C. J. Daley

Loved the red and yellow of the cover, so I had to get myself a paperback for this one.

Alex is down on her luck, running away from her abusive boyfriend, and looking for a place to stay while she makes some money. With an incoming baby, she really needs to find someplace safe and quick. As the caregiver to a stroke patient, and with only mildly forged credentials, Alex begins to settle into a new role. But as the blanket of false security begins to settle over her, things begin to show themselves as anything but what they originally appeared. I loved how the granddaughter pulled at Alex’s heartstrings, appealing to her better nature, as she was trying to survive abuse already herself. For me it made it all more believable.

The opening of this for me felt very reminiscent of Riley Sager’s The Only One Left, with its down on her luck main character that’s forced into a perhaps less than desirable role in order to make ends meet. From there it diverges as this creeping, atmospheric blend of horror and mythology, that makes for one hell of a creature feature. The author uses beautifully (and horrifically) described features for the creatures and their shifting that had my skin crawling. And the tie back in the end was one I was begging the author to do!

While I did feel a bit like this closed up within only a few pages that could have perhaps been more climactic—IE the robed sisterhood could have been a bit more included—this did include several edge of your seat beats that kept me itching to get back to reading after my lunch break had ended.

Didn’t quite make this one fit into October, but the beginning of November is just as good!

This is a collection of 5 short stories that the cover boasts will be eerie, tragic & macabre. The author certainly delivers, and what I liked the most is how each has at least some kind of small twist that is unexpected, even if the subject matter is something we’ve seen before.

A group of three grave robbers find more than they bargained for in the basement of an abandoned church. Two lovers, destined to be pulled apart, will do anything for their love of each other and their home to stay intact. Two survivors during a zombie apocalypse take in a final sunset together. An occult specialist is hired to remove an entity from the beach, and having never failed before, they figure it’ll be run of the mill. A serial killer that’s anything but a newbie is being followed, or haunted, by more than just his victim.

I enjoyed each story and I look forward to reading something in a longer form by the author. The story about the lovers brought to mind the spooky house vibes of like Crimson Peak or The Little Stranger, with that willingness to hold on that was almost Hocus Pocus-y. The zombie apocalypse story had unique zombies that definitely felt like the demons from the new movie Azrael that I quite enjoyed. A worthy one to pick up for a quick read!

Huge thanks to NetGalley, Tor Nightfire, and Macmillan Audio for the ARC. Stephanie Németh-Parker and Shahjehan Khan both do a fantastic job delivering their character work.

Ruby Tucker has run into some problems, and while she usually lets her anger out, rather than bottling it up, she’s just trying to course correct so she can move on. After her court mandated volunteering, she makes a bit of money on the side helping her disabled and eccentric neighbor. But while cleaning up and organizing his collection of religious relics, Ruby comes into contact with a possessed, demonic ring. Attaching itself to her finger, there’s little she can do to get it off. I enjoyed the use of Jewish mythology for the story, especially as it’s not something I’ve experienced before.

I’ve seen a lot of things label this as fantasy, and I have to say the mythology parts certainly had a fantasy otherworldly feel to them, but if anything it’s definitely urban fantasy/mythology based in horror.

While most of this read as kind of an unserious novel, the author actually does a pretty solid job combining a large number of elements. Personal and familial drama, possession and demonic influence, a rogue serial killer, and a time in which rock-n-roll was fueling the news and nation into a Satanic panic.

Not only is the ring vying for control of Ruby’s mind, but there is an actual entity bodily inhabiting her. Sent by the demon controller of the ring, his momentary freedom allows for him to try to steer Ruby to freedom as well. While the first attempts release demon spawn, at the very least one of them can play the drums. These kind of silly things kept me engaged with the plot line that was a bit more far out, and it did build into a nice emotional connection with the otherworldly characters.

The ending for me wasn’t entirely a win, it didn’t stick the landing. It certainly does subvert expectations, but it just seemed too much like giving up…spend the entire novel fighting it and looking for a way out and then you just give in? I won’t say more as I want to avoid spoilers, but that’s my gripe with this one. There is also an original song that plays throughout the novel, representing the song that Ruby must get people to sing to build the magic that will save her. Definitely not my cup of tea, I found it kind of corny, although it was for sure stuck in my head by the end. Regardless, this is one I will be thinking over for a while for sure.

Needed a kindle read to finish off October, and decided to give Mark another read!

A small harbor town has slowly been sinking into mundanity. The residents that remain have little hopes that the town will continue to survive at the rate things are going. The pub is closing and people are giving up. So when a hole opens up in the ground, spewing a thick mist while the sky rains blood, no one has any idea where to go. And the town’s dog population goes nuts, howling and baying at the phenomenon.

I really enjoyed how the story opens with super short character chapters, giving us their names, personalities, where they are at on the street, and a bit of their opinions on the other residents. It felt like a great pace and a solid way to give us an intro to the multi-POV quickly. I did worry a bit when things picked up when the chapters started combining POVs, however the characters quickly end up in one location, so it’s not an issue.

Very reminiscent of Stephen King’s the Mist, however instead of a supermarket, our cast of characters find themselves in the soon-to-be-closed pub together. And unlike The Mist’s biblical horrors, Gone to the Dogs’ eerie pit and mist spit out horrors from each character’s past. And while Towse does do a fantastic job of building the tension and anxiety of his cast, the main difference between the two is this groups ability to remain a singular unit, solidarity until the very end.

