heart, bullets, blood, this is a world of its own. I did like that there was a concert scene, as well as some later on werewolves, both of which felt like an Underworld club scene-esque nod.

The ending had stakes, the emotional connect was well made, and the somewhat supernatural explosion at the end read as warranted. This is not a typical read for me, but boy did I enjoy it. It was refreshing and different.

This is a prequel novella to Zodak: The Last Shielder, however it may be best referred to as a precursor, as it’s entirely its own story.

Although I read these almost back to back, I found there to be little connection to Zodak at all, unless I just entirely missed it (totally might have). That’s not a bad thing at all, I was just keeping my eyes and ears peeled for those little threads to start seeding their way in. Set two hundred years before Zodak, I expected maybe something more direct in the prequel area to the shielders, but I’m still not mad at all with a more separate story.

Where Zodak follows a young character’s journey through finding out he may be more than just a farm boy, Throne Born is a story of splintering peace, political intrigue in multiple courts, deceptions, and betrayals. This difference might also be why it felt so totally different and unrelated to me as well. This novella is also on less of a grand scale. There are stakes, and things are very real, however it never quite gets off the ground to the level in which Zodak felt, which was awfully epic. With that being said, it’s also a simplified, more personal story as well, which absolutely worked in the novella format. Love, jealousy, and pride collide in a natural fashion, but still in a big enough way.

Enjoyable and worth checking out! I read Zodak first, and would probably suggest it in that order. While this does not follow the recent format of prequel being released after the novel, there was just more of what I loved in the full release that hooked me and made me want to go back. The Epilogue, the King’s Coda, read almost like something you’d find in Tolkien’s Appendices, and for that, I really enjoyed its addition.

A big thanks to the author for sending over an audio code. Dallin Bradford absolutely knocks it out of the park, this is some of the best narration I’ve heard in quite a long time.

This is a classic (in this case, farm boy) origin story, pulling from those of before like Frodo, Rand al’Thor, Eragon, even Jon Snow. So regardless of the genre tags you’d add to this, the one thing that stood out to me the entire time was “classic”. And I could definitely see this series going down as one. It feels so over the top professional, the author has whittled down the prose to the point where there is not a single unnecessary word throughout the entire novel.

Zodak lives with his aunt and uncle. Their two children, as well as his aunt, find him at best to be a nuisance, and at worst a complete mistake. And of course they can’t stand the fact that Ardon, his uncle, is so fond of him. It makes for one tinderbox of a household.

The impetus that sets Zodak in motion again feels very classic, very Luke Skywalker even, but it’s done so well and flows so brilliantly that I was 100% along for the ride. And while he does meet some help along the way, as well as a ranger-type that made me super happy, he does offer up an experience that's all his own, and his path isn't decided by those that came before him.

I really had to think over what to write here, as otherwise it would have been tons of ramblings and spoilers. And because of that I'd like to stress just how much I loved this! I love that Zodak appears to be the easy chosen one, just to have his newfound dreams crushed…but just maybe? This needs to be added to every TBR. Immediately.

I grabbed this in paperback in my quest to buy all indie novellas.

The author does a very good job of painting the picture of a loving family in a small number of pages. A working father, a dutiful wife and learning daughter, and a son that wants to prove himself while making his father proud. Time period appropriate, while still allowing the daughter and son their playtime. They eat dinner as a family and both children are tucked in each night lovingly…with maybe a couple visits from the tickle monster.

Teddy is soon to be a man, so his father is letting him know more and handle more responsibility. Carrying the water in from the well, attempting to swing the woodcutting axe on his own, and hearing all about his father’s traumatic childhood experience in the woods by their house. Of course a story like that would stick in a young boy’s mind, and of course it’s only a matter of time before something forces them back into those woods. Forces the past and the present to collide.

SOME SPOILER-Y THINGS

The first instance involving the entity is creepy, ambiguous enough to let your mind wonder, and of course fast enough to leave you asking, “what just happened?” And with that being said, the second does much the same for the reader while being entirely different. A house in the woods, the dog trapped, a woman in all black. But when Teddy’s sister wakes him up, was any of it real?

Much like the visits in the night that follow, as well as the echoes of what happened to his father’s best friend, Teddy’s decent into madness comes at a loss of sleep and a few bumps in the night. The descent might be quick, but the creepiness is awfully high.