That positivity and collective made this a really strong read for me. There was one point early on where the group shares a laugh. The author makes a point to say that it drew them closer together, growing their bond through happenstance, and I remember thinking that it was a really important scene to include. My only gripe, though tiny, is that with it being a novella, the reader themselves doesn’t really feel that much for each of them by that point.

Out of the pit of horrors, what would go too far? A dark past with a family pet, an enemy soldier from a war long ago, a drug deal gone wrong, an abusive husband and a pregnancy scare are all things that could pop out of the pit. What’s your dark past, what could come crawling back for you?

You know I had to include a GB in my October TBR of spooky reads, and why not one from the new series?

I found this to be perfectly timed for me. Its middle grade nature was refreshing, palette cleansing almost. It’s such a quick read that it’s compulsively readable, and I enjoyed that there was a longer buildup to this one, allowing for some tension and self doubt, even though I didn’t really have to worry about the stakes.

Grandpa Tweety is a storyteller, so when Mario gets invited to their house, he has no idea if he’s supposed to believe him or not. Todd and Jewel, his own grandchildren, don’t know if the stories are made up either. But when the siblings’ parents go missing during a snow storm, things start to accelerate. Grampa Tweety and MomMom don’t seem that concerned, urging to kids to play and have fun—this happens more than once, urging the reader to wonder why they’re being so lackadaisical. Mario thinks he catches something on his camera but doesn’t, and his friends just think he’s spooked. He has to wonder if maybe he is just scaring himself.

Naturally in Stine fashion, Mario is not just spooked, and it’s a very twisty-turny Goblin Monday for everyone. I found the goblins to be pretty creepy, and the fact that they were described as being almost as large as the teens grossed me out for some reason (maybe I was thinking of Gremlins). A pretty standard—although never any less fun and satisfying—Stine ending with a twist right after the twist. I didn’t guess the first.

This author has become a regular during my October TBR for spooky season, and I’m glad I grabbed a paperback to read.

Six short stories all featuring art in some way. ‘Sometimes They See Me,’ the opening story and possibly more of a novelette+, explores what parts of each of us are art itself and where we bleed together. Two self destructive lovers meet on the night they planned to take their lives. Instead, they continue on, intertwined in their reckless abandon, taking in art as if it’s its own mix of drugs.

My favorite short of the collection, ‘The Binding,’ finds a man waking up while bound to a chair. He’s trapped within an art gallery, all the art featuring tortures. This felt almost like the opening of a Saw trap, with the character coming to and having no idea how they got there, but being completely immobile. It starts with disbelief, the man figuring it’s a joke, a prank, or some kind of mistake. But it’s not, and the reveal honestly made me want to write something of my own!

Another of particular enjoyment features a couple thieves intent on robbing a comic book store. While inside, one of the thieves finds a comic seemingly depicting their exact robbery. And while he stands still with the comic, his accomplice is still moving, urging the comic panels on in ‘The Barbed Lady Wants for Nothing.’

The final short, ‘The Amp,’ felt like the otherworldly feels of the band from Jennifer’s Body, but instead of demons, the entity is the musicians amplifier! It plays music that doesn’t match what the guitarist plays, it plays even when stringless, and it’s bringing about something unstoppable.

Another quick, enjoyable, and unique read.

Grabbed the audio for this on sale, and Kimberly Farr does a fantastic job bringing the cast to life.

This was unique and I’m so happy it was what I was looking for. It mixed all of the traditional haunted house tropes you’ve ever read—bleeding walls, moaning and screaming voices in the night, past residence remaining, spooky basement to avoid, bible pages tapped to doors, missing items, even kamikaze birds and more—with something that felt entirely new. It’s cozy and silly, even humorous at times, with the perfect mix of an older main character, but it’s also not without its darkness, featuring gory descriptions and haunting pasts. Margaret has finally, at long last, made it into her dream home. No way she’s leaving. So when some things start to get a little strange, it’s not such a big deal as long as she follows the rules. Her steadfast attitude that she will not be bothered was so enjoyable and fresh. Things crumbling around her? What a nice place, at least there’s an enviable wraparound porch!

While I also recently read Model Home, which didn’t exactly work for me, this was really more along the lines of what I expected from a new take on the haunted house. However, the two of them together did explore the darker pasts of their families, and what it means to be ‘haunted’. I was a bit shocked that Margaret only mentions the abuse of her husband quite a chunk into the story, as I figured that would be a huge part of your lives together, but I think overall it may have been to feed back into the character’s strength at remaining unnerved.

What I particularly enjoyed was that all of these things are woven together with a fantastic voice. The author knew exactly what they wanted and they nailed it. All of the twists are manifested right from the beginning when you are told that the house is haunted. These things are happening, have happened, but get especially bad in September. It allows for those layers of funny and scary in a way I’ve not read before.

The ending is a whirlwind of stress. I was listening on the edge of my seat. As it seemed the daughter started to unravel the house’s mystery in an entirely human way, I was really wondering if this would stick the landing. Luckily, twist after twist kept me guessing as to whether this would end in an almost psychological Shutter Island reveal or something more supernatural. And while this did take an almost too-neat turn for me, it did land well.

Another paperback I’ve had for a while that I wanted to ensure got read for my October TBR. The spooky reads are in full swing.

This novella is an ode to the nostalgic Friday nights of old. Getting out of school and getting your mom to drive you to the local video store, to Blockbuster. Browsing the aisles of those cardboard movie poster-ended racks of VHS tapes until you found the perfect one.

It also has the feel of playing into the nostalgia of old horror movies. The two page staticky play screen reminding me of the design in Shortwave Media’s Killer VHS series, and the endless references brought the entire story to life for me. If you can recall those nights, that feeling of picking the right watch, then you’ll understand why Evan Grey opened Rewind Video. To chase not only that feeling, but his dream.

It is also, an incredibly bleak examination of survival in a capitalist world. Ever growing rent, car payments, even medicine. The desire to just survive while the changing world only exacerbates the problem. Evan has sank his funds, his savings, into chasing his dream with this store. But when Evan finds an old tube tv on the sign of the road marked ‘free,’ he feels as if his opening day is off to a really good start. He grabs the tv, figuring he can get an old VHS machine running, playing movies all day long for the browsing shoppers, but things begin to spiral.

After a disastrous opening day, with next to no customers, an argument with his best friend and employee, and a weirdo stalking the back curtained area, all Evan can hear is the static from the tube tv. And the further he slips into the void, voices. He has always hated his step father, who has never been proud of him, but is that really enough here?

The ending is a bit of a revenge story mixed with Groundhog Day, and a bit of a Saw-esque new lease on life. It’s brutal in its descent, and awfully bloody. This was an enjoyable one that mixed some unique ideas!

Another paperback I’ve had for a while that I wanted to ensure got read for my October TBR. The spooky reads are in full swing.

After losing his job right in the opening pages, one that he was so recently promised a promotion at, there’s no surprise that this is a of revenge story. But not only has he been terminated, he’s recently found out that his wife was sleeping around behind his back, having a full on affair with the very man that just fired him. As if that added layer wouldn’t push him over, he also found texts on his wife’s phone that his in-laws were in full support of their daughter and her plan to leave him right before Christmas. It’s no surprise here that he saw red. Much like my recent read of Neal Cassidy’s Schroeder, the reader is not surprised at all by this misled attempt at what he feels is retribution.

This is an incredibly vivid, descriptive, and propulsive read. Red is what’s promised, and it’s certainly delivered. Although I can’t get behind the motive, the revenge is well constructed, it’s well played out, and I absolutely loved just how vampiric this is. While not necessarily a typical vampire story, the details peppered throughout are there, and I drank up every one. The play on the character’s trauma story, which his wife and boss both downplayed as a grab for attention (yet another reason for him seeking revenge), which later mirrors his moves throughout was a really nice touch. And that layer of supernatural, that otherness, was also something I enjoyed.

I didn’t know when going into this read that it took place over Christmas, but I loved the mentions of songs in the background and parties, and shoppers in the streets. Of course the mention of different wines, as well as blood, were delivering on red, but I pictured the reds of Christmas and Santa placed throughout the setting which may or may have not been intentional!

I really wanted to give this a go for its 50th anniversary year, and after loving Pet Sematary, I knew I had to bump this one up. Believe it or not, I’ve been alive for 32 of those 50 years and managed to avoid pretty much all spoilers.

While reading this, which I didn’t know was any form of religious, I also happened to be listening to C.J. Leede’s American Rapture—which is an extreme examination on religion. Both of them start with a kind of deep dive into the bounds in which Catholicism is designed to hold down and punish women simply for existing. While Sophie’s family is simply force feeding her guilt on a biblical scale, Carrie’s mother seems to be well off the deep end. While Sophie is showcased to be so far removed that she truly doesn’t even know how the world itself functions, Carrie is so religiously uneducated in womanhood that she is unaware of menstruation, not even knowing herself. While AR showcases how religious families can be hurtful even within the Bible, Carrie’s mother using god like a hammer. Much more on the side of torture than praising.

I was surprised by how thoroughly this goes into the high school level of bullying. Because she is so sheltered, the other girls view her as weird, because she isn’t allowed to dress normal or use makeup, isn’t super skinny, they consider her ugly. The opening scene of the novel they throw tampons and sanitary napkins at her instead of helping her, solidifying just how other they view her. She is ostracized from her fellow classmates while she can’t even seek solace at home. Kind of similar to Neal Cassidy’s Schroeder that I just finished as well, that level of bullying could be seen as more than enough to push someone over the edge, and yet King’s novel adds an additional layer.

Right from the beginning, the reader understands that Carrie has telekinetic powers. She is not sure how exactly they work, or why she has them, nor are they very strong, but it’s something within her that she can explore. The novel mixes Carrie’s own discoveries with excerpts from scientific research and journals surrounding the phenomenon in a way that almost felt like King was creating his own superpower or mutant gene, even though that is not at all the direction of the novel. And Carrie is anything but a superhero.

And while there are definitely some issues where this is dated—primarily the descriptions of young girls, women in general, and some racial terms—I found it interesting that Chris’ boyfriend is displayed as the quintessential bad guy, his mistreatment of women being the main thing on display. It’s almost a commentary while missing his own mistakes?

And with that being said, Chris is the villain here. As a ringleader from the opening shower scene, she becomes wholeheartedly hellbent of ruining Carrie’s life…mostly because she got in trouble for doing a terrible thing? As the daughter of a lawyer, who is also displayed as an entitled idiot, it’s no surprise that Chris would blame someone else rather than doing some soul searching. This hellbent desire to get back at Carrie is the straw that breaks the camels back. The ending is fast, violent, and gruesome in a way I don’t think I’ve ever read before.

This is a short story that I grabbed a paperback copy of, kind of cool that that’s even an option, and I loved that it’s like pocket sized similar to Evening of the Mutated Undead by E. Reyes and The Gatherings by Jeremy Ray. I read it in a single sitting, so no need for pocket storage, but the option’s always there.