I really love horrors that take childhood fears/monsters and turn them into real, flesh and blood nightmares. My main gripe with this one (while small) is that it didn’t actually do that, not entirely. The Tickle Monster is a manifestation of fear and anxiety for Teddy, and I suppose I was more so expecting a creature feature. Still very worth a read! Personally 3.5/5*.

A big thanks to the author for the e-ARC. So glad I got to read it.

The Generation Games is perhaps Towse’s darkest elderly horror yet. The decision has been made to no longer allow people to grow old and die on their own. In an all-too close future, a mandate has been made due to earth’s depleted resources, that no one can live over 70. That is, unless they are incredibly successful, rich, or influential. Since most people aren’t, one television station decided to capitalize on this, seeing the death of millions as an opportunity. Those selected for this program have the opportunity to win millions, and to afford the age passport they so desperately need. What do they have to do, you ask? When you remember that the outcome for them is death either way because of their age, you can get an idea of just how unhinged the things they’re forced into really are. Horrific, gruesome, bloody, gory, and unbelievably wicked.

My Name Is Brian is the second of the novellas collected and it features a new student that’s just a bit strange. Brian is heavyset, a book worm, and unerringly calm, even when the school bullies want a rise out of him. The problem with bullies, is that they are forced to up the ante, rather than lose face value. When humiliation, name calling, and dumping Brian’s own food onto him don’t work, they’re forced to even greater heights…or in this case greater depravity. The main issue I had with this one, is although anyone of any size eating their dumped food off of their own head or lunchroom table would be disgusting, it’s often only ever used when describing fat people, and therefore can read as fat phobic. This is ultimately completely erased though by the novella’s climax, it just kind of rubbed me the wrong way while reading. But there is more to Brian, his size and shape, than you may have previously thought.

The Naughty Corner, the novella collection’s namesake, as well as its third entry, is a madhouse of desire, neglect, infatuation, and control. Set in what appears to be an Idyllic town, it may not take long for them to remember that looks can be deceiving. Sheila, Frank, and Charlie move into a new house, in a new neighborhood. What appears to be a good deal, comes with a set of ‘guidelines’ for their behavior. With the list in the dozens, they may have gotten more than they bargained for. This novella, which could be argued to also include some terrible elderly horror, mixes some of the more unusual with its doses of horror. In this case, it does that by mixing, and thus distorting, pleasure.

Personally a 4/5*, the first was definitely a favorite. But this is a great showcase of the author’s skills, as there are three very different stories on display.

Many thanks to Cemetery Gates Media for the physical arc!

Not that this proclaims itself as a short story collection, as it does just say ‘stories’, but I would be willing to bet that most of these are actually around novelette length at the very least. There is not that many stories, only featuring ten, and yet this is actually rather long. Not that that is a bad thing!

This is a solid mix of horror, comedy, sexual deviance, the disturbing, and wit from the author. With things like aliens, gods, ghosts, and even more creepy crawlies to haunt your imagination. And of course, my all time favorite there is, Christmas (in Antarctica).

One I particularly enjoyed was ‘Let Sleeping Gods Lie’. It read kind of like a precursor, or even its own take on those old school monster movies…The Mummy in particular. It’s atmospheric, with just the right amount of building, written in just the perfect style, to make it slowly creep up your neck. Told entirely through journal entries and letters to a beloved, it features the lead of a dig site in Egypt as his team slowly loses their nerve to knocking deep within the tomb. And I’d honestly read an entire novel.

My favorite of the bunch though, was ‘The Ancient Ram Inn’. Featuring a group of friends taking a Halloween night tour through a very haunted Inn. Their guide, a real creepy lookalike, deadpans the history of the place as they get further and further inside…and things get weirder and weirder. For such a short story, this one packed on hell of a twist that I really enjoyed. I’ve found that since writing BestGhost, I just really love different takes on the paranormal and haunted places.

This just released, and regardless of what you’re looking for, there’s something here for everyone. Will you let me know your favorite??

Grabbed this on audible during a 2-for-1 sale, and Victoria Villarreal brought an authentic feel to the characters, and overall the narration was a lot of fun.

First and foremost, I am a Peter Parker Spider-Man fan. The OG animated series from when I as a kid, as well as the Tobey McGuire movies. Unless you’re counting the PS4 game and Sony-verse, I know next to nothing about Miles Morales, and my knowledge of Spider-Man 2099 (other than random things) mostly starts with Oscar Isaac. So I gave this a shot simply because it was Marvel and Spidey adjacent, I actually didn’t even know who Araña was at all.

Anya, who takes on the spider-identity of Araña, has a familiar, tough upbringing through her abilities. She must juggle school, a secret identity while living with her father, and the loss of a mentor, all right before a short tussle with an artifact called El Obelisco sends her crashing into the future. Don’t let my condensed version fool you though, because I actually felt like all that set up went on a little longer than I expected, at least for me, who did not read the blurb before jumping in!

In this far-flung future, Anya finds out that there was a Spider-Man in the year 2099, and having only arrived a few years later than that, she figures he must still be active. A lot can change in only a few years though, and the Miguel O’Hara she finds is as far from the tights-wearing hero he was can be. He’s not only jaded, but thinks the world is better off without his costumed help.

Personally, I can always get behind the reluctant mentor trope, and I really liked that it was a retired Spider-Man too, so that she was getting the help from the actual source. But what lacked for me, was the world he came from. Miguel is a rich, business runner with a virtual assistant that arguably does more than her fair share of the work. He even comes from the future where NYC has been renamed Nueva York, and yet I found that the author really didn’t describe it or any differences. As someone unfamiliar, this would have been a huge opportunity to sell me.

Then throw in another dimension’s Ghost Spider out of left field in the third act and you’re really cooking with fire. It seemed like a lot of work to simply not include Peter, who is “off planet”, so I’m curious if he just wasn’t on the table. Regardless, the heroes hero, and this was another interesting and fun spider-people adventure. It had all the necessary touch points, a newbie, great responsibility, middle-story self doubts, emotional pulls, and self sacrifices. All things that make superheroes what they are. Personally a 4/5*.

A huge thanks to the author for the physical ARC. So glad to have this for my shelf.

A mixture of historical Japan and the undead? From the very beginning, the cover reveal even, I knew this was for me. And right from the prologue I was hooked! I’ve been working my way back through TWD universe, so zombies are a hit for me at the moment. And U.S gives a unique and thrilling take on the bloody genre.

I loved Wu’s obvious research and dedication to historical accuracy. Several of the characters even being real themselves. It gives this lush, believable, real backdrop to the craziness that follows. A last ditch effort to save Japan itself, a chance for several warriors to regain their honor, prove themselves for the first time, or prove they’ve still got it. The multiple kinds of fighters/warriors was just enough to make each action bit feel different and enjoyable. Of course they are incredibly fast, bloody, and nuts, too.

I happened to be reading this at the same time as Josh Malerman’s Incidents Around the House. The juxtaposition of the slowed down, slithering, creepy-crawly horror, to the zombies, swords, and action, just really sold the experiences. And it really sold Wu’s ability to write a highly tense action adventure.

My favorite bit, that has impressed me greatly (as this is a first read for me with this author) was his ability to convey so much emotion. This is not just a zombie novel, it is the story of an incredible journey between friends, partners, mentors. The author made me not only like, but care about, characters that started out as unlikable. Not only showcasing how dynamic they are, multilayered, but such incredible growth too. And in an action filled, only 320 page book too. Wow!

A huge thanks to Shortwave for the physical ARC! Such a good cover too, I’m so glad I own one.

This novelette is short, a little sweet, and kind of a lotta dark. A tale of abuse, both from a husband and grandfather, this story showcases some of the horror stories women face daily. Yet it’s also mixed with a bit of hope and sapphic desire.

Now, you may know from some other reviews of mine that I really struggle with any form of cheating/adultery, but this is more so about having the ability, the autonomy, to want and decide for yourself. When all you’re shown is abuse, that ability to decide, to feel, to want, is part of that ability to claw yourself back from it. And that’s what this felt like.

Then there is of course, the more horrific elements. Deceit, deception, avoidance, perhaps a little murder? But isn’t all of that just another angle at being free, at fighting against the structured injustice being showcased in this rural community?

My favorite thing though, perhaps, is how Libby goes from one kind of prison to another. And as the bodies start to pile up, June’s hold over her is just another type of chokehold.

A huge thanks to NetGalley and Del Rey for the e-ARC! Malerman has been an auto-buy author for me since reading Bird Box and he does not disappoint!