Jay’s father is a man of rules, a harsh corrector when the rules get broken. One of his biggest rules is to never enter the garage, which is most often locked, and the memory of the one time Jay’s brother disobeyed is well engrained in their memory. So when Jay’s father tells him to follow him, and he seems to be headed for the garage, Jay doesn’t know what to think. Where is his family? And why is his father being stranger than usual?

This was a quick read but it still packed a punch. While not exactly long enough for me to sink my teeth into as a revenge story, it’s certainly short and sweet. A family heirloom, an axe, makes Jay feel strong, makes him feel like he’s up for the task of taking on his dad. All his father wanted was to be obeyed, but he’s done things unforgivable. In a kind of rule of two ending, the student may become the master. And I loved the barrels, they made me think of Breaking Bad.

Thanks to Tor Nightfire, NetGalley, and Macmillan Audio for the ARC. Holy shit, this was fantastic.

While listening to this, which I knew would be an extreme examination of religion, I also happened to start reading Stephen King’s Carrie—which I had somehow avoided all spoilers for, and did not know it was involving religion as well. Both of them start with a kind of deep dive into the bounds in which Catholicism is designed to hold down and punish women simply for existing. While Carrie’s mother seems to be well off the deep end, Sophie’s family is simply force feeding her guilt on a biblical scale. While Carrie is so religiously uneducated in womanhood that she is unaware of menstruation, Sophie is showcased to be so far removed that she truly doesn’t even know how the world itself functions. And while she secrets away forbidden books, she still lacks that openness that comes from being allowed to explore. While my own experiences can never truly impart in me the same struggles as a girl or woman in the same religion, I did note much of the same experiences and darkness that sermons secret away as the word of god.

The truly unimaginable depths the author builds—the abyssal pits of paranoia and despair—create such a vivid atmosphere throughout the entirety of the book. I am endlessly impressed at how the author has managed to create this dual horror narrative. While Sophia struggles with guilt, sin, and existing in a world where men of all ages notice a pretty face, she also has to exist through the genuine terror of a venereal apocalypse. Men and women alike are becoming enraged, animalistic, and predatorily sexualized. The near scares of sexual assault and rape mirror Sophie’s own base desires, and while her curiosity is innocent, they’re conflating her guilt. She cannot let in to her desires, though she may try, for fear of becoming infected—and isn’t that the same thing her parents have been spoon feeding her her entire life?

The novel is also, functionally, a powerhouse of a survivalist story as well. Even if the religious factors were dialed back, there is this reminiscence of Bird Box and Your Shadow Half Remains where although not undead, the population is virtually divided and then slowly eradicated all the same. The continuous desire to group together keeping the looming threat of outbreak ever present. And this novel hits all the notes of zombie breakout perfectly. The separation or loss of loved one, the unsuspecting hero turned important member of any group, a gymnasium turned tomb scene, even the quintessential stop-for-fuel gas station mistake. The fact that these two sides represent the same coin is still blowing my mind even after finishing.

The crux of the story is that to survive, to cross whatever hurtles exist between Sophie and her twin brother Noah, she must first survive the examination and brutality of accepting herself. If she cannot find and truly accept that inner self, she can never overcome the trials before her—whether they’re Christian guilt or mindless beings. And maybe, within that, they’re all already infected.

Had to give this horror short story a go for my spooky season TBR.

This mixed some religious horror tropes with some almost Lovecraftian monster vibes. An abusive mother of three takes out her anger on her boys. She hoards things making their home life cramped, less sanitary, starves them, and physically abuses them too. Their father is aware, but can do little to stop it. Zach, the oldest, tends to get the brunt of things, and as he runs his mouth to her, she says he’s earned it.

But when the boys come home from a weekend with their father, they find the house cleaned, cleared, dinner made, and a completely changed mother. She is kinder, affectionate even, and at first the boys don’t know how to react. She claims she made a friend who invited her to a new church, and that she would like them to go with her. I absolutely loved the kind of examination of an abusive mother finding something to believe in, changing her behavior in faith, just to lead her family into something possibly worse, darker.

The community aspect of the church and the way they dressed, made me think of M. Night Shyamalan’s The Village. And honestly, with the way the community kind of takes them in and makes it seem like they can’t leave, that isn’t too far off. Now the person they pray to, as this is not a Christian story, is anything but normal. The gelatinous, bulbous descriptors brought to mind the likes of The Blob That Ate Everyone by R. L. Stine, but with a much more cosmic twist. The monstrous tongue, as well as the jelly Eucharist, made me so uncomfortable. This is a quick and enjoyable little horror short! There’s not really a way to go further without spoiling so I won’t!

Thanks so much to NetGalley, Solaris, and Tantor audio for the ARC. The narration by both Emily Woo Zeller and David Lee Huynh were great!

This is a celebration of all things Chinese horror, which is fantastic. As this is audio, and I was listening at work without accompanying text, it was hard to note any of the story titles themselves, as they were in Chinese! But there were a few that stood out to me. The editor does a great job of adding notes and translations, however how some of them would pop up as footnotes right in the audio did add a slight layer of confusion for me, as they would repeat the Chinese phrase multiple times before commenting on it. It’s both necessary to define the terms used, but also took me out of the stories a lot.

One story that stood out was a mixture of ghost story, as well as a commentary on the pricing crisis on land that’s happening. An entire housing complex, which our main characters were not aware of when moving in, is mostly being used to house the ashes of the dead. While awake one night, a boyfriend finds a coin in the mouth of his girlfriend, a token used to help the dead. He freaks out and of course they desire to move. The twist that followed was not one I was expecting, and it was well done for something so short. The commentary on land, taking care of loved ones, and placing them to rest, reminded me of this year’s Korean film Exhuma.

Another I particularly enjoyed found a man and woman waking up inside an apartment. With no way out, they are trapped, and as their kidnapper knocked them out, they don’t even know where. Through various phone calls, the person on the other line offers them ways out through various tasks or tricks. I listened to this story right after watching Saw II and the comparisons cannot be understated. While there are no contraptions, the life and death possibility of being trapped, as well as the choices to save each other, does have a kind of Jigsaw feel with the person on the other end of the line. It also feels very reminiscent of those earlier 2000s movies where all the trapped person has is a phone.

Otherwise, with this being kind of mixed, as it includes short stories, novelettes, and novellas, I did struggle a bit with the different lengths, as sometimes I’d get used to a specific voice and then the story would promptly end. Then you’d start all over. I feel like collections of all shorts are a bit easier, but there were none that I disliked! As the editor notes several times throughout, some of these were what would be considered very Classical Chinese horror…which kind of felt like differing stories with the same ending of, “they were dead the whole time!” Not really displeasing, but I think it’s why I enjoyed the ones that differed the most.

The author very kindly offered me a physical ARC. And after reading a Grind reference 7 pages in, I knew I made a good decision. And then later an Underoath reference. And the G-2 07 Pilot is truly the best pen. I hope these are references where I am like the author, cause otherwise it means I’m like Schroeder…

This novel is a psychological trip of stream of consciousness. With winding, incredibly longwinded sentences, paragraphs, chapters even. It took some getting used to, but I’m absolutely enthralled by how the author was able to go on such runs. I can only assume he spent huge chunks of time just thinking, watching, being. And the way he was able to make it almost compulsive to read, while often the character himself is even losing the strain, is truly something.

Schroeder is riding his bike through town, making pit stops, and ending lives. He’s described as a kind of normal guy, but all I could think of was how much stamina he had for biking all day long. Not to mention the other exercising he was stopping to do. It’s clear that he’s a pretty traumatized person, as who else would do the things he does, however he has a pretty positive outlook on the world it seems, or perhaps it’s because he knows what he’s doing. A day long bike ride that’s a propulsive revenge tale.

The one thing I struggled a bit with was the why. At first I thought it was strange that I didn’t really understand why he was doing these things, and then I understood that it was a decided choice from the writer. And as my curiosity continued to peak, I arrived at the end of the novel, which features a great deal of explanation and heartbreak. It works well, but I wonder if it would have made the earlier bits just that much stronger if these tidbits were making themselves present during all his musings on the bike? I for one, never get far before my troubles make themselves present at the forefront of my mind.

I think the biggest win here for me, is the fact that the author takes you through Shroeder’s musings for pages on end, and then they are broken up with these almost blissful moments for him while he’s doing harm to others. Harm that is bordering on extreme or even the splatterpunk edge, without going too nasty for readers. It’s this fine edge of walking that line between extremes—the extreme of thought, and the extreme of revenge. It works quite well. And while I wouldn’t say I necessarily agree with him, I do understand the lengths he’s been pushed.

Thanks to the author for the e-ARC! This short story collection was a lot of fun.

Investation is the story of a man that invested his inheritance into purchasing a solar system. One way out of the way, but with the hopes of wealth sometime in the future. That sometime happens to come up much faster for them than expected, and with wealth comes problems. This felt kind of like Childhood’s End, just somewhat flipped, and taken to its extreme.

Rememory is a futuristic story, taking place in what felt like a Blade Runner-esque Japan, where memory has become the only form of currency. And just like with dollars and cents, where there’s profit, there’s always someone wanting more. The rich covet, investing in people who are referred to as Hard-Drivers, aka those kept safe like a piggy bank of others memories. This has some thriller notes that were reminiscent of the film In Time, and some of the more scifi notes involving memory recall/replay that are hit upon in the movie of the same name, Rememory.

The Hunter Remains reminded me of The Land Before Time or the book Hunted, in that the author here has personified dinosaurs. Their is still a hierarchy of hunters and pray, but they have thought throughout. Unlike the two examples though, this is kind of an adult, violent, dinosaur-fueled Noah’s Ark.

Good As Gold features the city, New Yesterday, which is also the name of one of the author’s novels. So I can only assume this is related, which is exciting, as this was an awesome concept. A city where anything can be ‘retrograded’, any past can be rewritten. This is a bank robbery gone wrong in a shifting personal perspective that felt very a la Inception.

Dragonpiercer is an interesting one. A man and his helping lover create, at long last, a potion with the power to change him into dragon. It’s a dream he’s been chasing since birth. It’s somehow both super scifi and fantasy as one. Both castle Dracula vibes and monster Frankenstein.

The Forgotten Melody is a real quick one. A musician and a beautician seek to awaken statues with a partially stolen song.

Postcards From Another World was one of my favorites! It reminded me of my friend’s release, I Tried Calling, in that it features a story entirely told through transcriptions. This was a quick scifi read, but it dealt with parenthood, loss, grief, and finding peace again.

Hear No Evil is a fantastic supernatural/superpower story that meshes with detective crime! An officer that can collect evidence through unusual means is caught in the web of the wrong person. All I can say is that I want a full novel of this asap.

The Caretaker is the story of a silicon based copy of military persons given to their families to help with the distance. The story has the war taking place off world, so assumably quite far. Very reminiscent of The Black Mirror episode, Be Right Back, with notes of Detroit Become Human and A Sorrow Named Joy by Sarah Chorn. With an ending that made me wish it was only the beginning.