Incidents Around the House is written entirely in the perspective of Bela, an eight-year-old that has frequent nightly visits from the Other Mommy in her closet. Unsettling, creepy, and often nauseating, the prose is somehow simplistic—as a child’s writing demands—yet surprisingly elegant and powerful. I was so impressed by the balance the author struck between the two, and it heightened my enjoyment throughout. I really found it hard to put this down (while sadly training at the new job).

Focusing heavily on what goes bump in the night, Malerman takes childhood fears and turns them into adulthood traumas. There was a single line about how Other Mommy was hiding in the dark corner, but her eyes were up near the ceiling that truly gave me chills. And that’s where this story excels, within its endless possibilities, within what it leaves unsaid. It’s childhood stories, it’s Goosebumps and Fear Street and Are You Afraid of the Dark, yet it’s deconstructed, enhanced, and rewound into an entirely unique and adult novel.

Bela’s Mommy and Daddo are great characters in their own right, but they’re also great characterizations of polar opposites in parenting. One feels trapped, ungrateful, and the bearer of bad news. The other is the optimistic, uplifting one, and Bela’s best friend. The light and the dark to their daughter. But what I enjoyed about this dynamic the most, was Malerman’s ability to showcase them so well that I stopped believing that I knew which parent was the “good” one. The rock-bottom feel of their desperation and disparity is something I would say is wholly unique and integral to the experience. And Bela is constantly drawn to the two for different reasons. And to Other Mommy too.

I also really enjoyed that the author gives us a mixture of modern things thrown in. A modern “hippie” exorcism that goes a bit wonky, a slew of cameras and alarms that could make my crew in BestGhost’s heads spin, two well behaved guard dogs that never seem to take a break, running away from home, both short and long trips, and of course, an occult specialist that’s absolutely not a sham. It kind of felt like taking absolutely everything you could do to save yourself, and finding out that all of it wasn’t the right thing.

I happened to be reading this at the same time as Baptiste Pinson Wu’s historical fantasy, Undead Samurai. The juxtaposition of zombies, swords, and action against Malerman’s slowed down, slithering, creepy-crawly horror, just really sold the experiences. And it really sold Malerman’s ability to sell an incredible story with a slower burn.

Can Other Mommy be trusted? Can she be let into Bela’s heart? Why is she named that? The absolutely unhinged act of twisting the dynamic of mother and daughter into something OTHER is truly brilliant. And gross, so gross.

Malerman is at his best, delivering readers with something to think about for years to come, especially before we turn out the lights. I genuinely feel for any reader that has a young daughter.

Decided to give this one a go to get in another short read for the month, and it was already on my TBR. A tiny review for a tiny read.

This is a 26 page short story, and somehow it packed in a solid and unique plot! Although this isn’t for children, it did have kind of Goosebumps vibes to it! That could be because of its bite-sized format though, making it feel like a TV episode.

Jace is taking over and cleaning up his father’s farm after his passing. He wants to get his affairs in order and perhaps give the country life a try. The solitude is working for him, but one night when he finds a runaway in his barn, he ends up feeling like he’s living someone else’s horror story.

I absolutely love when authors drop their story’s name in the writing. I personally think I’ve done this for everything I’ve ever written. Sometimes it’s even where I pull the names from. It feels like a little wink from the author whenever I read them.

Well written and concise, this short packed a punch with its unique plot and fleshed out atmosphere. Honestly until the author mentioned phones and laptops, I wasn’t even sure what the time period was. It really lended itself to the atmosphere building.

Grabbed this one to get in another short read before month’s end! A short review for a short read.

This is a weird little tale about a village near the marsh that has a string of children disappearing. Although often left alone, these disappearances have drawn attention to the old witch in the marsh. Through a growing need, an obsession, a love, the spirit of the marsh takes its first steps to be near the old witch. Together they seek to uncover the horrors haunting these young children.

This novelette is like a visual smorgasbord, with rich descriptions and heavily described characters and set pieces. One that stuck out to me the most was the witches favorite mug, something so simple, yet so effective. The marsh spirit, through drawing in beings of the marsh, alive, dead, even rotten, has become something both monstrous and horrifying, but regardless how you feel, it’s so easy to picture.

I will gladly read more from this author and even this one again!