Skybound is another story that’s more than likely novelette length. It is an eco-scifi/horror that’s a little too near-future for me. The destruction of the planet is worse than ever, and by 2030, weather is uncontrollable. Kind of like the scientists of today, they look to space as the answer. Reminiscent of statements made by Elon Musk, and the film Interstellar.

A Stitch Between Worlds isn’t exactly a sequel story to Rememory, but it is kind of an adjacent one. An agent is pulled off of investigating Felix and Jock to work a new case. This case involves a man that can seemingly create dreamscapes that appear to be real. The only problem is, they just might me. This was a really awesome way to wrap up the entire collection, interlocking each.

All in all, I absolutely loved every single story included in this collection. Strong writing, well thought out concepts, and super fast paces. This might be one of my favorite collections I’ve ever read.

Thanks to Truborn Press for the e-ARC, I’m glad for this spooky read!

With the son’s name being Craven, and the way the story opened, I really thought this was going to be some kind of modernized werewolf story. I’m not entirely sure why, but that was the first thought that hit me. It’s not, and I happened to like the direction the story took.

Leo is the daughter of one of Paul’s closest patients. So when something goes wrong, his wife thinks it’s only right that they take him in. The eight year old has some real quirks to him, and it’s a learning curve for the entirety family. He’s obsessed with death, recruiting a small army of roadkill and dead animals. He keeps them in a backpack, and plays with them like toys. However, when he does, strange things happen, and they even seem to move…

It’s not just Craven having a hard time adjusting to this new life change…frankly there’s something off about Leo and his parents just can’t see it. He tries to reach out and make the brotherly connection, but it doesn’t work, doesn’t last, and things go wrong from there. I even liked how Leo speaks in a way that’s not usual for a child to his adoptive father, really adding to that layer of other.

While this is short, it does do a solid job of building an atmosphere of paranoia, and Craven seems to be the only one noticing that there’s something wrong with Leo. It could be Paul’s blissful ignorance, his wife’s plotting, or something else entirely that’s keeping them blinded to it. But will they catch on only when it’s too late? The later, more demonic, parts of this book brought to mind scenes from Paramount’s Evil, which I loved.

The examination of familial ties is really well done, and although I wish this had a wider, more in depth ending, the story really is about that examination overall. The ties that bind them are also part of the problem, dragging them down. This family’s legacy is anything but normal.

Thanks to NetGalley, MCD books and Macmillan Audio for the ARC. Unfortunately, I’m really not sure which way I’m leaning on this one.

For starters, this was not at all what I expected, and it was not at all what I was looking for. While that’s not the fault of the book, it did hinder my enjoyment throughout. I find the blurb to be quite misleading, as it continually questions if things are supernatural, demonic, possessive. That’s not really what this is about. There are hints, or even outright comments, but it’s something all its own.

Now that the novel is out, and it’s getting into spooky season, it’s worth noting that this is not a haunted house story. At least not the Halloween month-style most readers will be looking for. One of the things I enjoyed the most, which I assume is what they meant by ‘a new kind of haunted-house story’, is that the novel is really pushing the idea that a house can be haunted in way more ways than the paranormal. With that concept it’s really pushing those bounds with its themes.

After the death of their parents, Ezri is forced home to Texas to meet with their sisters to finalize things. While each and every occupant of the house suffered, Ezri’s journey through childhood was the darkest. Perhaps that’s why they fled all the way to England. They’ve always been different, and that’s also a huge portion of why. The author labeled them as trans, although with their desire to be and broadcast as both at different times, I did wonder if the term gender-fluid was more accurate (but I don’t know). Either way, the author does make a point to showcase their experience and traumas as different, and that stood out much more to me than most of the commentary on race, even though a huge part of the plot is them being the first black family in an all white neighborhood. However the woman in the beginning saying “so articulate”, really led right off with how the book would commentate. And from the author of The Deep, you shouldn’t be surprised there. The twist at the end also hit in a kind of Get Out way that I will not spoil.

One this that took me 100% out of the story multiple times, is that the blurb mentions upper-middle class, but then the parents actions clash with that, and then there’s also all the kids feeling like their parents were frugal and they didn’t know they had money? Right in the beginning, a neighbor mentioned wanting the house but picking a different one, the mother insinuates that it was because the woman could not afford their house. The house is commented on as being large, and inside an entirely gated community. The mother’s tastes for furniture are expensive, even imported foreign pieces. They comment on the fact that the father HAD to have a $100,000 tv. In one pivotal scene, that showcases the mother in a particularly good mood, she wants to take them to a dinner to celebrate good news. It is remarked upon that they are not dressed for that kind of restaurant. So, instead of going to change, the mother buys every single on of them a brand new outfit. Head to toe to be able to go to the fancier dinner spot. Then one sibling asks if they can ice skate after dinner at the mall too and the mother says of course. Then in the present day portion of the novel, the family is astonished to hear that they were set to receive over a million dollars prior to liquidating anything else. I’m sorry, and maybe it’s just my lower middle class upbringing catching all the surprise here, but that sounds like an incredibly wealthy family, not one breaking into the upper middle class?

As one of four siblings, there were also some very odd things the siblings did together that stood out to me, but maybe that’s just my family dynamic? Like cuddling together in bed as adults, comments on wanting to lick tears away, as well as some questionably off massaging. Maybe this was another layer to show reactions to the trauma, but it took me out of the story a bit too much.

But at one point towards the end, someone’s reading The Bluest Eye by Toni Morrison, and I felt that the novel’s name drop was a really good choice as this is kind of an amalgamation of that book with the idea of a haunted house. All in all, some things in this that I really liked, and others that detracted from them.

There is something off about Val the crossing guard. Eric has taken notice, and he feels certain. She’s doing something funky to the water bottles she offers out to the school kids. But when she catches him trying to destroy them, he quickly blames another passing kid. Safe for the moment, but no less culpable.

This was quick and enjoyable. It read like a Goosebumps short, like something from Tales to Give You Goosebumps or even the newer series Stinetinglers. It even has the kind of classic cliffhanger ending you’d expect.

This is available in the full collection Nightmares From a Desk, but for $0.99 this is a great sample of the author’s work if you’re on the fence.

I’ve had this paperback for a while, so I decided to get to it as a spooky season read, as well as a Hispanic Heritage Month read.

The first story, The Crossing Guard, is also available separately as a kind of sample to the author’s writing. There is something off about Val the crossing guard. Eric has taken notice, and he feels certain. She’s doing something funky to the water bottles she offers out to the school kids. But when she catches him trying to destroy them, he quickly blames another passing kid. Safe for the moment, but no less culpable.

It read like a Goosebumps short, like something from Tales to Give You Goosebumps or even the newer series Stinetinglers. It even has the kind of classic cliffhanger ending you’d expect. I look forward to the sequel story.

While many of these shorts read like the author’s version of Goosebumps, they do range from middle grade characters/feeling to adult reads. Some of which are definitely more extreme too. One of my favorites is a story about a break in that’s mixed the feelings of slashers/The Strangers vibes with those of the more mysterious and ancient ritual tropes. Think home invasion times un-killable killer. It allowed for some really interesting twists, and even got my own creative ideas flowing honestly.

From monsters to aliens, theme parks to bugs, magic napkins and evil lies, Heredia knows his way around some horror tropes. And this collection has a fantastic set of story headers.

There’s also a great deal of diversity present in these stories that I feel as if you don’t exactly see elsewhere. That remembrance to include others. If it wasn’t the main character, it was a named character that was involved. And I thought that was perfect for Hispanic Heritage Month.

The audio done by Thom Rivera is well performed and I think he’s a good voice for Peter and Spidey.

Personally I love Spider-Man, but I didn’t grow up in a comic book household. So for me, my first Segway into it was the 90s animated series. And then I became a mega fan when Tobey took on the role.

This collection starts with a pretty awesome novella that covers the origin story. Peter is bitten by an irradiated spider that has been causing some problems inside Dr. Otto’s mechanical arms. While not so different from many of the other versions, I like the idea of one of his greatest enemies having a direct connection to creating his alter ego. The accident that ensues also inadvertently creates Doc Ock. Then in a very similar sequence to the Sam Raimi movie, Peter creates this alter ego in hopes of stopping the burglar that killed his uncle Ben. I’ve always like the idea of finding new strength and immediately wanting revenge, but then becoming this superhero that’s arguably the most genuinely ‘good’ out of all of them. This “good guy” version is kind of what they seem to be doing with Tom Holland’s portrayal.

The other stories are collected like an anthology. I liked and disliked some of them, but nothing stuck out as particularly bad. Mostly they felt like they belonged to a bigger piece, which made them kind of seem like they were always missing something. I did enjoy a story where Mary Jane asks simply for five more minutes, just for Peter to be told by a police officer that he was five minutes too late to save someone. A really good short on the idea of time and how particularly hard it would be to be a hero and also try to have personal life.

Knew I wanted to get to this while it was still new. After reading The Devil Takes You Home and getting a feel for the author, that desire only went up. Also nicely fit as a Hispanic Heritage Month read!

This is a revenge story like no other. A group of friends seek revenge after one of their mothers is murdered. These childhood friends stick together no matter how dark and dangerous things become. No matter how many twists or lies become uncovered. As I am coming to gather is the author’s signature, this book is anything but just a revenge story. Multilayered and devastating, their devotion to each other will have you recalling childhood friendships that seemed so unbreakable, and have you thankful things never came to this.

One thing that seems a constant, is that no matter where the author takes us—in this case Puerto Rico—his writing has this razor sharp edge to it, that is both poetic and devastating. As with his other novel I’ve read, this book has huge dialogue sections mixed with Spanish and no translation. This unerring stance is his stamp of authenticity that will keep me coming back for years to come. I do not speak Spanish, and as I was listening to the audio while working, I am not in the camp of people translating for themselves as they read. Especially as I do not have any text. I just love this idea that there’s three experiences out there for every book he writes. No translations, translations while reading, and Spanish speaking. The fact that I can find so much to enjoy while not knowing chunks of dialogue is such a success to me, and makes me want to experience it in other ways.

And as these friends get deeper and deeper into this revenge plot, the further they’re forced to go is also getting deeper. Iglesias does so much with violence that I never knew was even possible. These bouts of hyper-violence are so dark and shocking, but still so layered into how everyone processes them, that they further the plot too. Each friend feels differently, will do something differently. But they’re together til the end, right? The author uses this shock value to further hammer home his themes.

As a hurricane blows in, the author uses it as the perfect curtain to draw over everything and add in a bit of mysticism and supernatural. And while metaphoric in itself, it’s also a shockingly creepy twist all on its own.

“All stories are ghost stories, and some stories turn us into ghosts.”

How far would you go for revenge? Would you up the violence, the depravity, to reach your goal? Would you let it whittle you away until there was nothing left?

I was contacted by a publicist and offered a physical ARC. I’m glad I said yes! I believe this release is a reissue from Hellbound Books.

The novel focuses in part on Ted. Ted’s mother was a real piece of work, and although his time in the military most likely exasperated things, she was the crux to his unhinging. Now, Ted has an insatiable hunger, the drive to kill. These are what Ted calls his score. One couple, a particularly important score for Ted, is one of the town’s greatest unsolved mysteries. One that the local police took into their retirement even. And I loved that the marketing used the ‘newspaper’ clipping of it as the book wrapping. Ted’s got quite the long list of kills, making him one hell of a serial killer.

The other focus, is on the Benton family. Especially the daughter Jules and her boyfriend David. I originally thought this was a kind of unique way to set up a final girl, but this isn’t your typical slasher. Jules and David have been talking about when and how to do it for the very first time, and when David’s parents go away for a week, the timing seems perfect. The chaos that ensues after is almost endless. Deceit, cheating, lies, and sneaking around lead them on a path of their own destruction. A path that may lead right to an elderly Ted.

Now one thing that I can’t really tell if I liked or not, was the incredible amount of sex in the story. The author does pretty well with having it present, while not making the reading all that X rated, which for me is a plus. My issue is that it’s so constantly present that it bleeds into everything. Ted’s disgusting perversion, teenagers (Jules and David especially, and even the Benton parents. And while that’s certainly fitting for those old school slashers, it just made it feel like there was no destination between anyone or the different arcs. But I’m not saying I dislike it, because part of me wonders if it was in itself a commentary of that.

There were a few moments, like with Ted and his mother and then again later in the novel where I felt like we were getting into something that felt almost like it could be Dexter: New Blood-ish. Not to mention Ted’s drive certainly has a ‘dark passenger’ feel to it from the very beginning. And while I wished that this truly did come to pass, I enjoyed the ending the way it was. No one is safe. And no one can ever truly know the depths that they’re willing to go until they get there. Three different incidents, and three differently viewed types of evil.

Thanks to NetGalley and Quirk Books for the audiobook ARC! Cassidy Brown did a nice job, handling the author’s humor well.

This was a unique read for me. The kind that stuck out to me the entire time. It is a nonfiction book, about many horror movies that are originally books. So… a book about film based off a book. I don’t know, maybe that’s not that special/weird.

For me, the ones I appreciated listening to the most, were the ones I’ve seen before (and some I’ve even read). They are: Psycho, The Exorcist, Halloween, The Shining, The Thing, Candyman, Scream, The Blair Witch Project, The Ring, 28 Days Later, Saw, The Conjuring, It Follows, Get Out, and Hereditary. While the majority here may not be based off books, there is a slew of unmentioned goodies throughout that are, and are equally worth checking out I’m sure. I enjoyed these because it was nice to hear someone else’s take aways and thoughts on things I don’t get to discuss much.

As somewhat of a newbie to horror myself, it was interesting to read someone else’s journey through finding horror later in life. And no spoilers, but it was equally interesting to find out which of the FanFi/FearForAll crew were also Weenies! I used to not even stay in the room if someone else had something scary on, and what counted as scary was shockingly mild compared to now.

The author runs the reader through each film almost like giving a synopsis, then discusses why they found it an important inclusion, and then explains some interesting tidbits that they say you could use at a party with diehard fans. I took this as more wit, because honestly I wouldn’t go toe to toe with any facts on something that was someone else’s favorite. Not me at least.

My favorite part was the author discussing what impact the choices had on horror as a whole. Why it was a hit, or flop, and how it impacted the horror industry. Not everyone may agree with the choices made, but for me, there’s a whole new set on movies on my to-watch list now.

Had my eyes on this one for a while and decided to grab it for National Book Buying Day. Perfect timing for Hispanic Heritage Month too!

Nathan Crane is a typical young adult. Handsome, somewhat charming, normal. Sure he’s had some issues with love in the past, and sure his life at home isn’t perfect, but who hasn’t gone through something like that?

When Nathan meets Christine, the new girl at school, they instantly connect, and while he walks her to class, they agree to meet up again for lunch. The friendship is fast and strong, and Nathan is immediately taken with her, even ignoring Marlene, who so obviously is interested in him. One night at an alcohol-infused party, Christine is a little too generous with herself, and Nathan leaves upset—which also hurts Christine. But when Nathan finally lays his heart out to her, she’s quick to turn him down. Already coming undone throughout the novel, Nathan starts to crack and splinter, spiraling into a deep, dark descent.

Personally, I happened to really enjoy the fact that the relationship has some building before the initial rejection starts. In that way, it’s a lot deeper than the blurb gives it credit for. Christine is interested, she’s flirtatious, she’s engaging, she just doesn’t want to be with Nathan. For me, it just gives the story a much needed layer where it allows for Nathan to not just be this colossal creep.

However, once Nathan has gone over the edge, and settled on his plan, there’s nothing left to keep the creep from showing, and god is he awful. Perhaps Reyes’ best writing yet, this is a fantastic showcasing of infatuation, toxic masculinity, and a torturous upbringing coalescing into all out obsession. If Nathan can’t have Christine, no one can.

Nathan’s spiral gives Reyes the room to give us some unique and gruesome kills. From self defense to unfettered cruelty. And while I wouldn’t say I had fun with them, as I was so investing in the creep factor, this is a set of spree killings that really do show just how unhinged the main character is. There is a small paranormal plot line that the reader is never really sure about throughout the story. It’s quick and small, and I found myself wondering why it was there. The twist it brings really worked for me though, and it adds to Nathan’s craziness once you understand.